The BKK DOC 2020 STEPHFF AWARDS
The nominated and the awarded documentaries will have the opportunity to access a dedicated audience online (vod), and offline during the Festival to be held in Bangkok at the prestigious Goethe Institut Bangkok in December.
Awarded projects will be entitled to receive the Prestigious BKK DOC "Stephff Award", in the form of an original drawing by renowned bangkok based news cartoonist Stephff.
More info: www.bkkdoc.com
The surging COVID-19 pandemic in Arizona and across the country and in anticipation of the availability of the approved coronavirus vaccines has prompted the postponement of the 27th annual Sedona International Film Festival from Feb. 20-28 to June 12-20.
Pat Schweiss : “We made the responsible decision to postpone the Festival. The good news is that having the Festival in June also opens up some great opportunities to reinstate features we had canceled and introduce new ones,” said Executive Director Pat Schweiss. “We also felt that with vaccines becoming available, it would give us all a greater level of confidence to bring people together. Our health and safety protocols will remain in place.”
Schweiss said that among the new offerings would be outdoor screenings of films and events “at venues throughout Sedona where we can enjoy Arizona’s great weather while watching tremendously creative films and remaining socially distant.”
“And, we’re very excited to announce our inaugural screenplay competition,” he added. Categories include feature screenplay, short screenplay, one-hour TV pilot, half-hour TV pilot and Arizona screenplays. Quarterfinalists, semifinalists and finalists will be announced early next year.
The change in the Festival date still means a diverse range of full-length features, shorts, documentaries and foreign films sure to have something for everyone. A virtual component for online screening of films will be part of this year’s Festival as will opportunities for patrons who would prefer not to attend public screenings to purchase Virtual Screening Passes.
“Our selection committees are currently screening more than 1,000 films that have been submitted to select around 100 films for the Festival,” he said.
Modifications at screening venues will ensure appropriate social distancing and masks will be required for films scheduled at the Mary D. Fisher Theater, Sedona Performing Arts Center (SPAC) and the two largest theaters at Harkins 6.
Additional modifications include:
• To eliminate waiting lines and congregating at the theaters, pass holders and individual ticket buyers will be able to choose their seats. Staggered start times will allow filmgoers to move directly to their seats when the doors open.
• Masks will be required in all venues and staff and volunteers will have their temperature taken every day.
• Northern Arizona Healthcare professionals will be on site to monitor safety protocols and be available to answer questions.
Schweiss said that filmmaker workshops will be offered both on-site, with attendance limited and social distancing in place, and online. A full schedule of workshops will be available in May.
“We are moving with an abundance of caution and an equal abundance of excitement because we are seeing some incredible films coming our way and the new features will add another level to the Festival film experience,” Schweiss said.
Gold Passes offering unlimited films for live viewing and Virtual Screening Passes will go on sale in early spring with Early Bird Discounts. Single tickets will go on sale at a date to be announced. There will be no 10-and-20 ticket packages this year “because, given the reduced seat capacity in each theater, we can’t guarantee seats will be available if the theaters reach capacity.”
The complete lineup of films will be available early in 2021.
For more information, visit www.SedonaFilmFestival.com
Relive in pictures the 49th edition of the Festival du nouveau cinéma!
Against all odds, the she-wolf has worked hard to offer you an exceptional edition, full of surprises and warm. We are happy to be able to make you relive the highlights of #FNC49, enjoy!
A huge thank you to all for making this edition a success despite the challenges that were imposed on us in this year 2020! We invite you to come together in 2021 to celebrate the FNC 50th anniversary!
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The leading film festival for diversity in the UK has found a new home on the Apple TV app
The British Urban Film Festival today announced that it has launched a dedicated collection of 70 official selections, including B.U.F.F award-winning titles, on the Apple TV app for customers to buy. ‘The British Urban Film Festival’ collection on the Apple TV app will be the first of its kind for a UK festival and will include over 50 British short films as well as feature film selections, including Sorority from award-winning director James Webber, Scottish sports documentary In the Red directed by Patrick Rooney and the festival’s original production, romantic drama No Shade directed by Clare Anyiam-Osigwe. The collection can be found here: https://geni.us/buff2020
Through the Apple TV app, audiences can easily find and buy B.U.F.F films throughout December and into the New Year. This year’s festival selection will feature a variety of respected talent, such as Tobias Menzies in The Velvet Abstract, Judi Love in Time to Collect, Tamer Hassan in Queen of Diamonds, Bruce Jones in Shiney, Katie Dickie in Sorority, Sharon Duncan-Brewster in Snowflakes, Roger Griffiths in Hard Time Bus and Wil Johnson in Transference.
In addition, a selection of films will be available on the festival website from the 10th December including All on a Summer’s Day starring Antonia Thomas (Small Axe, Misfits) and James Floyd (My Brother the Devil), How to Stop a Recurring Dream staring Ruby Barker (Bridgerton) and Jamie Michie (Deadwater Fell), and Solitary starring Johnny Sachon.
Additional script reading and daily Q&A panels with guests, including BAFTA chair Krishnendu Majumdar, will be available on the B.U.F.F website throughout the festival, supported by Greenlit Fund. There will be three script readings hosted by B.U.F.F lead script juror Clare Anyiam-Osigwe. The three scripts were chosen by a panel of jurors including Isis Davis (Secret Garden) and Jesse Quinones (Cage Fighter) and include modern British western Hell Water by Tim Mallon, South American thriller Made in America by Brendan Kelly, and Twickenham based apocalyptic drama Chalice and Blade by Charlie Taylor. A cast of actors will perform 20-minute extracts of the scripts.
B.U.F.F founder and festival director Emmanuel Anyiam-Osigwe MBE said: “The British Urban Film Festival is delighted to have found a home on the Apple TV app offering our unique brand of urban independent cinema to new audiences, not just in the UK and Ireland but also in the United States, Canada and South Africa. It’s great to reach a global audience with our official selections thanks to Apple and our partners at Dicentia Studios.”
Bobby Johar, CEO of Dicentia Studios, said: "For small and large film producers and distributors alike, it’s a complex journey to launch content on various digital global marketplaces. There are so many technical standards, requirements and barriers to overcome before you see your feature film or tv-series receive exposure and revenue online. We are proud to help the B.U.F.F community of creative filmmakers with this unique opportunity to reach millions of viewers through the Apple TV app.”
The annual B.U.F.F. Awards Ceremony, hosted by Femi Oyeniran, will be the centrepiece of proceedings on Friday 25th December. This year's ceremony will return once again to the Met Film School at Ealing Studios however this year there will be no audience presence due to Covid-19 regulations.
The Apple TV app brings together all the ways to watch shows and movies into one app and is available on iPhone, iPad, Apple TV, Mac, select Samsung, LG, Sony and VIZIO smart TVs, Roku and Amazon Fire TV devices, and PlayStation and Xbox consoles. It features Apple TV+, Apple’s video subscription service offering original shows, movies and documentaries from the world’s most creative storytellers, as well as Apple TV channels, personalized and curated recommendations, and movies and TV shows to buy or rent.
B.U.F.F. 2020 programme overview:
Tue 8 Dec
The Changing Faces of BAFTA panel
1:00pm – 2:30pm
Fri 18 Dec
The British Urban Film Festival room launches on the Apple TV App, with additional films made available on the B.U.F.F. website
Virtual script readings 4:30pm - 6:30pm
Sat 19 Dec
Daily Filmmaker virtual Q&A’s
Black Films Matter 1:00pm-2:00pm
Drama Showcase 1 4:30pm-5:30pm
Black Films Matter selections: Dolly; Little Dog, Big Dog; Resolution, Snowflakes, S.O.U.L of a Black Woman, Stop and Search, We Do What We Can
Drama Showcase 1 selections: City, Palindrome, Sorority, What is dIGIHIRO, Cold Feet
Sun 20 Dec
Daily Filmmaker virtual Q&A’s
Life & Death 1:00pm-2:00pm
Laughter Zone 4:30pm -5:30pm
Life & Death selections: Dismissed, Domino Effect, Elephant, I Am Pilate, Maithiunas, PODS short film, Smiley Face, Stilled, Time to Collect, Transference, Where is God Now
Laughter Zone selections: Cleaning House, Gurrl, Hungry Joe, Loyalty or Lies, Shiney, Steve, Stranded, The History of Nipples
Mon 21 Dec
Daily Filmmaker virtual Q&A’s
Arthouse 1:00pm - 2:00pm
Documentary 4:30pm -5:30pm
Arthouse selections: A Fashion Show, Knightvolf, Loki’s Game, Mi o Le Ku (Survival), Rice and Bread, The Overcoat, The Velvet Abstract
Documentary selections: In The Red, Deleted, Mini DV, The Bern Identity, Women of Impact, Ayiti: The Awakening; Spit Fire, Dream Higher
Tue 22 Dec
Daily Filmmaker virtual Q&A’s
Love Stories 1 1:00 – 2:00pm
Love Stories 2 4:30pm-5:30pm
Love Stories 1 selections: A Living Sculpture, Fool’s Errand, Games Night, Inheritance, January 14th, Meteque
Love Stories 2 selections: Mino: A Diasporic Myth, Sweet Street, Thrive, Unregistered, What You Will, Yolk
Wed 23 Dec
Daily Filmmaker virtual Q&A’s
Drama Zone 1 1:00pm - 2:00pm
Drama Zone 2 4:30pm - 5.30pm
Drama Zone 1 selections: Duchess, Escort, Hate, In Your Hands, Moment of Truth, Queen of Diamonds
Drama Zone 2 selections: Ruby Red, South Beast, The Chippie, The Lost Land Girl, Thousand Lights of Sun, Trust
Thu 24 Dec
Daily Filmmaker virtual Q&A
Drama Zone 3 1:00pm - 2:00pm
Drama Features 2 Q&A 4:30pm – 5:30pm
Drama Zone 3 selections: Two Hours, The Vlogger, Under the Full Moon, Where are you From, Winter Coat
Drama Features 2 selections: Small City, All on a Summer’s Day, Solitary, The Tale of the Fatherless, How to Stop a Recurring Dream
Fri 25 Dec
BUFF Awards Ceremony
8:15pm - 9.30pm
Notes for editors:
About B.U.F.F.
B.U.F.F. is the brainchild of Emmanuel Anyiam-Osigwe MBE, founded in 2005. The festival is widely acknowledged for its celebration and showcasing of diverse film talent both on-screen and off screen.
https://www.britishurbanfilmfestival.co.uk/
About Apple
The Apple TV app is available on iPhone, iPad, Apple TV, Mac, select Samsung and LG smart TVs, and Roku and Amazon Fire TV devices. The Apple TV app is also available on Sony and VIZIO smart TVs.
Apple and Apple TV are trademarks of Apple Inc,., registered in the U.S. and other countries.
About Dicentia
Dicentia Studios is a digital media fulfilment company, dedicated to help content publishers, producers, distributors, broadcasters and OTT providers to transform, localize and deliver its audiovisual content in any format, in any language, and to any platform required.
About Greenlit
Greenlit is the UK’s premier crowdfunding platform for film and creative projects. Through their tailored package of training and support, Greenlit help producers raise money, build community and find their audience.
Due to the current COVID-19 situation, the 71st Berlin International Film Festival has developed a new festival format for 2021 and is pleased to be able to hold the festival for the industry and the public. The industry platforms European Film Market, Berlinale Co-Production Market, Berlinale Talents and the World Cinema Fund will kick off the 71st Berlinale in March with an online offer. In June, there will be a summer event with numerous film screenings for the public audiences – in cinemas as well as open air. The division allows to maintain the two supporting pillars: film market and festival.
“There is a great desire to meet face-to-face. The current situation does not allow a physical festival in February, at the same time it is important to offer the film industry a market within the first quarter of the year,” says Berlinale Executive Director Mariette Rissenbeek. “With the change in the festival format in 2021, we will have the chance to protect the health of all guests and to support the restart of the cinema industry. With the summer event, we want to celebrate a festival for the cinema and offer the Berlinale audience the long-awaited community experience of cinema and culture.”
The current process of selecting films for the Competition and the sections will be continued. The programme will be published in February and presented to the film industry at the virtual European Film Market (EFM) in March. An International Jury will watch the films in Berlin and will choose the prize winners. The winners and a selection of the films will be presented to the Berlin audience in the summer. To start off the summer event, the Berlinale is planning a festive opening.
“As an answer to the times in which we are living, we have decided to split our offer into two distinct, yet related events and in this way fulfil the mission of the Berlinale. While in March the film industry will be gathered (online) and will be able to support and give light to our selection, in summer – like a new start, 70 years after the first edition – our audiences will be able to celebrate the filmmakers and their teams, in theatres and under the open sky. This gives the opportunity to experience the different sections and profiles of the festival, to watch the films of the international Competition and to celebrate with the winners of the Golden and Silver Bears in a cheerful atmosphere,” says Artistic Director Carlo Chatrian.
The European Film Market (EFM) will now take place online from March 1 to 5. The Berlinale Co-Production Market is similarly relocating its activities from March 1 to 5 online. Berlinale Talents also welcomes its participants virtually to Berlin in this timeframe and, like the World Cinema Fund, it addresses the international specialist audience with digital programmes. More information on the offers and programme content for the industry will be communicated in the upcoming weeks.
Regarding the budget, the Berlinale is currently in talks with the partners as well as with the Minister of State for Culture and the Media (BKM). The BKM has already confirmed extra support for the Berlinale with funds from the special programme NEUSTART KULTUR (additional funding initiative in the field of culture and media).
Overall, the Berlinale would like to emphasise once again that the health and the well-being of all guests and employees come first in all aspects of the planning.
In light of recent pandemic developments, the Berlinale (Berlin International Film Festival) has decided on a multi-part festival format in the upcoming edition, with industry elements in March and audience-only screenings in June. Given our experience in 2020 with the sequential FILMFEST MÜNCHEN POP-UP, we can only support this approach and send our colleagues our best wishes for next year‘s implementation of their festival.
At the same time, we see our plans for next year’s edition further strengthened by the developments in Berlin. We have been planning to design FILMFEST MÜNCHEN 2021 as a live festival with innovative cinema and open air elements all around the city of Munich. During our festival period from June 24 to July 3, 2021, we will offer premieres and encounters for the general public in Munich as well as the entire German film industry.
Festival director Diana Iljine: "We as a festival represent summer, sun, Munich – and face-to-face encounters. A central part of the revitalization of the entire German film and culture sector will take place at FILMFEST MUNICH next summer. We are looking forward to this and wish our Berlin colleagues great success with their plannings."
72 Features, 50 Shorts, 4 Indie Series, 14 New Frontier Projects to Debut on Feature-Rich Digital Platform & Satellite Screens Nationwide
Top L–R: Ma Belle My Beauty; Amy Tan: Unintended Memoir; We’re All Going to The World’s Fair.
Bottom L–R: Little Miss Fate; To Miss The Ending; Would You Rather.
The nonprofit Sundance Institute announced today the showcase of new independent work selected across the Feature Film, Short Film, Indie Series and New Frontier categories for the 2021 Sundance Film Festival. The Festival will take place digitally via a feature-rich, Sundance-built online platform and in person on Satellite Screens across the country (public health permitting) from January 28-February 3, 2021. Additionally, Festival attendees can gather in virtual waiting rooms, participate in live Q&As, and congregate in new, inspired online environments to interact in a range of ways both new and familiar. The Institute shared details of how the Festival will meet audiences on the online platform and Satellite Screens earlier this month.
The Sundance Film Festival is the flagship public program of Sundance Institute. Throughout the year the majority of the Institute's resources support independent artists around the world as they make and develop new work through access to Labs, direct grants, fellowships, residencies and other strategic and tactical interventions.
“Togetherness has been an animating principle here at the Sundance Institute as we’ve worked to reimagine the Festival for 2021, because there is no Sundance without our community,” said Sundance Institute Founder and President Robert Redford. “Under Tabitha's leadership, we've forged a new collective vision: one that honors the spirit and tradition of these invigorating yearly gatherings in Utah, while making room for imaginative new possibilities in a new online format.”
“Of course, the pandemic year demanded adaptation,” said Keri Putnam, Sundance Institute’s Executive Director. “On a deeper level, we also recognize the urgency of supporting independent storytellers at a time of great upheaval in the film and media fields. We’re proud this edition of the Festival is fiercely independent, and will reach people everywhere, celebrating both the theatrical experience at our Satellite Screens and streaming on our platform.”
“This Festival is a singular response to a singular year – both in design and curation – and we are excited about the new dimensions of possibility it will reveal. But at its core is something that speaks to our most enduring values,” said Tabitha Jackson, Director of the Sundance Film Festival. “For thousands of years humans have gathered to tell stories and make meaning. In this pandemic year we gather to celebrate a constellation of artists with unique perspectives that express this current moment and who together are saying, 'We exist. This is who we are. And this is what we see.'"
“The work in this year’s program is groundbreaking, imaginative, and formally daring,” said Kim Yutani, the Festival’s Director of Programming. “With over half the program made by first-time directors, a sense of discovery remains true to us at Sundance. This year's Festival presents irrefutable evidence that despite the challenges, the independent voice is as strong as ever.”
Day One films debuting on the platform to open the Festival will be Censor, CODA, Flee, One for the Road, In The Same Breath, and Summer Of Soul (...Or, When The Revolution Could Not Be Televised).
Son of Monarchs, screening in the NEXT section, has been named the winner of the Alfred P. Sloan Feature Film Prize.
Announced today: the full 2021 slate of works, including 72 feature-length films, representing 29 countries and 38 first-time feature filmmakers. 14 films and projects announced today were supported by Sundance Institute in development, through direct granting or residency Labs. 66 of the Festival’s feature films, or 92% of the lineup announced today, will be world premieres. These films were selected from 14,092 submissions including 3,500 feature-length films. Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international. Director demographics are available in an editor’s note below.
The projects confirmed for the 2021 Sundance Film Festival are:
U.S. DRAMATIC COMPETITION
Presenting the world premieres of 10 narrative feature films, the Dramatic Competition offers Festivalgoers a first look at groundbreaking new voices in American independent film. Films that have premiered in this category in recent years include Minari, Never Rarely Sometimes Always, The Farewell, Honey Boy, Clemency, Eighth Grade, and Sorry to Bother You.
CODA / U.S.A. (Director and Screenwriter: Siân Heder, Producers: Philippe Rousselet, Fabrice Gianfermi, Patrick Wachsberger) — As a CODA – Child of Deaf Adults – Ruby is the only hearing person in her deaf family. When the family’s fishing business is threatened, Ruby finds herself torn between pursuing her love of music and her fear of abandoning her parents. Cast: Emilia Jones, Eugenio Derbez, Troy Kotsur, Ferdia Walsh-Peelo, Daniel Durant, and Marlee Matlin. World Premiere. DAY ONE
I Was a Simple Man / U.S.A. (Director and Screenwriter: Christopher Makoto Yogi, Producers: Sarah S. Kim, Christopher Makoto Yogi, Matthew Petock, Yamato Cibulka) — As a family in Hawai'i faces the imminent death of their eldest, the ghosts of the past haunt the countryside. Cast: Steve Iwamoto, Constance Wu, Kanoa Goo, Chanel Akiko Hirai, Tim Chiou, Boonyanudh Jiyarom. World Premiere
Jockey / U.S.A. (Director: Clint Bentley, Screenwriters: Clint Bentley, Greg Kwedar, Producers: Clint Bentley, Greg Kwedar, Nancy Schafer) — An aging jockey is determined to win one last championship, but his dream is complicated when a young rookie shows up claiming to be his son. Cast: Clifton Collins Jr., Molly Parker, Moises Arias. World Premiere
John and the Hole / U.S.A. (Director: Pascual Sisto, Screenwriter: Nicolás Giacobone, Producers: Elika Portnoy, Alex Orlovsky, Mike Bowes) — A nontraditional coming-of-age story, set in the unsettling reality of John, a kid who holds his family captive in a hole in the ground. Cast: Charlie Shotwell, Michael C. Hall, Jennifer Ehle, Taissa Farmiga. World Premiere
Mayday / U.S.A. (Director and Screenwriter: Karen Cinorre, Producers: Jonah Disend, Lucas Joaquin, Karen Cinorre, Sam Levy) — Ana is transported to a dreamlike and dangerous land where she joins a team of female soldiers engaged in a never-ending war along a rugged coast. Though she finds strength in this exhilarating world, she comes to realize that she's not the killer they want her to be. Cast: Grace Van Patten, Mia Goth, Havana Rose Liu, Soko, Théodore Pellerin, Juliette Lewis. World Premiere
On the Count of Three / U.S.A. (Director: Jerrod Carmichael, Screenwriters: Ari Katcher, Ryan Welch, Producers: David Carrico, Adam Paulsen, Tom Werner, Jake Densen, Ari Katcher, Jimmy Price) — Two guns. Two best friends. And a pact to end their lives when the day is done. Cast: Jerrod Carmichael, Christopher Abbott, Tiffany Haddish, J.B. Smoove, Lavell Crawford, Henry Winkler. World Premiere
Passing / U.S.A. (Director and Screenwriter: Rebecca Hall, Producers: Forest Whitaker, Nina Yang Bongiovi, Margot Hand, Rebecca Hall) — Two African-American women who can "pass" as white choose to live on opposite sides of the color line in 1929 New York in an exploration of racial and gender identity, performance, obsession and repression. Based on the novella by Nella Larsen. Cast: Tessa Thompson, Ruth Negga, André Holland, Alexander Skarsgård, Bill Camp. World Premiere
Superior / U.S.A. (Director: Erin Vassilopoulos, Screenwriters: Erin Vassilopoulos, Alessandra Mesa, Producers: Benjamin Cohen, Grant Curatola, Patrick Donovan) — On the run, Marian returns to her hometown in upstate New York to hide out with her estranged identical twin sister, Vivian. Struggling to put the past behind her, Marian lies about the reason for her return, leaving her sister in the dark until their two worlds begin to collide. Cast: Alessandra Mesa, Ani Mesa, Pico Alexander, Jake Hoffman, Stanley Simons. World Premiere
Together Together / U.S.A. (Director and Screenwriter: Nikole Beckwith, Producers: Anthony Brandonisio, Daniela Taplin Lundberg, Tim Headington) — When young loner Anna is hired as the surrogate for Matt, a single man in his 40s, the two strangers come to realize this unexpected relationship will quickly challenge their perceptions of connection, boundaries and the particulars of love. Cast: Ed Helms, Patti Harrison, Tig Notaro, Julio Torres, Anna Konkle. World Premiere
Wild Indian / U.S.A. (Director and Screenwriter: Lyle Mitchell Corbine Jr., Producers: Lyle Mitchell Corbine Jr., Thomas Mahoney, Eric Tavitian) — Two men are inextricably bound together after covering up the savage murder of a schoolmate. After years of separation following wildly divergent paths, they must finally confront how their traumatic secret has irrevocably shaped their lives. Cast: Michael Greyeyes, Chaske Spencer, Jesse Eisenberg, Kate Bosworth, Phoenix Wilson, Julian Gopal. World Premiere
U.S. DOCUMENTARY COMPETITION:
Ten world-premiere American documentaries that illuminate the ideas, people and events that shape the present day. Films that have premiered in this category in recent years include Boys State, Crip Camp: A Disability Revolution, APOLLO 11, Knock Down The House, One Child Nation, American Factory, Three Identical Strangers and On Her Shoulders.
Ailey / U.S.A. (Director: Jamila Wignot, Producer: Lauren DeFilippo) — Alvin Ailey was a visionary artist who found salvation through dance. Told in his own words and through the creation of a dance inspired by his life, this immersive portrait follows a man who, when confronted by a world that refused to embrace him, determined to build one that would. World Premiere
All Light, Everywhere / U.S.A. (Director: Theo Anthony, Producers: Riel Roch-Decter, Sebastian Pardo, Jonna McKone) — An exploration of the shared histories of cameras, weapons, policing and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens. World Premiere
At the Ready / U.S.A. (Director: Maisie Crow, Producers: Hillary Pierce, Maisie Crow, Abbie Perrault) — Home to one of the region's largest law enforcement education program, students at Horizon High School in El Paso train to become police officers and Border Patrol agents as they discover the realities of their dream jobs may be at odds with the truths and people they hold most dear. World Premiere
Cusp / U.S.A. (Directors: Parker Hill, Isabel Bethencourt, Producers: Zachary Luke Kislevitz, Parker Hill, Isabel Bethencourt) — In a Texas military town, three teenage girls confront the dark corners of adolescence at the end of a fever dream summer. World Premiere
Homeroom / U.S.A. (Director: Peter Nicks, Producers: Peter Nicks, Sean Havey) — Following the class of 2020 at Oakland High School in a year marked by seismic change, exploring the emotional world of teenagers coming of age against the backdrop of a rapidly changing world. World Premiere
Rebel Hearts / U.S.A. (Director: Pedro Kos, Producers: Kira Carstensen, Shawnee Isaac-Smith, Judy Korin) — A group of pioneering nuns bravely stand up to the Catholic Church patriarchy, fighting for their livelihoods, convictions and equality against an all-powerful Cardinal. From marching in Selma in 1965 to the Women's March in 2018, these women have reshaped our society with their bold acts of defiance. World Premiere
Rita Moreno: Just a Girl Who Decided to Go For It / U.S.A. (Director: Mariem Pérez Riera, Producers: Brent Miller, Mariem Pérez Riera, Ilia J. Vélez-Dávila) — Rita Moreno defied both her humble upbringing and relentless racism to become one of a select group who have won an Emmy, Grammy, Oscar and Tony Award. Over a seventy year career, she has paved the way for Hispanic-American performers by refusing to be pigeonholed into one-dimensional stereotypes. World Premiere
Summer Of Soul (...Or, When The Revolution Could Not Be Televised) / U.S.A. (Director: Ahmir "Questlove" Thompson, Producers: David Dinerstein, Robert Fyvolent, Joseph Patel) — During the same summer as Woodstock, over 300,000 people attended the Harlem Cultural Festival, celebrating African American music and culture, and promoting Black pride and unity. The footage from the festival sat in a basement, unseen for over 50 years, keeping this incredible event in America’s history lost – until now. World Premiere. DAY ONE
Try Harder! / U.S.A. (Director: Debbie Lum, Producers: Debbie Lum, Lou Nakasako, Nico Opper) — In a universe where cool kids are nerds, the orchestra is world class and being Asian American is the norm, seniors at Lowell High School compete for the top prize: admission to the college of their dreams. World Premiere
Users / U.S.A., Mexico (Director: Natalia Almada, Producers: Elizabeth Lodge Stepp, Josh Penn) — A mother wonders, will my children love their perfect machines more than they love me, their imperfect mother? She switches on a smart-crib lulling her crying baby to sleep. This perfect mother is everywhere. She watches over us, takes care of us. We listen to her. We trust her. World Premiere
WORLD CINEMA DRAMATIC COMPETITION
Ten films from emerging filmmaking talents around the world offer fresh perspectives and inventive styles. Films that have premiered in this category in recent years include The Souvenir, The Guilty, Monos, Yardie, The Nile Hilton Incident and Second Mother.
The Dog Who Wouldn't Be Quiet / Argentina (Director: Ana Katz, Screenwriters: Ana Katz, Gonzalo Delgado, Producers: Laura Huberman, Ana Katz) — Sebastian, a man in his thirties, works a series of temporary jobs and he embraces love at every opportunity. He transforms, through a series of short encounters, as the world flirts with possible apocalypse. Cast: Daniel Katz, Julieta Zylberberg, Valeria Lois, Mirella Pascual, Carlos Portaluppi. World Premiere
El Planeta / U.S.A., Spain (Director and Screenwriter: Amalia Ulman, Producers: Amalia Ulman, Kathleen Heffernan, Kweku Mandela) — Amidst the devastation of post-crisis Spain, mother and daughter bluff and grift to keep up the lifestyle they think they deserve, bonding over common tragedy and an impending eviction. Cast: Amalia Ulman, Ale Ulman, Nacho Vigalondo, Zhou Chen, Saoirse Bertram. World Premiere
Fire in the Mountains / India (Director and Screenwriter: Ajitpal Singh, Producers: Ajay Rai, Alan McAlex) — A mother toils to save money to build a road in a Himalayan village to take her wheelchair-bound son for physiotherapy, but her husband, who believes that an expensive religious ritual is the remedy, steals her savings. Cast: Vinamrata Rai, Chandan Bisht, Mayank Singh Jaira, Harshita Tewari, Sonal Jha. World Premiere
Hive / Kosovo, Switzerland, Macedonia, Albania (Director and Screenwriter: Blerta Basholli, Producers: Yll Uka, Valon Bajgora, Agon Uka) — Fahrije’s husband has been missing since the war in Kosovo. She sets up her own small business to provide for her kids, but as she fights against a patriarchal society that does not support her, she faces a crucial decision: to wait for his return, or to continue to persevere. Cast: Yllka Gashi, Çun Lajçi, Aurita Agushi, Kumrije Hoxha, Adriana Matoshi, Kaona Sylejmani. World Premiere
Human Factors / Germany, Italy, Denmark (Director and Screenwriter: Ronny Trocker, Producers: Susanne Mann, Paul Zischler, Martin Rehbock) — A mysterious housebreaking exposes the agony of an exemplary middle class family. Cast: Sabine Timoteo, Mark Waschke, Jule Hermann, Wanja Valentin Kube, Hannes Perkmann, Daniel Séjourné. World Premiere
Luzzu / Malta (Director and Screenwriter: Alex Camilleri, Producers: Rebecca Anastasi, Ramin Bahrani, Alex Camilleri, Oliver Mallia) — Jesmark, a struggling fisherman on the island of Malta, is forced to turn his back on generations of tradition and risk everything by entering the world of black market fishing to provide for his girlfriend and newborn baby. Cast: Jesmark Scicluna, Michela Farrugia, David Scicluna. World Premiere
One for the Road / China, Hong Kong, Thailand (Director: Baz Poonpiriya, Screenwriters: Baz Poonpiriya, Nottapon Boonprakob, Puangsoi Aksornsawang, Producer: Wong Kar Wai) — Boss is a consummate ladies' man, a free spirit and a bar owner in NYC. One day, he gets a surprise call from Aood, an estranged friend who has returned home to Thailand. Dying of cancer, Aood enlists Boss' help to complete a bucket list – but both are hiding something. Cast: Tor Thanapob, Ice Natara, Violette Wautier, Aokbab Chutimon, Ploi Horwang, Noon Siraphun. World Premiere. DAY ONE
The Pink Cloud / Brazil (Director and Screenwriter: Iuli Gerbase, Producer: Patricia Barbieri) — A mysterious and deadly pink cloud appears across the globe, forcing everyone to stay home. Strangers at the outset, Giovana and Yago try to invent themselves as a couple as years of shared lockdown pass. While Yago is living in his own utopia, Giovana feels trapped deep inside. Cast: Renata de Lélis, Eduardo Mendonça. World Premiere
Pleasure / Sweden, Netherlands, France (Director and Screenwriter: Ninja Thyberg, Producers: Eliza Jones, Markus Waltå, Erik Hemmendorff) — A 20-year-old girl moves from her small town in Sweden to LA for a shot at a career in the adult film industry. Cast: Sofia Kappel, Revika Anne Reustle, Evelyn Claire, Chris Cock, Dana DeArmond, Kendra Spade. World Premiere
Prime Time / Poland (Director: Jakub Piątek, Screenwriters: Jakub Piątek, Łukasz Czapski, Producer: Jakub Razowski) — On the last day of 1999, 20-year-old Sebastian locks himself in a TV studio. He has two hostages, a gun, and an important message for the world. The story of the attack explores a rebel's extreme measures and last resort. Cast: Bartosz Bielenia, Magdalena Popławska, Andrzej Kłak, Małgorzata Hajewska-Krzysztofik, Dobromir Dymecki, Monika Frajczyk. World Premiere
WORLD CINEMA DOCUMENTARY COMPETITION
Ten documentaries by some of the boldest filmmakers working around the world today. Films that have premiered in this category in recent years include Honeyland, Sea of Shadows, Shirkers, This is Home, Last Men in Aleppo and Hooligan Sparrow.
Faya Dayi / Ethiopia, U.S.A. (Director, Screenwriter and Producer: Jessica Beshir) — A spiritual journey into the highlands of Harar, immersed in the rituals of khat, a leaf Sufi Muslims chewed for centuries for religious meditations – and Ethiopia’s most lucrative cash crop today. A tapestry of intimate stories offers a window into the dreams of youth under a repressive regime. World Premiere
Flee / Denmark, France, Sweden, Norway (Director: Jonas Poher Rasmussen, Producers: Monica Hellström, Signe Byrge Sørensen) — Amin arrived as an unaccompanied minor in Denmark from Afghanistan. Today, he is a successful academic and is getting married to his long-time boyfriend. A secret he has been hiding for 20 years threatens to ruin the life he has built. World Premiere. DAY ONE
Inconvenient Indian / Canada (Director and Screenwriter: Michelle Latimer, Producers: Stuart Henderson, Justine Pimlott, Jesse Wente) — An examination of Thomas King's brilliant dismantling of North America's colonial narrative, which reframes history with the powerful voices of those continuing the tradition of Indigenous resistance. International Premiere
Misha and the Wolves / United Kingdom, Belgium (Director and Screenwriter: Sam Hobkinson, Producers: Poppy Dixon, Al Morrow, Matthew Wells, Gregory Zalcman, Jürgen Buedts) — A woman's Holocaust memoir takes the world by storm, but a fallout with her publisher-turned-detective reveals her story as an audacious deception created to hide a darker truth. World Premiere
The Most Beautiful Boy in the World / Sweden (Directors: Kristina Lindström, Kristian Petri, Producer: Stina Gardell) — Swedish actor/musician Björn Andresen's life was forever changed at the age of 15, when he played Tadzio, the object of Dirk Bogarde's obsession in Death in Venice – a role which led Italian maestro Luchino Visconti to dub him "the world's most beautiful boy." World Premiere
Playing With Sharks / Australia (Director and Screenwriter: Sally Aitken, Producer: Bettina Dalton) — Valerie Taylor is a shark fanatic and an Australian icon – a marine maverick who forged her way as a fearless diver, cinematographer and conservationist. She filmed the real sharks for Jaws and famously wore a chainmail suit, using herself as shark bait, changing our scientific understanding of sharks forever. World Premiere
President / Denmark, U.S.A., Norway (Director: Camilla Nielsson, Producers: Signe Byrge Sørensen, Joslyn Barnes) — Zimbabwe is at a crossroads. The leader of the opposition MDC party, Nelson Chamisa, challenges the old guard ZANU-PF led by Emmerson Mnangagwa, known as "The Crocodile." The election tests both the ruling party and the opposition – how do they interpret principles of democracy in discourse and in practice? World Premiere
Sabaya / Sweden (Director and Screenwriter: Hogir Hirori, Producers: Antonio Russo Merenda, Hogir Hirori) — With just a mobile phone and a gun, Mahmud, Ziyad and their group risk their lives trying to save Yazidi women and girls being held by ISIS as Sabaya (abducted sex slaves) in the most dangerous camp in the Middle East, Al-Hol in Syria. World Premiere
Taming the Garden / Switzerland, Germany, Georgia (Director Salomé Jashi, Producers: Vadim Jendreyko, Erik Winker, Martin Roelly, Salomé Jashi) — A poetic ode to the rivalry between men and nature. World Premiere
Writing With Fire / India (Directors and Producers: Rintu Thomas, Sushmit Ghosh) — In a cluttered news landscape dominated by men, emerges India's only newspaper run by Dalit women. Armed with smartphones, Chief Reporter Meera and her journalists break traditions on the frontlines of India's biggest issues and within the confines of their own homes, redefining what it means to be powerful. World Premiere
NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen, A Ghost Story and Tangerine. NEXT presented by Adobe.
The Blazing World / U.S.A. (Director: Carlson Young, Screenwriters: Carlson Young, Pierce Brown, Producers: Brinton Bryan, Elizabeth Avellán) — Decades after the accidental drowning of her twin sister, a self-destructive young woman returns to her family home, finding herself drawn to an alternate dimension where her sister may still be alive. Cast: Udo Kier, Carlson Young, Dermot Mulroney, Vinessa Shaw, John Karna, Soko. World Premiere
Cryptozoo / U.S.A. (Director and Screenwriter: Dash Shaw, Producers: Kyle Martin, Jane Samborski, Bill Way, Tyler Davidson) — As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown. Cast: Lake Bell, Michael Cera, Angeliki Papoulia, Zoe Kazan, Peter Stormare, Grace Zabriskie. World Premiere
First Date / U.S.A. (Directors and Screenwriters: Manuel Crosby, Darren Knapp, Producers: Brandon Kraus, Manuel Crosby, Darren Knapp, Lucky McKee, Charles Horak) — Conned into buying a shady '65 Chrysler, Mike's first date with the girl-next-door, Kelsey, implodes as he finds himself targeted by criminals, cops, and a crazy cat lady. A night fueled by desire, bullets and burning rubber makes any other first date seem like a walk in the park. Cast: Tyson Brown, Shelby Duclos, Jesse Janzen, Nicole Berry, Ryan Quinn Adams, Brandon Kraus. World Premiere
NEXT
Pure, bold works distinguished by an innovative, forward-thinking approach to storytelling populate this program. Films that have premiered in this category in recent years include The Infiltrators, Searching, Skate Kitchen, A Ghost Story and Tangerine. NEXT presented by Adobe.
The Blazing World / U.S.A. (Director: Carlson Young, Screenwriters: Carlson Young, Pierce Brown, Producers: Brinton Bryan, Elizabeth Avellán) — Decades after the accidental drowning of her twin sister, a self-destructive young woman returns to her family home, finding herself drawn to an alternate dimension where her sister may still be alive. Cast: Udo Kier, Carlson Young, Dermot Mulroney, Vinessa Shaw, John Karna, Soko. World Premiere
Cryptozoo / U.S.A. (Director and Screenwriter: Dash Shaw, Producers: Kyle Martin, Jane Samborski, Bill Way, Tyler Davidson) — As cryptozookeepers struggle to capture a Baku (a legendary dream-eating hybrid creature) they begin to wonder if they should display these rare beasts in the confines of a cryptozoo, or if these mythical creatures should remain hidden and unknown. Cast: Lake Bell, Michael Cera, Angeliki Papoulia, Zoe Kazan, Peter Stormare, Grace Zabriskie. World Premiere
First Date / U.S.A. (Directors and Screenwriters: Manuel Crosby, Darren Knapp, Producers: Brandon Kraus, Manuel Crosby, Darren Knapp, Lucky McKee, Charles Horak) — Conned into buying a shady '65 Chrysler, Mike's first date with the girl-next-door, Kelsey, implodes as he finds himself targeted by criminals, cops, and a crazy cat lady. A night fueled by desire, bullets and burning rubber makes any other first date seem like a walk in the park. Cast: Tyson Brown, Shelby Duclos, Jesse Janzen, Nicole Berry, Ryan Quinn Adams, Brandon Kraus. World Premiere
Ma Belle, My Beauty / U.S.A., France (Director and Screenwriter: Marion Hill, Producers: Ben Matheny, Kelsey Scult, Marion Hill) — A surprise reunion in southern France reignites passions and jealousies between two women who were formerly polyamorous lovers. Cast: Idella Johnson, Hannah Pepper, Lucien Guignard, Sivan Noam Shimon. World Premiere
R#J / U.S.A. (Director: Carey Williams, Screenwriters: Carey Williams, Rickie Castaneda, Alex Sobolev, Producers: Timur Bekmambetov, Igor Tsay, John J. Kelly, Alex Sobolev, Anna Soboleva) — A re-imagining of Romeo and Juliet, taking place through their cell phones, in a mash-up of Shakespearean dialogue with current social media communication. Cast: Camaron Engels, Francesca Noel, David Zayas, Diego Tinoco, Siddiq Saunderson, Russell Hornsby. World Premiere
Searchers / U.S.A. (Director: Pacho Velez, Producers: Pacho Velez, Joe Poletto, Cathy Tankosic, Sam Roseme) — In encounters alternately humorous and touching, a diverse set of New Yorkers navigate their preferred dating apps in search of their special someone.World Premiere
Son of Monarchs / Mexico, U.S.A. (Director and Screenwriter: Alexis Gambis, Producers: Abraham Dayan, Maria Altamirano) — After his grandmother’s death, a Mexican biologist living in New York returns to his hometown, nestled in the majestic monarch butterfly forests of Michoacán. The journey forces him to confront past traumas and reflect on his hybrid identity, sparking a personal and spiritual metamorphosis. Cast: Tenoch Huerta Mejía, Alexia Rasmussen, Lázaro Gabino Rodríguez, Noé Hernández, Paulina Gaitán, William Mapother. Alfred P. Sloan Feature Film Prize
Strawberry Mansion / U.S.A. (Directors and Screenwriters: Albert Birney, Kentucker Audley, Producers: Taylor Shung, Sarah Winshall, Emma Hannaway, Matisse Rifai) — In a world where the government records and taxes dreams, an unassuming dream auditor gets swept up in a cosmic journey through the life and dreams of an aging eccentric named Bella. Together, they must find a way back home. Cast: Penny Fuller, Kentucker Audley, Grace Glowicki, Reed Birney, Linas Phillips, Constance Shulman. World Premiere
We're All Going to the World's Fair / U.S.A. (Director and Screenwriter: Jane Schoenbrun, Producers: Sarah Winshall, Carlos Zozaya) — A teenage girl becomes immersed in an online role-playing game. Cast: Anna Cobb, Michael J. Rogers. World Premiere
PREMIERES
A showcase of world premieres of some of the most highly anticipated fiction and nonfiction films of the coming year.. Films that have premiered across the Documentary Premieres category include The Dissident, On the Record, and Miss Americana, and in Premieres past titles include Kajillionaire, Promising Young Woman, The Report, Late Night, The Big Sick and Call Me By Your Name.
Amy Tan: Unintended Memoir / U.S.A. (Director: James Redford, Producers: Karen Pritzker, Cassandra Jabola) — Amy Tan has established herself as one of America's most respected literary voices. Born to Chinese immigrant parents, it would be decades before the author of The Joy Luck Club would fully understand the inherited trauma rooted in the legacies of women who survived the Chinese tradition of concubinage. World Premiere, Documentary
Bring Your Own Brigade / U.S.A. (Director and Screenwriter: Lucy Walker, Producers: Lucy Walker, Julian Cautherley, Holly Becker, Lyn Lear) — A character-driven verité and revelatory investigation takes us on a journey embedded with firefighters and residents on a mission to understand the causes of historically large wildfires and how to survive them, discovering that the solution has been here all along. World Premiere, Documentary
Eight for Silver / U.S.A., France (Director and Screenwriter: Sean Ellis, Producers: Mickey Liddell, Pete Shilaimon, Sean Ellis) — In the late 1800s, a man arrives in a remote country village to investigate an attack by a wild animal but discovers a much deeper, sinister force that has both the manor and the townspeople in its grip. Cast: Boyd Holbrook, Kelly Reilly, Alistair Petrie, Roxane Duran, Aine Rose Daly. World Premiere, Narrative
How it Ends / U.S.A. (Directors, Screenwriters and Producers: Daryl Wein, Zoe Lister-Jones) — On the last day on Earth, one woman goes on a journey through LA to make it to her last party before the world ends, running into an eclectic cast of characters along the way. Cast: Zoe Lister-Jones, Cailee Spaeny, Olivia Wilde, Fred Armisen, Helen Hunt, Lamorne Morris. World Premiere, Narrative
In The Earth / United Kingdom (Director and Screenwriter: Ben Wheatley, Producer: Andy Starke) — As a disastrous virus grips the planet, a scientist and a park scout venture deep into the forest for a routine equipment run. Through the night, their journey becomes a terrifying voyage through the heart of darkness as the forest comes to life around them. Cast: Joel Fry, Ellora Torchia, Hayley Squires, Reece Shearsmith. World Premiere, Narrative
In The Same Breath / U.S.A. (Director: Nanfu Wang, Producers: Nanfu Wang, Jialing Zhang, Julie Goldman, Christopher Clements, Carolyn Hepburn) — How did the Chinese government turn pandemic coverups in Wuhan into a triumph for the Communist party? An essential narrative of firsthand accounts of the coronavirus, and a revelatory examination of how propaganda and patriotism shaped the outbreak’s course – both in China and in the U.S. World Premiere, Documentary. DAY ONE
Land / U.S.A. (Director: Robin Wright, Screenwriters: Jesse Chatham, Erin Dignam, Producers: Allyn Stewart, Lora Kennedy, Leah Holzer, Peter Saraf) – The poignant story of one woman’s search, in the aftermath of an unfathomable event, for meaning in the vast and harsh American wilderness. Cast: Robin Wright, Demián Bichir, Kim Dickens. World Premiere, Narrative
Marvelous and The Black Hole / U.S.A. (Director and Screenwriter: Kate Tsang, Producer: Carolyn Mao) — A teenage delinquent befriends a surly magician who helps her navigate her inner demons and dysfunctional family with sleight of hand magic, in a coming-of-age comedy that touches on unlikely friendships, grief, and finding hope in the darkest moments. Cast: Miya Cech, Rhea Perlman, Leonardo Nam, Kannon Omachi, Paulina Lule, Keith Powell. World Premiere, Narrative
Mass / U.S.A. (Director and Screenwriter: Fran Kranz, Producers: Fran Kranz, Casey Wilder Mott, JP Ouellette, Dylan Matlock) — Years after a tragic shooting, the parents of both the victim and the perpetrator meet face-to-face. Cast: Jason Isaacs, Ann Dowd, Martha Plimpton, Reed Birney. World Premiere, Narrative
My Name is Pauli Murray / U.S.A. (Directors: Betsy West, Julie Cohen, Producer: Talleah Bridges McMahon) — Overlooked by history, Pauli Murray was a legal trailblazer whose ideas influenced RBG's fight for gender equality and Thurgood Marshall's landmark civil rights arguments. Featuring never-before-seen footage and audio recordings, a portrait of Murray's impact as a non-binary Black luminary: lawyer, activist, poet, and priest who transformed our world. World Premiere, Documentary
Philly D.A. / U.S.A. (Created By: Ted Passon, Yoni Brook, Nicole Salazar, Producers: Ted Passon, Yoni Brook, Nicole Salazar, Josh Penn, Michael Gottwald) — A groundbreaking inside look at the long shot election and tumultuous first term of Larry Krasner, Philadelphia's unapologetic District Attorney, and his experiment to upend the criminal justice system from the inside out. World Premiere, Episodic Documentary
Prisoners of the Ghostland / U.S.A. (Director: Sion Sono, Screenwriters: Aaron Hendry, Reza Sixo Safai, Producers: Michael Mendelsohn, Laura Rister, Ko Mori, Reza Sixo Safai, Nate Bolotin) — A notorious criminal is sent to rescue an abducted woman who has disappeared into a dark supernatural universe. They must break the evil curse that binds them and escape the mysterious revenants that rule the Ghostland, an East-meets-West vortex of beauty and violence. Cast: Nicolas Cage, Sofia Boutella, Nick Cassavetes, Bill Moseley, Tak Sakaguchi, Yuzuka Nakaya. World Premiere, Narrative
The Sparks Brothers / United Kingdom (Director: Edgar Wright, Producers: Nira Park, Edgar Wright, George Hencken, Laura Richardson) — How can one rock band be successful, underrated, hugely influential, and criminally overlooked all at the same time? Take a musical odyssey through five weird and wonderful decades with brothers Ron & Russell Mael, celebrating the inspiring legacy of Sparks: your favorite band's favorite band. World Premiere, Documentary
Street Gang: How We Got To Sesame Street / U.S.A. (Director: Marilyn Agrelo, Producers: Trevor Crafts, Ellen Scherer Crafts, Lisa Diamond) — How did a group of rebels create the world’s most famous street? In 1969 New York, this “gang” of mission-driven artists, writers and educators catalyzed a moment of civil awakening, transforming it into Sesame Street, one of the most influential and impactful television programs in history. World Premiere, Documentary
MIDNIGHT
From horror and comedy to works that defy genre classification, these films will keep you wide awake, even at the most arduous hour. Films that have premiered in this category in recent years include Relic, Greener Grass, Hereditary, Assassination Nation, and The Babadook.
Censor / United Kingdom (Director: Prano Bailey-Bond, Screenwriters: Prano Bailey-Bond, Anthony Fletcher, Producer: Helen Jones) — When film censor Enid discovers an eerie horror that speaks directly to her sister's mysterious disappearance, she resolves to unravel the puzzle behind the film and its enigmatic director – a quest blurring the lines between fiction and reality in terrifying ways. Cast: Niamh Algar, Nicholas Burns, Vincent Franklin, Sophia La Porta, Adrian Schiller, Michael Smiley. World Premiere. DAY ONE
Coming Home in the Dark / New Zealand (Director: James Ashcroft, Screenwriters: Eli Kent, James Ashcroft, Producers: Mike Minogue, Catherine Fitzgerald, Desray Armstrong) — A family’s outing descends into terror when teacher Alan Hoaganraad, his wife Jill and stepsons Maika and Jordon explore an isolated coastline. An unexpected meeting with a pair of drifters, the enigmatic psychopath Mandrake and his accomplice Tubs, thrusts the family into a nightmare when they find themselves captured. Cast: Daniel Gillies, Erik Thomson, Miriama McDowell, Matthias Luafutu. World Premiere
A Glitch in the Matrix / U.S.A. (Director: Rodney Ascher, Producer: Ross M. Dinerstein) — A multi-media exploration of simulation theory – an idea as old as Plato’s Republic and as current as Elon Musk’s Twitter feed – through the eyes of those who suspect our world isn't real. Part sci-fi mind-scrambler, part horror story, this is a digital journey to the limits of radical doubt. World Premiere
Knocking / Sweden (Director: Frida Kempff, Screenwriter: Emma Broström, Producer: Erik Andersson) — When Molly moves into her new apartment after a tragic accident, a strange noise from upstairs begins to unnerve her. As its intensity grows, she confronts her neighbors – but no one seems to hear what she is hearing. Cast: Cecilia Milocco. World Premiere
Mother Schmuckers / Belgium (Directors and Screenwriters: Lenny Guit, Harpo Guit, Producers: David Borgeaud, Erika Meda) — Issachar & Zabulon, two brothers in their twenties, are supremely stupid and never bored, as madness is part of their daily lives. When they lose their mother's beloved dog, they have 24 hours to find it – or she will kick them out. Cast: Harpo Guit, Maxi Delmelle, Claire Bodson, Mathieu Amalric, Habib Ben Tanfous. World Premiere
Violation / Canada (Directors, Screenwriters and Producers: Madeleine Sims-Fewer, Dusty Mancinelli) — A troubled woman on the edge of divorce returns home to her younger sister after years apart. But when her sister and brother-in-law betray her trust, she embarks on a vicious crusade of revenge. Cast: Madeleine Sims-Fewer, Anna Maguire, Jesse LaVercombe, Obi Abili, Jasmin Geljo, Cynthia Ashperger. International Premiere
SPOTLIGHT
The Spotlight program is a tribute to the cinema we love from throughout the past year. Films that have played in this category in recent years include The Biggest Little Farm, The Death of Stalin, The Rider, Ida and The Lobster.
Night of the Kings / France, Ivory Coast, Canada, Senegal (Director and Screenwriter: Philippe Lacôte, Producers: Delphine Jaquet, Yanick Létourneau, Ernest Konan, Yoro Mbaye) — A young man is sent to La Maca, a prison on the Ivory Coast in the middle of the forest ruled by its prisoners. With the red moon rising, he is designated by the Boss to be the new "Roman" and must tell a story to the other prisoners. Cast: Koné Bakary, Steve Tientcheu, Digbeu Jean Cyrille, Rasmané Ouédraogo, Issaka Sawadogo, Denis Lavant.
The World to Come / U.S.A. (Director: Mona Fastvold, Screenwriters: Ron Hansen, Jim Shepard, Producers: Casey Affleck, Whitaker Lader, Pamela Koffler, David Hinojosa, Margarethe Baillou) — Somewhere along the mid-nineteenth century American East Coast frontier, two neighboring couples battle hardship and isolation, witnessed by a splendid yet testing landscape, challenging them both physically and psychologically. Cast: Katherine Waterston, Vanessa Kirby, Casey Affleck, Christopher Abbott. North American Premiere
SPECIAL SCREENINGS
Life in a Day 2020 / United Kingdom, U.S.A. (Director: Kevin Macdonald, Producers: Jack Arbuthnott, Tim Partridge) — An extraordinary, intimate, global portrait of life on our planet, filmed by thousands of people across the world, on a single day: 25th July 2020. World Premiere
NEW FRONTIER
Since its launch, the Sundance Film Festival’s New Frontier has served as a showcase for dynamic, innovative work at the crossroads of film, art, and technology. At the Festival’s 2021 edition, a global audience will be able to engage with the works, the artists, and fellow Festivalgoers via a bespoke spatialized platform, developed in partnership with digital experience agency Active Theory and accessible via computer and VR headsets. The New Frontier Gallery hosts the complete slate of live performances, AR, VR, and other emerging media works. Cinema House is the Festival’s social, fully immersive cinema, and Film Party is an interactive bar with 6 screens and more intimate rooms available to the entire community of accredited Festivalgoers so that all can safely gather together, connecting via avatar with proximity audio and video chat.
“2020 saw that the entire world can shift and leave humanity in an entirely new state of being. As we stand on the precipice of a new era, we need our artists and visionaries to illuminate the way forward,” said Shari Frilot, Senior Programmer and New Frontier Chief Curator. “The lineup of new media works this year challenge what we once knew to be true. Their works glisten with world building wisdom, and offer time machines that extract the cancer of colonial narratives planted deep within our biology.”
Frilot added, “More than ever, we need to gather our community in a meaningful way. This is why New Frontier has built three spatialized digital venues that orbit the earth right alongside the International Space Station. And at any time, Festivalgoers can take leave of the mothership to visit the astronauts aboard the Station, in the immersive experience Space Explorers: The ISS Experience, co-directed by Félix Lajeunesse and Paul Raphaël, or spend a night on earth, bar hopping in Amsterdam through IDFA DocLab’s do {not} play.
The Sundance Institute New Frontier Program is supported by the John D. and Catherine T. MacArthur Foundation, Unity Technologies, Adobe, Dell Technologies, The Walt Disney Studios’ StudioLAB, and Oculus from Facebook.
4 Feet High VR / Argentina, France (Lead Artists: María Belén Poncio, Rosario Perazolo Masjoan, Damian Turkieh, Ezequiel Lenardón, Key Collaborators: Marie Blondiaux, Marcos Rostagno, Eugenia Foguel, Matias Benedetti, Manuel Yeri, Martin Lopez Funes, Guillermo Mena) — Juana, a 17-year-old wheelchair user, aims to explore her sexuality but is ashamed of her body. Trying to find her place in a new high school, she will go through failure, friendship, fear and politics until she builds her own pride. Cast: Marisol Agostina Irigoyen, Florencia Licera, Marcio Ramses, Natalia Di Cienzo, Francisca Spinotti.
7 Sounds / U.S.A. (Lead Artist: Sam Green, Key Collaborator: JD Samson) — An immersive live-streamed audio-video work exploring the universal influence of sound, weaving seven specific audio recordings into a meditation on the power of sound to bend time, cross borders, and profoundly shape our perception.
Beyond the Breakdown / U.S.A. (Lead Artists: Tony Patrick, Lauren Lee McCarthy, Grace Lee, Key Collaborators: Jesse Cahn Thompson, Aldo Velasco) — Imagining alternate narratives for our near-future reality, inside a browser designed to hack our normal online behaviors and cultivate collaborative spaces for self-reflection and renewal.
The Changing Same: Episode 1 / U.S.A. (Lead Artists: Michèle Stephenson, Joe Brewster, Yasmin Elayat, Key Collaborators: James George, Alexander Porter, Rad Mora, Elliott Mitchell) — An immersive, episodic virtual reality experience where the participant travels through time and space to witness the connected historical experiences of racial injustice in America. A respectful, haunting story infused with magical realism and Afrofuturism about the uninterrupted cycle of the 400-year history of racial terror — past and present.
Fortune! / France, Canada (Lead Artists: Brett Gaylor, Nicolas Bourniquel, Arnaud Colinart, Key Collaborators: Marianne Lévy-Leblond, Rob McLaughlin, Dash Spielgeman, Rolito, Clement Chériot) — Money, from bills to coins, has no intrinsic value beyond what we’ve collectively agreed to grant it. However, there’s no denying that money governs our lives. This series of animated documentary shorts in AR for smartphones, tablets and social media platforms, explores that relationship. Cast: Frank Bourassa.
Namoo / U.S.A. (Lead Artist: Erick Oh, Key Collaborators: Maureen Fan, Larry Cutler, Eric Darnell, Kane Lee, David Kahn) — A narrative poem brought to life as an animated VR film, and an ode to a grandfather's passing, this story follows the journey of a budding artist – and his tree of life – from beginning to end.
Nightsss / Poland (Lead Artists: Weronika Lewandowska, Sandra Frydrysiak, Key Collaborators: Marcin Macuk, Piotr Apostel, Kaya Kołodziejczyk, Marek Straszak, Arek Zub, Przemek Danowski) — A virtual erotic poem created in artistic animation with ASMR and interactive elements, immersing the viewer in the sensual experience of poetry and dance.
Prison X - Chapter 1 : The Devil and The Sun / Australia, Bolivia, India (Lead Artists: Violeta Ayala, Alap Parikh, Maria Corvera Vargas, Roly Elias, Key Collaborators: Daniel Fallshaw, Rilda Paco Alvarado, Alberto Santiago) — Heavy doors open and you are swept into an infamous Bolivian jail, where you live among devils, saints, wicked characters, corrupt prison guards and even a Western filmmaker. In Prison X, inhabit the dreams and nightmares of the Neo-Andean underworld. Cast: Violeta Ayala, Genesis Owusu, Celina Debassey, Anamaria Gómez Jaramillo, Jesse Odom, Nicole Ukelele.
Rich Kids: A History of Shopping Malls in Tehran / United Kingdom, Iran (Lead Artists: Javaad Alipoor, Kirsty Housley, Key Collaborator: Nick Sweeting) — A darkly comedic, urgent new play about entitlement, consumption and digital technology, exploring the ubiquitous feeling that our societies are falling apart through the story of two young members of the Iranian elite, asking what their deaths tell us about climate change, social collapse and Instagram. Cast: Javaad Alipoor, Peyvand Sadeghian.
Secret Garden / U.S.A. (Lead Artist: Stephanie Dinkins, Key Collaborators: Ethan Edwards, John Fitzgerald, Matthew Niederhauser, Danielle McPhatter, Sidney San Martín, Kate Stevenson, Adaora Udoji, Chris White) — An immersive web experience and installation, illuminating the power and resilience in Black women's stories. Interactive audio vignettes generate a multi-generational narrative that collapses past, present, and future. Cast: Dayne Board, Erlene Curry, Tianna Mendez, Melissa Moore, Brandi Porter, Lisa Sainville.
Tinker / U.S.A. (Lead Artist: Lou Ward, Key Collaborators: Shimon Alkon, Lara Bucarey, Avril Martinez, Aileen Paron, Anthony Alan Garcia, Roberto Tan, Cristopher David, Neil Realubit, Anton Arcega, David Conklin, Evan Chavez) — What happens when the memories we spend a lifetime creating begin to disappear? Step inside the Grandfather’s workshop to discover this answer for yourself. In this live, bespoke unscripted performance, reimagine what it means to play, to connect and to hold fast to the memories we create. Cast: Randy Dixon.
To Miss The Ending / United Kingdom (Lead Artists: Anna West, David Callanan, Key Collaborators: Jamie Finlay, Steph Clarke, Dan Tucker) — A VR cubicle of cardboard boxes begins to glitch, revealing an empty dark space in front of you – until something glimmers in the distance, a wave of blue flooding towards you. A chorus of real memories and imagined futures expands, until only the largest memories are left. Cast: Charlotte Berry, Michael Dodds, Houmi Miura, Ben Kulvichit, Anna West.
Traveling the Interstitium with Octavia Butler / U.S.A. (Lead Artists: Sophia Nahli Allison, idris brewster, Stephanie Dinkins, Ari Melenciano, Terence Nance, Key Collaborators: Yance Ford, Sharon Chang, Kamal Sinclair) — Inspired by the ideas of Octavia Butler, voyaging into the interstitium: a liminal space, a cultural memory, containing the remnants of our ancestors, a place of refuge, a place of recentering, a portal into an alternate dimension.
Weirdo Night / U.S.A. (Lead Artists: Jibz Cameron, Mariah Garnett) — A filmed edition, hosted by Dynasty Handbag, of the wildly popular, underground, eponymous live performance and comedy event that, until COVID-19, was held monthly in Los Angeles. Cast: Patti Harrison, Smiling Beth, Morgan Bassichis, Sarah Squirm, Hedia Maron, Blasia Discoteca.
SHORTS
50 short films will play in the Festival, from 27 countries and chosen from 9,933 submissions – 4,587 from the U.S. and 5,368 international. The Institute's support for short films extends internationally and year-round, with select Festival shorts presented as a traveling program, virtually in 2020, at theaters in the U.S., Canada and Europe each year, and short films and filmmakers taking part in regional online Master Classes geared towards supporting emerging shorts-makers in several cities. Among the shorts the Festival has shown in recent years are So What If The Goats Die, Fauve, Aziza, Ghosts of Sugar Land, Thunder Road, Whiplash, Sister and Brotherhood.
“In a year unlike any other, short films are still going strong with art and craft unique to the form. We are thrilled to share a lineup with a wild range of characters, styles, ideas and emotions to our audience, wherever you may be,” said Mike Plante, Senior Programmer, Short Film.
The 2021 Sundance Film Festival Short Film program is presented by Southwest Airlines.
U.S. Fiction
Ava From My Class / U.S.A., South Korea (Director: Youmin Kang, Screenwriters: Youmin Kang, Soomin Kang) — Anna thinks Ava is the best actress in her class. International Premiere
Bambirak / U.S.A., Germany (Director and Screenwriter: Zamarin Wahdat) — When Kati stows away in her father's truck, Faruk must juggle his responsibilities as a single dad while holding down his first job in a new country. As their relationship deepens, a brush with covert racism tests their bond. North American Premiere
BJ's Mobile Gift Shop / U.S.A. (Director and Screenwriter: Jason Park) — A young Korean-American hustler runs throughout the city of Chicago making sales out of his "mobile gift shop." World Premiere
Bruiser / U.S.A. (Director: Miles Warren, Screenwriters: Miles Warren, Ben Medina) — After his father gets into a fight at a bowling alley, Darious begins to investigate the limitations of his own manhood. World Premiere
Don't Go Tellin' Your Momma / U.S.A., Germany, France, Italy (Directors and Screenwriters: Topaz Jones, rubberband.) — In 1970, Black educators in Chicago developed an alphabet flashcard set to provide Black-centered teaching materials to the vastly white educational landscape and the Black ABCs were born. Fifty years later, twenty-six scenes provide an update to their meanings. World Premiere
Doublespeak / U.S.A. (Director and Screenwriter: Hazel McKibbin) — A young woman grapples with the aftermath of reporting sexual harassment in the workplace.
i ran from it and was still in it / U.S.A. (Director and Screenwriter: Darol Olu Kae) — A poetic meditation on familial loss and separation, and the love that endures against dispersion.
In the Air Tonight / U.S.A. (Director and Screenwriter: Andrew Norman Wilson) — An insider's take on the meaning behind Phil Collins' 1980 single "In the Air Tonight."
LATA / U.S.A., India (Director: Alisha Mehta, Screenwriters: Alisha Mehta, Mireya Martinez) — Lata, a 23 year old domestic worker, navigates her way through an upper class home in South Mumbai. Doors consistently open and close, giving Lata selective access to the various contending realities that occupy this space.
Raspberry / U.S.A. (Director and Screenwriter: Julian Doan) — A son struggles to say goodbye to his dead father. World Premiere
The Touch of the Master's Hand / U.S.A. (Director and Screenwriter: Gregory Barnes) — Troubled by an unnatural temptation, a young Mormon missionary must confess the humiliating depths of his pornography addiction. World Premiere
White Wedding / U.S.A. (Director and Screenwriter: Melody C Roscher) — Amidst a racially tense Southern wedding, a biracial bride has the chance to confront her estranged Black father after accidentally hiring his wedding band to perform. World Premiere
Wiggle Room / U.S.A. (Directors and Screenwriters: Sam Guest, Julia Baylis) — Determined to save her wheelchair ramp from repossession, Daisy confronts the shady insurance agent who owes her money. World Premiere
Yoruga / U.S.A., Colombia (Director and Screenwriter: Federico Torrado Tobón) — A lonely old man pays a visit to Yoruga, one of the last animals on Earth. World Premiere
You Wouldn't Understand / U.S.A. (Director: Trish Harnetiaux, Screenwriters: Trish Harnetiaux, Jacob A. Ware) — An idyllic picnic of one is upended after the arrival of a stranger.
International Fiction
The Affected / Norway (Director: Rikke Gregersen, Screenwriters: Rikke Gregersen, Trond Arntzen) — Minutes before takeoff, a situation occurs, preventing an airplane from departing: in an attempt to prevent the deportation of one passenger, another refuses to sit down – forcing the pilot to take a political stand.
Black Bodies / Canada (Director and Screenwriter: Kelly Fyffe-Marshall) — A Black man laments as he comes face-to-face with the realities of being Black in the 21st century. International Premiere
The Criminals / France, Romania, Turkey (Director and Screenwriter: Serhat Karaaslan) — In a town in Turkey, a young couple is looking for some privacy. They are rejected from the hotels because they do not have a marriage certificate. When they think they found a way, the situation gets out of hand. World Premiere
Excuse Me, Miss, Miss, Miss / Philippines (Director: Sonny Calvento, Screenwriter: Arden Rod Condez) — Vangie, a miserable contractual sales lady, is about to lose her job. But in her desperate attempt to convince her boss not to sack her, Vangie uncovers the ultimate jaw-dropping secret to regularization.
Five Tiger / South Africa (Director and Screenwriter: Nomawonga Khumalo) — A god-fearing woman in present-day South Africa finds herself in a transactional relationship as she tries to support her sick husband and daughter. North American Premiere
Flex / Sweden (Directors and Screenwriters: Josefin Malmen, David Strindberg) — He may be god enough, but is he good enough? A slightly surreal comedic exploration of the fine line between a bodybuilder's self-loathing and self-loving.
Like the Ones I Used to Know / Canada (Director and Screenwriter: Annie St-Pierre) — December 24, 1983, 10:50 p.m.: Julie and her cousins ate too much sugar, Santa Claus is late. Denis, alone in his car, is anxious at the idea of setting foot in his ex-in-law's house to pick up his children. World Premiere
Lizard / United Kingdom (Director: Akinola Davies, Jr., Screenwriter: The Davies Brothers) — Juwon, an 8-year-old girl with an ability to sense danger, gets ejected from Sunday school service. She unwittingly witnesses the underbelly in and around a megachurch in Lagos. International Premiere
The Longest Dream I Remember / Mexico (Director: Carlos Lenin, Screenwriters: Carlos Lenin, Isa Mora Vera) — As Tania leaves her hometown, she must confront what her absence will mean in the search for her disappeared father. World Premiere
Mountain Cat / Mongolia, United Kingdom (Director and Screenwriter: Lkhagvadulam Purev-Ochir) — A troubled girl is coerced into seeing a shaman. Trapped by the ancient beliefs that pacify her mother, she finds peace in the physical realm, unleashing her repressed, youthful spirit on the shaman when she realizes his true identity. U.S. Premiere
Unliveable / Brazil (Directors and Screenwriters: Matheus Farias, Enock Carvalho) — In Brazil, where a trans person is murdered every three days, Marilene searches for her daughter Roberta, a trans woman who is missing. While running out of time, she discovers one hope for the future. North American Premiere
The Unseen River / Vietnam, Laos (Director and Screenwriter: Phạm Ngọc Lân) — Stories told along the river: a woman reunites with her ex-lover at a hydroelectric plant; meanwhile, a young man travels downstream to a temple in search of a cure for his insomnia.
We're Not Animals / France (Director and Screenwriter: Noé Debré) — His ex Marie became an Instagram star (thanks to an activist group focused on the female orgasm). Depressed, Igor believes this is a deliberate campaign to prevent him from finding someone else. World Premiere
Non-Fiction
A Concerto is a Conversation / U.S.A. (Directors: Ben Proudfoot, Kris Bowers) — A virtuoso jazz pianist and film composer tracks his family's lineage through his 91-year-old grandfather from Jim Crow Florida to the Walt Disney Concert Hall.
Dear Philadelphia / U.S.A., United Kingdom (Director: Renee Osubu) — With the help of their family, friends, and faith, three fathers unravel the incomparable partnership of forgiveness and community in North Philadelphia. International Premiere
The Field Trip / U.S.A. (Directors: Meghan O'Hara, Mike Attie, Rodrigo Ojeda-Beck) — A group of fifth graders learn what it takes to get ahead in the modern American workplace. World Premiere
My Own Landscapes / France (Director: Antoine Chapon) — Before going to war, a former military game designer made video game scenarios that prepared soldiers for cultural shocks and healed trauma. Once back from the war, his relationship with his identity, with life and with the video game changed.
The Rifleman / U.S.A. (Director: Sierra Pettengill, Screenwriters: Daniel Garber, Sierra Pettengill) — Told entirely through archival material, tracing Harlon Carter, considered the “father of the modern NRA,” across the decades, revealing the links between the National Rifle Association, the U.S. Border Patrol, and gun culture.
Snowy / U.S.A. (Directors: Kaitlyn Schwalje, Alex Wolf Lewis) — Snowy, a 4-inch-long pet turtle, has lived an isolated life in the family basement. With help from a team of experts and his caretaker, Uncle Larry, we ask: Can Snowy be happy and what would it take? World Premiere
Spirits and Rocks: an Azorean Myth / Switzerland, Portugal (Director: Aylin Gökmen) — On a volcanic island, inhabitants are caught in an unending cycle: the threat of impending eruptions, and the burden of past traumas, loom over them. Some draw upon myth and religious beliefs to interpret their precarious situation; others demonstrate resilience. International Premiere
Tears Teacher / Japan (Director: Noemie Nakai) — Yoshida is a self-proclaimed "tears teacher." A firm believer that regular crying promotes healthier living, he's made it his mission to make more people weep.
This is the Way We Rise / U.S.A. (Director: Ciara Lacy) — An exploration into the creative process, following Native Hawaiian slam poet Jamaica Heolimeleikalani Osorio, as her art is reinvigorated by her calling to protect sacred sites atop Maunakea, Hawai`i.
To Know Her / U.S.A., Hong Kong (Director: Natalie Chao) — A poetic exploration of the camera's gaze and a family's relationship with the filmmaker's mother. International Premiere
When We Were Bullies / U.S.A., Germany (Director and Screenwriter: Jay Rosenblatt) — A mind-boggling "coincidence" leads the filmmaker to track down his fifth grade class – and fifth grade teacher – to examine their memory of and complicity in a bullying incident fifty years ago. World Premiere
Up at Night / Democratic Republic of the Congo, Belgium (Director and Screenwriter: Nelson Makengo) — As dusk fades and another night without electricity falls, Kinshasa's neighborhoods reveal an unstable environment of violence, political conflict and uncertainty over the building of the Grand Inga 3 hydroelectric dam, promising a permanent source of energy to the Congo. U.S. Premiere
Animation
The Fire Next Time / United Kingdom (Director: Renaldho Pelle, Screenwriter: Kerry Jade Kolbe) — Rioting spreads as social inequality causes tempers in a struggling community to flare, but the oppressive environment takes on a life of its own as the shadows of the housing estate close in.
Forever / U.S.A. (Director and Screenwriter: Mitch McGlocklin) — A life insurance company uses an AI algorithm to determine the risk of a new applicant. The subsequent denial sparks a period of introspection for the individual in question.
The Fourfold / Canada (Director and Screenwriter: Alisi Telengut) — An exploration of the indigenous worldview and wisdom based on ancient shamanistic traditions and animistic beliefs in Siberia and Mongolia. With hand-crafted animation, a testament of reclaiming animism for environmental ethics and non-human materialities.
Ghost Dogs / U.S.A. (Director: Joe Cappa, Screenwriters: Joe Cappa, J.W. Hallford) — A family's new rescue pup is terrorized by deceased pets in this mind-bending horror.
GNT / Australia (Directors and Screenwriters: Sara Hirner, Rosemary Vasquez-Brown) — Glenn is a woman on an unwholesome mission, but just how far will she go to conquer the clique – and social media at large?
KKUM / South Korea, U.S.A. (Director and Screenwriter: Kang-min Kim) — My mother's dreams have always been strong premonitions for important moments in my life. I rely on her dreams more than any religion.
Little Miss Fate / Switzerland (Director and Screenwriter: Joder von Rotz) — When the opportunity arises, Little Miss Fate slips into the role of the world leader. Unintentionally she creates a monster, which greedily wants to suck up all the love of the world. Overwhelmed by the rapid development, she loses control.
Misery Loves Company / U.S.A., South Korea (Director: Sasha Lee, Screenwriters: Sasha Lee, Yejin Choi) — As Seolgi is lying on a grass field with friends, a shooting star falls, and dark, intrusive thoughts hit her. Her melancholy blooms into bright and colorful "flower people," dancing and wishing for a meteorite to end the world.
Souvenir Souvenir / France (Director and Screenwriter: Bastien Dubois) — For ten years, I've pretended to make a movie out of my grandfather's Algerian war souvenirs. Today, I’m not sure I want to hear what he has to say.
Trepanation / U.S.A. (Director: Nick Flaherty) — What was once familiar is now unrecognizable. All previous desires are overshadowed by the need to disappear completely.
INDIE SERIES PROGRAM
A dedicated showcase for emerging creators of independently produced episodic content for broadcast, web, and streaming platforms. Previously Indie Episodic. Past projects that have premiered within this category include Work in Progress, State of the Union, Gentefied, Wu Tang Clan: Of Mics and Men and Quarter Life Poetry. The Indie Series Program is presented by DoorDash.
4 Feet High / Argentina, France (Directors: María Belén Poncio, Rosario Perazolo Masjoan, Executive Producers: Ezequiel Lenardón, Marie Blondiaux) — Juana, a 17-year-old wheelchair user, aims to explore her sexuality but is ashamed of her body. Trying to find her place in a new high school, she will go through failure, friendship, fear and politics until she builds her own pride. Cast: Marisol Agostina Irigoyen, Florencia Licera, Marcio Ramses, Natalia Di Cienzo, Francisca Spinotti. World Premiere
Seeds of Deceit / Netherlands (Director: Miriam Guttmann, Executive Producers: Monique Busman, Michiel van Erp, Judith Reuten) — The revelation that Dr. Karbaat clandestinely used his own semen to inseminate more than 65 of his patients shocked the world. A vivid portrayal of how that happened and all the ways it haunts those affected: the emotional trauma of coming to terms with a changed life, a new identity. World Premiere
These Days / U.S.A. (Director and Screenwriter: Adam Brooks) — Mae, lonely and self-isolating, navigates the world of online dating during the early days of quarantine. Her first attempt is a comic disaster; then, she meets Will and her world begins to change in unexpected ways. Cast: Marianne Rendón, William Jackson Harper, Amy Brenneman, Parker Young. World Premiere
Would You Rather / France, Germany (Creators: Lise Akoka, Romane Guéret, Executive Producer: Pierre Grimaus, Jean Dathanat) — Sixteen-year-olds Shaï, Djeneba, Aladi, and Ismaël grew up in a working-class Paris neighborhood. Together, they watch hours drift by, cracking jokes, and playing their favorite game, “Would you rather?” As the group's equilibrium suddenly shifts, they have to start making choices – in their lives and their game. Cast: Fanta Kebe, Shirel Nataf, Zakaria Lazab, Mouctar Diawara. North American Premiere
The Sundance Film Festival®
The Sundance Film Festival has introduced global audiences to some of the most groundbreaking films of the past three decades, including Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won't You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, Whiplash, Brooklyn, Precious, The Cove, Little Miss Sunshine, An Inconvenient Truth, Napoleon Dynamite, Hedwig and the Angry Inch, Reservoir Dogs and sex, lies, and videotape. The Festival is a program of the non-profit Sundance Institute. 2021 Festival sponsors to date include: Presenting Sponsors – Acura, SundanceTV, Chase Sapphire, Adobe; Leadership Sponsors – Amazon Studios, AT&T, DoorDash, Dropbox, Netflix, Omnicom Group, Southwest Airlines® , WarnerMedia; Sustaining Sponsors – AMC, Audible, Canada Goose, Canon U.S.A., Inc., Dell Technologies, Documentary Plus, GEICO, IMDbPro, Stella Artois®, Unity Technologies, University of Utah Health, White Claw Hard Seltzer, Zoom; Media Sponsors – The Atlantic, IndieWire, Los Angeles Times, NPR, The New York Times, Variety, Vulture, The Wall Street Journal. Sundance Institute recognizes critical support from the State of Utah as Festival Host State. The support of these organizations helps offset the Festival’s costs and sustain the Institute's year-round programs for independent artists. sundance.org/festival
Sundance Institute
As a champion and curator of independent stories for the stage and screen, the nonprofit Sundance Institute provides and preserves the space for artists in film, theatre, film composing, and digital media to create and thrive. Founded in 1981 by Robert Redford, the Institute's signature Labs, granting, and mentorship programs which are dedicated to developing new work and take place throughout the year in the U.S. and internationally, are supported largely through contributed revenue. Sundance Co//ab, a digital community platform, brings artists together to learn from each other and Sundance Advisors and connect in a creative space, developing and sharing works in progress. The Sundance Film Festival and other public programs connect audiences and artists to ignite new ideas, discover original voices, and build a community dedicated to independent storytelling. Sundance Institute has supported such projects as Clemency, Never Rarely Sometimes Always, Zola, On The Record, Boys State, The Farewell, Honeyland, One Child Nation, The Souvenir, The Infiltrators, Sorry to Bother You, Won't You Be My Neighbor?, Hereditary, Call Me By Your Name, Get Out, The Big Sick, Mudbound, Fruitvale Station, City So Real, Top of the Lake, Between the World & Me, Wild Goose Dreams and Fun Home. Join Sundance Institute on Facebook, Instagram, Twitter and YouTube.
# # #
EDITOR NOTE: DIRECTOR DEMOGRAPHICS
The data we are sharing reflects information provided directly by the artists. Some artists chose to not self identify in all data areas.
FULL SLATE: Across 140 films and projects, 50%, or 70, were directed by one or more women; 4% or 6, were directed by one or more non-binary individuals; 51%, or 71, were directed by one or more artists of color; 15% or 21 by one or more people who identify as LGBTQ+.
U.S. COMPETITION:
Dramatic: 50% of the 10 directors in this year’s U.S. Dramatic Competition identify as women; 40% as BIPOC.
Documentary: 64% of the 11 directors in this year’s U.S. Documentary Competition identify as women; 73% as BIPOC; 9% as LGBTQ+.
WORLD COMPETITION:
Dramatic: 50% of the 10 World Dramatic Competition identify as women.
Documentary: 50% of the 12 directors in the World Documentary Competition identify as women.
FEATURE FILM SUBMISSIONS: Of the feature film submissions, 1,377 were from the U.S. and 2,132 were international; 27% were directed by one or more women; 2% were directed by one or more non-binary individuals; 42% were directed by one or more filmmakers who identify as BIPOC; 11% by one or more filmmakers who identify as LGBTQ+.
ALL FEATURES: Of the 72 feature films, 47% were directed by one or more women; 3% were directed by one or more non-binary individuals; 43% were directed by one or more filmmakers who identify as BIPOC; 8% by one or more filmmakers who identify as LGBTQ+.
NEW FRONTIER: Of the 32 artists across the 14-project section, 44% identify as women, 9% as non-binary, 44% as BIPOC, and 22% as LGBTQ+.
SHORTS: Comprising 50 films, 48% or 24 of all short films announced today chose to indicate they were directed by one or more women; 2% or 1 was directed by one or more non-binary individuals; 64% or 32 were directed by one or more artists of color; 20% or 10 by one or more people who identify as LGBTQ+. Of the 60 directors across the section, 42% indicated they identify as women, 2% as non-binary, 56% as BIPOC, and 20% as LGBTQ+.
66,234 spectators watched 151 films from 50 countries at San Sebastian Festival’s 68th edition, attended by 2,626 accredited professionals, including 689 journalists from 376 media outlets and 1,185 film industry professionals (487 of whom participated online).
In last year’s rundown we opened with references to record audience attendance (178,687 spectators in 2019) and accreditation numbers (4,319 in 2019). But even then we warned that it was difficult to grow further and that San Sebastian Festival had been approaching its growth ceiling for years. We could never have imagined then that the percentages would drop between 30% and 70% at the 68th edition, and even less so that we would consider these figures to be positive.
But, indeed, in 2020 the Festival’s focus was elsewhere. Like so many other local cultural businesses and institutions, this was an edition marked by the COVID-19 pandemic and our aims were concentrated into three areas: guaranteeing that it was a safe edition for all participants, protecting the essence of the Festival concept, in other words, highlighting that the best place to screen a film is in a cinema and, lastly, making this an economically viable edition.
In addition to having registered no infections and having attracted the interest of more than 1,000 film industry professionals, as well as almost 700 journalists from 376 media outlets, the Festival introduced a number of structural changes from which it has emerged with flying colours, having also increased its online presence. In view of the results and the positive reception enjoyed by said measures, we are now considering whether to keep some of them in place, such as pre-assigned seating or combined online and physical activities for the film industry, once the pandemic is finally over. There is an overall perception that having held the Festival was enormously important for the Spanish film industry in general, the Basque industry in particular, and the international industry as a whole. Media outlets all over the world have praised our programme and organisation.
The pandemic, which continues to cast uncertainty over film festivals in 2021, is not the only challenge taken up by the Festival. Added to this are the conviction of its commitment to new talents, which is producing results earlier than expected in the coming together between participants at the Co-Production Forum, Nest, New Directors and the Official Selection, the Ikusmira Berriak residents and students at the Elías Querejeta Zine Eskola; creation of the Thought and Discussion area, commitment to the gender identity report, which is now joined by a sustainability project; and, tied in with all of these initiatives, reaffirmation of its configuration as a Festival running all year round, which will be intensified thanks to its presence in and with the Tabakalera community throughout 2021.
Lastly, the Festival would like to thank the institutions, sponsors, film industry, media outlets and citizens for their support in one of its most complicated years.
You can take another look at the 68th edition thanks to this special collection of images:
66.234 spectators
151 films
462 showings
50 countries
2.626 accredited guests
2020 is almost over, and Sheffield Doc/Fest closed its 27th edition as a success. Together we produced and experienced a six-month programme (usually six days!) of screenings and discussions that offered a window to the world - from the cinema in Sheffield, and online from homes across the world.
As part of the Artistic Programme:
“Thank you very much for all your care and the collaboration. It has been really great to navigate these surreal times together and to have my work included in an impressive selection of artists with such relevant works”
Paula Albuquerque, Overhead 21 (Netherlands)
“The breadth, length, and adventurous spirit of the titles you included are remarkable and the attention on the festival has been enormous.”
Lynne Sachs, Filmmaker in Focus, A Film About A Father Who (USA)
“It’s been a real privilege to be part of [the festival], and also to be part of the other filmmakers of the Ghosts & Apparitions strand which is an extraordinary curation.”
Hannah Jayanti, Truth or Consequences (USA)
As part of the Industry Programme:
“Keep on with fantastic industry sessions and programmes! I think a real strength is the industry focus and the quality of content for those in the industry at any stage of their experience”
Delegate (anonymous via survey)
"I would really recommend the MeetMarket, it's definitely one of the key events for documentary filmmakers and producers in the world and the online experience was no exception".
Felipe Garrido & Nicolas Tabilo, Project: Drifting Images (Chile)
The MeetMarket is always very well-programmed, balancing a wide array of industry delegates with a meaningfully tailored approach to pairing them with projects. Even with the necessary switch to an online edition in 2020, the quality of the meetings remained high and the experience was warm, collegial and supportive”
Kellen Quinn, Producer (USA)
Since our first screenings in June, the films that had their World, International and European Premieres at Sheffield Doc/Fest have had 140+ selections in Film Festivals and Programmes across the globe, including at Art of The Real, Busan, Centre Georges Pompidou, Doclisboa, Doc NYC, Dok Leipzig, Edinburgh IFF, IDFA, Jihlava IDFF, Museum of Moving Image, RIDM and Zinebi, among many others. Some were also nominated for awards, including the Critics Choice Award, IDA Awards and BAFTA.
For more information, please click here.
From our 2020 Audiences:
“Amazing range of docs. Absolutely loved it and learned and discovered so much.”
“It was wonderful to still be able to experience such a culturally rich and interesting event despite the circumstances. Proud of Sheffield, Showroom and Doc/Fest!”
“Outstanding thematic programming.”
Lots of variety in film programme: several shorts & full features added a lot to my experience. This year's programme also felt really international.”
We look forward to seeing everyone in Sheffield and online as we work towards a hybrid, and for next year extended, festival:Thursday 4 - Sunday 13 June 2021.
We’ll be back with news in January and in the meantime remain open for entries for our Film & Arts programme and our Marketplace.
From all the team at Sheffield Doc/Fest, we wish you a happy and healthy holiday.
Bring on 2021!
For further information please contact:
Melanie Iredale
Deputy Director
melanie.iredale@sheffdocfest.com
https://www.facebook.com/sheffdocfest
https://www.instagram.com/sheffdocfest
https://twitter.com/sheffdocfest
Follow online with #sheffdocfest
International Documentary Festival Sheffield (Sheffield Doc/Fest) is a charitable incorporated organisation registered in England & Wales, charity number: 1184849.
WHAT A BUSY WEEK IT WAS ON THE CIRCUIT ! ... FEEL THE BEAT? ... DO NOT MISS A BIT !
Featuring news from:
ATF online+, Bergamo Film Meeting, Bahamas Fest, Rendez-vous with French Cinema in Paris, Oscars, Tribeca, IFP, Byron Bay Fest, Après Arevan Festival, Odessa, Sundance, Off de Cannes, BKK Doc, RIDM, Bull City, Filmocracy, BFI, Göteborg, Festival of Cinema NYC, RIDM, Bridges, Gerardmer, Molodist, New York Doc, Fort Lauderdale, San Antonio, Max Ophüls Prize, Rose d’Or, Accolade, Cairo Festival, LAAF, Cannes Series, Présence Autochtone, Bordeaux Rock, Ventana Sur, Lumières de la presse internationale, Cinemamed, PriMed and many more great events which could become your next festival destination.
Known for it's quaint location, friendly staff/volunteers, inquisitive audience, consistent communication, multiple screening opportunities, workshops, panels and other amazing networking opportunities and parties; it's no wonder JDIFF was voted one of the coolest film festivals and one of the top 50 worth the submission fee by MovieMaker Magazine multiple times. JDIFF also ranks as one of the top 100 reviewed festivals by FilmFreeway. JDIFF is ALL about the independent filmmaker!
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Submit through filmfreeway.com, or through the festivals website, myrtlebeachfilmfestival.com
Selected by Movie Maker Magazine as one of the top 25 film festivals worth the submission, one of the top festivals in the world by Film international and touted by many as one of the most important independent film festivals in the circuit. We are passionate about film and it shows!
The MBIFF screens projects in a multi-million dollar theater, housing state of the art technology.
The New York City Independent Film Festival (a.k.a. NYC Independent Film Festival, NYCIndieFF) is an annual film festival held in New York City. It was founded in 2009 by Dennis Cieri and Bonnie Rush. The festival has screened over 1,800 movies from 81 different countries since it began in 2010.
The Festival is focused on low budget and emerging, yet overlooked filmmakers, bringing their talent to culturally enrich the NYC community. The Festival aims to create the largest gathering of true indie filmmakers.
NYCIndieFF honors the Best in Category which includes Best Narrative Feature, Best Documentary, Best Short Documentary, Best Short Narrative, Best Super Short, as well as Best Director and Best Screenplay.
With a new section: the Covid-19 Diaries: tell us your story of hope and survival during the Corona lockdown. Short under 10 minutes
NYCIndieFF provides a showcase for the best in independent cinema, including short films, feature films, music videos, and animated works. With panels, parties and a week-long gathering of fellow indie filmmakers NYCIndieFF is the place to be May 16 - May 23, 2021.
WorldFest-Houston International Film Festival offers international competition in Ten Major Competition Categories! Features, Shorts, Docs/Business Films, Student, Experimental, Screenplays, New Media, TV Production, TV Commercials, & Music Videos! More than 200 sub-categories for fair competition. Only at WorldFest-Houston are you selected as a Remi Award Winner on the basis of your numerical score from the juries, which greatly increases your chance to win a Remi, unlike other festivals that only give out one Gold, one Silver and one Bronze! Only 10%-15% of entries actually win the coveted Remi Award!
You are welcome to enter Online via our online entry platform - www.worldfest.org, or via FilmFreeway.com - we now accept entries via Vimeo & YouTube, in addition to DVD/BR Entries, & USB/Jump Drives. Screenplay entries must be bound. We will confirm when we receive your entry and we provide personal Jury Results, and festival details when you are selected for screening at the 53rd WorldFest-Houston International Film Festival!
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Homo Adorans, Homo Amans , Homo Economicus, Homo Faber, Homo Ludens,Homo Ridens : which one are you which one are they really?
ONLY HUMAN – Homo… stages six profiles in six sequencess cleverly interwoven. One dramatic story in 6 episodes featuring desperate characters in their quest for survival and love, or redemption. The jobless graduate becomes a grave-digger, the grieving widow a nun, the priests gamble and gangsters rule the courts. Only the lonely child may find some affection when hope springs eternal.
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USA September 2020 77minutes
How do United States' presidential elections really work? And what would happen if we changed the rules? In Safeguard: An Electoral College Story, award-winning filmmaker M.A. Taylor answers those questions.
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USA - Fantastic drama thriller: 104 minutes - first feature film
Alice Kremelberg (Orange Is The New Black) stars as the eponymous Iris, and gives an outstanding lead performance as this tortured soul dreadfully awaiting the death of her Aunt Adelaide, played by Mary Looram (Like Father, Braid). As Aunt Adelaide slowly withers away in hospice, Iris continues her day to day routines of working in an antique shop, and scrolling online for connections through an online dating app. However, Iris has an ulterior motive behind her digital search for suitors, and it’s not love. Iris has a hunger, and she needs to feed. On every date she goes on, she sizes her match up and determines their strength of character on a criteria of what she considers basic human decency. And if any of her dates fail to meet her standards, then that’s the end of them. They’re dinner. That’s just how Iris operates.
But complications arise when Iris meets Tom, played by Grant MacDermott (Hustlers, Mr. Robot), at a support group meeting for people dealing with the lingering effects of grief. Tom is a good hearted man coping with crippling trauma. As their chaste relationship develops, Iris is confounded by a debilitating emotional dilemma. She yearns for the love she once lost, but recognizes the potential in having a strong bond with Tom. Unfortunately, her primal nature exposes itself in the heat of lust, causing her deep seated vampirism to emerge and overtake her instincts. So she can never truly express her true feelings to Tom without it resulting in his death. What’s a timeless girl to do in the big city?
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USA, 107 minutes, June 2020
One girl’s nightmare. A nationwide reality.
After escaping from a sex trafficking ring, one teenage girl struggles to reconnect with herself and her family after her ordeal. Ultimately, in order to find herself and rescue her helpless friends, she must confront her own fears and help lead the police to her traffickers - no matter the cost.
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Grand Winner Your Script Produced season 1 Platinum Remi Award WorldFest Houston
When his bank robber father injured in a recent heist seeks refuge at the desolate motel where he works, a motel clerk is forced to confront the truth behind a botched heist from his past.
Originally from Boston, Mass, Ted Campbell is a screenwriter and director who specializes in thoughtful, character driven thrillers. Ted will direct his heist thriller "Underground" with producer Ellen Wander of Film Bridge International. His contained, crime thriller “Blue Motel” won the Grand Prize in Your Script Produced screenplay competition. Ted will direct “Blue Motel” with Doval Bacall Films producing. Ted is a member of ISA’s Development Program. And was named to ISA’s Top 25 Screenwriters To Watch list.
Ted finds inspiration in the works of the great noir writers Dashiell Hammett, Raymond Chandler and Ross MacDonald as well as his screenwriting idols Scott Frank, Shane Black, Tony Gilroy and Richard Wenk.
Russia USA Feature documentary April 2020 Director's cut: 79 minutes
What happened, what can happen to the centuries old amazing wooden churches in north of Russia. Photographer Richard Davies trips to Russia and USA tell stories on human soul, hope and russian american…cooperation in restoring beauty.
Saving North is the story of a struggle for human and cultural survival in the mysterious and insular world of the Russian North. An outsider from England, photographer Richard Davies, enters this mysterious and vast region of the world with the hope of documenting both the glory and the tragic demise of its rapidly disappearing Wooden Churches. As Davies meets and becomes friends with the some of his Russian photo subjects, he finds himself getting emotionally involved with their struggle. He decides to put down his camera and get involved with church restoration.
Early on in our story Davies befriends the famed Russian architect Alexander Popov who is deeply involved in working to preserve and share with the world the beauty and value of these ancient structures. Popov has uniquely discovered and reinvigorated both the tools and processes that restore life back to the North. But it’s an uphill battle against strong and powerful forces.
Together, Davies and Popov uncover the circumstances that led to the demise of the churches, and then join a small but growing group of passionate Russian citizens and outsiders from all walks of life who join the cause of Saving North.
Romantic dark comedy 117 minutes 2019 Switzerland
Starring Kathrin Veith, Duraid Abbas Ghaieb, Jeanne Devos, Daniel Kasztura, Vilmar Bieri, This Maag
First feature film by Swiss director Carmen Stadler, produced by Claudia Wick for Abrakadabra Films AG
An office complex wishes for a love story before demolition. It chooses the lonely misfits for this story; those who go through security rounds at night, scrub toilets, experiment with recipes or rehearse their final speech. A poetic and twisted kaleidoscope that centers around desire, security and melodious noises which move through the entire fabric of the building.
USA 2019 Documentary 89 minutes
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"A film that Google does not want you to see - filmfestivals.com Best for Fest"
An eye-opening documentary, The Creepy Line reveals the stunning degree to which society is manipulated by Google and Facebook and blows the lid off the remarkably subtle – hence powerful – manner in which they do it.
The Creepy Line is a title culled from the words of former Google CEO Eric Schmidt, when during a 2010 interview he explained Google’s code of conduct: “The Google policy on a lot of things is to get right up to the creepy line and not cross it.”
However, as Dr. Robert Epstein explains in the film, “Google crosses the creepy line every day”.
Offering first-hand accounts, scientific experiments and detailed analysis, The Creepy Line examines what is at risk when these two tech titans have free reign to utilize the public’s most private and personal data to manipulate society.
There is no question that the “creepy line” is getting ever-creepier, and that the tech giants have crossed it.
Rob Stewart “Conservation is the preservation of human life on earth. And that, above all else, is worth fighting for” Watch Rob Stewart doing what he loved most of all, swimming with sharks, in exclusive footage from his third film, Sharkwater: Extinction.
Sharkwater: Extinction is a follow up to his first two award-winning films, Sharkwater and Revolution. Sharkwater exposed the devastating issue of shark finning, while Revolution brought the destructive effects of Ocean Acidification to light.
Rob taught the world to not fear sharks, through his iconic images of hugging these majestic creatures and free diving with them.
www.Sharkwater.com www.TheRevolutionMovie.com
Eco Documentary feature film by Rob Stewart April 2015, 82 minutes (Sharkwater)
Revolution is a film about changing the world. The true-life adventure of Rob Stewart, this follow-up to his acclaimed SHARKWATER (36 festival wins) documentary continues his remarkable journey; one that will take him through 15 countries over four years, and where he'll discover that it's not only sharks that are in grave danger -- it's humanity itself.
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Promoting Movies that Matter / des films qui font grandir...
With contributions from Abbé Jean-Luc Maroy, Alex Deleon, Bruno Chatelin
La Source (Jungfrukällan) d’Ingmar Bergman (Suède, 1960)
As 2021 approaches, the 18th Universe Multicultural Film Festival is now calling for entries from all over the world! The Universe Multicultural Film Festival will be held in the Palos Verdes Peninsula, south of Hollywood on April 2 - 4, 2021. The Palos Verdes Peninsula, located on the picturesque Pacific Coast south of greater Los Angeles, driving distance to Hollywood, the heart of the global film industry. As the top ethnic-themed international film festival, the Universe Multicultural Film Festival always takes its duty of providing the best platform for all multicultural communications through films. In different languages, different ethnic backgrounds, films have been carrying the art of expression. For the local audiences, this is an extremely rare opportunity to get to know world pluralistic culture through local screens.
Every year, hundreds of films from more than 40 countries are submitted to UMFF and compete for different film awards. The winner of each category will be determined by the Hollywood professional judges, and the certificate of finalist and award will be presented at the opening gala and award ceremony. All the films in the running have a chance to be shown to producers and fans from around the world during the festival. The UMFF committee will also arrange a question-and-answer session for planned attendees, allowing filmmakers to hear audience feelings face to face.
To help filmmakers around the world better realize their cinematic ideals, the three-day Universe Multicultural Film Festival features six special workshops. Film guests at the festival said the panels were valuable and rewarding. Six panels have become a tradition of UMFF, the committee will continue to set panels focused on film distributing, film marketing, screenplay writing, audition tutoring, and so on. These panels are covering all aspects of the film industry, in this way, any role of filmmakers can find suits own targeted panel, with the present professional Hollywood producer.
During the festival, the UMFF committee will make every effort to bring wonderful artistic moments to every participating guest, whether it is the opening reception with many film guests gathered together, the live performance of the scripts on the second day, or the red carpet and award ceremony on the third day. These artistic performances are also marked by professional judges on the spot for individual and group performers and serve as a competition to select the UMFF New Star award and the Crown of Maeya Cultural Ambassador. This would be the most effective promotion stage for performing arts talents, models, and new performers, so don’t miss such a great opportunity to shine!!
Outstanding scripts will be performed by Hollywood professional actors on the scene of the film festival, allowing filmmakers, producers, and directors from all over the world to appreciate the charm of scripts for the first time. Actors who are interested in participating in this segment can also sign up for live performances. The UMFF has always been adhering to the belief of opening a window to Hollywood for global filmmakers, striving to provide more possibilities to the future for more aspiring filmmakers.
Official Website: http://umfilms.org/
FilmFreeway: https://filmfreeway.com/UniverseMulticulturalFilmFestival
Tickets: https://2021umff.eventbrite.com/
The 2021 Festival is going to be a bit different, and to make the most of your experience, you’ll want to start diving into How to Fest. It’s your guide to immersing yourself in our live premieres, learning about your ticketing options, and joining in on conversations with fellow cinephiles from all over the world.
EXPLORE THE 2021 FESTIVAL LINEUP
Bold new discoveries, groundbreaking VR/AR, statement-making shorts, genre films that will keep you up well past midnight… Collectively, the projects in the 2021 Sundance Film Festival lineup are sure to generate conversations all year long. This week we unveiled the selections and online schedule in our new Festival Program Guide. The 2021 Festival is coming to you wherever you are, online or in your community, with a slate of 70+ features, 50+ shorts, four Episodic Series projects, and 14 New Frontier projects. Grab your Festival mug, get comfy, and start marking your favorites; that way you’ll be ready to go when tickets go on sale January 7 (or January 4 if you’re a Member!).
Les dernières annonces gouvernementales se sont concentrées sur des actions de maîtrise de l’épidémie pour les fêtes de fin d’année et n’évoquent le mois de Janvier qu’à travers un calendrier indicatif reposant sur des « clauses de revoyure » peu rassurantes selon l’évolution épidémique. Avec le report de l’ouverture des salles de cinéma et des lieux culturels, et à quelques semaines du FAH2021 prévu en Janvier, la liste des incertitudes s’allonge…. Le FAH & ses interlocuteurs n’ont jamais été dans le déni de la situation, mais ne peuvent que constater les difficultés croissantes, qui se multiplient au fil des jours pour l’organisation d’un tel évènement culturel et de partage ! A ce jour, le constat est frappant pour le mois de Janvier :
Trop d’incertitudes demeurent dans l’ouverture des salles de cinéma et des espaces accueillant du public.
Trop d’incertitudes demeurent sur les possibilités d’activités et de services (restaurant, bar, réceptif & activités de sports d’hiver….).
Trop de risques de mettre tout en place pour accueillir festivaliers & publics et de subir un calendrier inconnu de nouvelles et tranchantes mesures, annonces, couvre-feu, voire même des interdictions de rassemblement même maîtrisé.
Le FAH est un festival indépendant, souvent salué pour son organisation, son ambiance et son état d’esprit. Ces valeurs ne peuvent être « protégées » dans le contexte actuel et ce « flou » permanent qui l’accompagne.
Par respect pour son public, ses partenaires, et pour l’industrie du cinéma tellement ébranlée, Le FAH associé à la station de l’Alpe d’Huez, ne peut donc prendre que la difficile décision, alors que tout était prêt, de reporter sa 24e édition prévue du 19 au 24 janvier 2021.
Le Festival de l’Alpe d’Huez apporte toute sa solidarité aux professionnels du cinéma et ses nombreux métiers (distributeurs, exploitants, attachés de presse…), aux professionnels de la culture, du tourisme, du sport et de l’événementiel et à tous leurs très nombreux métiers jugés « non-essentiels » et qui s’affaiblissent inexorablement. Le Festival a également une énorme pensée pour ses prestataires très impactés par des mois de difficultés et pour toutes les forces vives de la station de l’Alpe d’Huez déjà meurtries par le non démarrage de la saison d’hiver.
Rendez-vous du 23 au 28 Mars 2021 pour la 24e édition du FAH
et d’ici là : protégez-vous et/ou protégez les autres !
#RionsMasqués
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Bowery Film Festival returns in resilient spirits for its 2020 Edition in a flexible online format on the Xerb.TV streaming platform, available from December 14th through the 18th. Bowery was founded to showcase adventurous works that challenge commercial and audience expectations, and continues that mission even in a most unusual year for the arts. The week opens with a full block of unique quarantine shorts, many submitted via the festival’s Instagram competition earlier in the year. This “micro-short” competition was developed to offer an avenue for filmmakers to flex their ingenuity in the midst of isolation, creating self contained one minute shorts exploring the uncertain “new normal."
The festival also boasts several features and larger-scale shorts, including The Reception (starring Richard Kind & Skipp Sudduth), a bittersweet speculative film that questions the best course of action when society is shifting and politics turn ugly.
All tickets and screenings include zoom Q&A with filmmakers and talent. We look forward to seeing you all tonight!
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The pandemic is not abating around the world. So many uncertainties remain: opening of places of culture, restaurants, curfews, ...
First, we had to face the evidence of the impossibility of maintaining in person, the 27th edition of the Vesoul International Festival of Asian Cinemas, which was scheduled from January 26 to February 2, 2021.
Secondly, with our technical team, we tried to save the fiction and documentary competitions sections by keeping them online.
Faced with the categorical refusal of certain producers fearing the piracy of competitive films presented in world, international, European or French premieres, we also had to give up this alternative.
Thirdly, it is with infinite sadness that we had to make the decision to postpone the 27th FICA in Vesoul to February 2022.
This decision weighs heavily on us.
We were ready (final selection of all the films, the various juries constituted, catalog drawn up, ...).
It is death in the soul that we write these lines.
We wholeheartedly thank the institutional and private partners, as well as the public, for their loyal support to the Vesoul International Festival of Asian Cinemas and look forward to seeing them in February 2022.
Life is a fight. Hope!
Martine and Jean-Marc Thérouanne and the whole FICA team
A few more days left for your shopping? :-)
When life gives you lemons, make lemonade!
The longest and most extraordinary festival in interfilm's and KUKI's history was a tremendous success: Over 18,800 digital cinema seats were filled! This gets close to a regular edition (in numbers at least) and we therefore owe a huge thank you to all our viewers.
None of this would have been possible without a reliable digital platform. Special thanks go to our partner Sooner, without whom we would not have managed such a smoothly-run digital festival, especially since the "smart lockdown" was announced just 10 days before the festival was due to begin. We had to reshuffle the festival in the blink of an eye, reallocating budgets, tasking departments with entirely new roles and cancelling all travel arrangements.
Such a radical restructuring of the festival is of course only possible if one's supporting institutions continue to stand by them. Therefore our heartfelt thanks also go to all our festival partners, funders and sponsors, first and foremost Medienboard Berlin Brandenburg, Creative Europe MEDIA and the German Federal Foreign Office!
The interfilm & KUKI team mastered this challenging year and the peculiar circumstances with flying colours. With glittery outfits, disco lights and confetti, we celebrated the start and end of the respective digital editions separately and yet (virtually) together.
The experiences we were able to make in the digital realm will surely serve us well in the near and distant future. But even if the digital floodgates have now been cranked open, the bottom line remains the same: interfilm and KUKI are film festivals.
Film festivals belong in the cinema, to be shared and experienced by crowds of people interacting and exchanging. Therefore, our priority is and will continue to be focussed on striving for on-site experiences.
Incidentally, to support the cinemas, 20 percent of the proceeds from Sooner and interfilm will go to the cinemas originally scheduled for the festival.
But the most important thing about a film festival are the films themselves. Here, too, we must express our deepest gratitude to the filmmakers who made it possible for us to present their films in a digital context, who made themselves available for digital Q&As, who participated in our digital networking events, and who encouraged us in these uncertain times.
interfilm awarded prizes worth more than a total of 40,000 euros. We are particularly delighted by the strong resonance that many of the award-winner's received in their respective countries, for example in the Philippines ("Tarang") and in Hong Kong ("1 a.m. in Hong Kong") - click here for the laudations.
INTERFORUM masterclasses and panels are still online, as are the ceremonies for the opening and awards events and the Decolonial x interfilm Short Film Walk through Berlin's history of European and German colonialism.
The 13th KUKI Film Festival for Children and Youth also managed to produce a stupendous first-ever digital edition and streamed its 12 short film programs to more than 100 schools! KUKI transformed classrooms into festival cinemas for around 5,000 children and teenagers in schools and daycare centers all over Berlin and Brandenburg. All programs featured lively film talks and interviews with filmmakers, heaps of confetti, and the beating of a corona-pinata - making the KUKI Festival spirit really come alive.
And while we are super pleased with our first digital festival edition, we really can't wait to (hopefully) hold a physical festival once again next year at our cool cinemas with lively audiences, crazy parties, too many drinks and wonderfully irritating & inspiring talks.
And the fine and fancy films just keep on coming:
The audacious short film program "X-Mess - a different take on Christmas" is available in our CoronaKino until the end of the year! The program features 11 shorts and costs a sweet 3.99 EUR on Vimeo.
"From awkward conversations with relatives on Christmas Eve to the last day of work before the holidays, this short film program compiles all the elements of the silly season that make it a time of celebration and chaos. Contemplation and charity? Forget it! Here, the clichés of a cozy Christmas are debunked alongside the glorification of motherhood and the Trojan Horse ..."
Make films! We can't wait to see them.
We will be taking submissions for INTERFILM and KUKI from 1st of February 2021
Rather than holding a virtual or hybrid event, Mammoth Film Festival (#MammothFF) has chosen to delay its fourth installment until 2022 in the hopes of returning to the annual event in its proper form.
The festival is responsible for debuting popular films that are currently streaming and trending across digital platforms, having been sold following their #MammothFF premiere. Over the last two years, featured titles have included Josh Duhamel's Buddy Games co-starring Olivia Munn, Kevin Dillon and Dax Shepard, Peter Facinelli's The Vanished starring Anne Heche and Thomas Jane, Zac Efron's series Off The Grid, The Acquainted (U.S. festival premiere), and Tony Hawk's Pretending I'm A Superman, to name a few. James Lafferty and Stephen Colletti's original comedy series Everyone Is Doing Great, set to premiere on Hulu on January 13, 2021, debuted at the 2019 festival.
Thomas Jane, Anne Heche and Peter Facinelli
The festival is known for directorial debuts, impactful features, riveting documentaries, and incredible shorts, featuring notable, well-respected actors, as well as rising stars on the indie scene. Other attendees in recent years have included Rebel Wilson, Lesley Anne Brandt, Nina Dobrev, Michael Madsen, Ashley Greene, Giacamo Gianniotti, Lukas Haas, Hana Mae Lee, Kat Graham, Tara Wood, and many others, all of whom supported their projects at the fest.
Christian Madsen, Tara Wood and Michael Madsen
Festival co-founder and president Tanner Beard also won the most recent season of ABC's golf competition show Holey Moley, where he competed on behalf of the festival, and specifically, the Mammoth Media Institute.
"While we were grateful to experience the Mammoth Film Festival, one of the last events before the nationwide lockdown from COVID-19, MammothFF prides itself on bringing filmmakers, industry professionals, cinefiles and moviegoers together - in person - to share stories, knowledge, and handshakes,” comment founders Tanner Beard and Tomik Mansoori.
Tanner Beard and Tomik Mansoori
The annual festival is founded by film producer/actor Tanner Beard and film/event producer Tomik Mansoori, and co-founded by actress/producer Alexandra Chando and film producer/publicist Theo Dumont.
@Mammothfilmfestival #MammothFF on Instagram.
Submissions for 2022 will be open on FilmFreeway beginning this week.
https://www.mammothfilmfestival.org/ #MammothFF
We are extremely glad to end this year with the news that regardless the extremely difficult year, we broke our attendance record as it's estimated that 101 833 physical and virtual attendances took place during #PÖFF24 and Industry@Tallinn & Baltic Event.
With mentions in over 6000 articles in 71 languages detected by the Meltwater media monitoring service, the global potential media audience of the festival of 2020 stands at around 9.1 billion.
The festival estimates that 101 833 physical and virtual attendances took place setting a record for the industry events which saw over 35 000 virtual attendances, resulting from a record of 1600 accredited professionals.
As anticipated by the festival’s team, the ticket sales saw a notable drop this year with over 34 000 physical attendances and an estimated 19 000 virtual film viewings*, compared to last year’s 70 000 physical cinema attendances. The festival’s professionals’ film-watching platform had 9779 viewings.
A major shift took place with the virtual event attendances as Industry@Tallinn & Baltic Event had over 800 virtual accreditations – a new record – and made several events available online without accreditation as well, including it’s a most popular event – the European Film Forum.
This resulted in over 3000 virtual attendances on the Elisa Stage platform, while the overall virtual attendance, including the virtual opening and closing ceremony transmission and nearly a hundred Q&A’s and interviews made for the PÖFF TV, rose to 35 478.
With mentions in over 6000 articles in 71 languages detected by the Meltwater media monitoring service, the global potential media audience of the festival of 2020 stands at around 9.1 billion. The festival accredited 161 journalists (68 foreign) and over 26 bloggers, while only 15 foreign journalists were able to attend the events physically this year due to travel restrictions and quarantine requirements.
Black Nights director Tiina Lokk commented: „It was a most difficult year and edition that will be remembered for a long time! What we suffered in loss of revenue, we made up in terms of global visibility – reaching completely new people this year thanks to going virtual. I believe that online is here to stay, though it will not beat the experience of physical attendance which will still very much remain our focus in the future!“
Industry@Tallinn & Baltic Event director Marge Liiske commented: “Having organised a record attendance numbers' virtual industry event over five consecutive days in three parallel broadcasting channels, project presentations and meetings, showed us the potential of online in the future. We also feel really grateful for the industry professionals having such a strong sense of community and a powerful will of collaboration. I hope to meet and thank you all in person in 2021!”
Facts
• 101 833 attendances
• Over 34 000 physical attendances
• Over 35 000 virtual industry attendances
• 646 physical screenings
• Number of films at Tallinn Black Nights Film Festival: 172 feature-length, 15 short films, 13 series.
• Number of films at Youth and children’s film festival Just Film: 42 feature-length films
• Number of films at PÖFF Shorts: 171 short films and 132 animations
• Premieres at Tallinn Black Nights: 35 world, 30 international, 9 European
• Premieres at Just Film: 3 world, 2 international, 1 European
• 1600 accredited professionals, guests, press
• Over 160 accredited journalists, out of which 66 were foreign, 15 foreign journalists attended physically.
• Physically attending guests: foreign 85, Estonian 125
• Budget 1.7 million euros
