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ASIAN POP-UP CINEMA ANNOUNCES
SEASON 12
STREAMING, OSCAR CONTENDERS AND DRIVE-IN PREMIERES
March 15 - May 1
In their longest run yet, Asian Pop-Up Cinema: Season 12 will screen more than 33 films and one of its most diverse lineups. The joint virtual and drive-in film festival opens March 15 and runs through May 1, 2021.
Presented in three parts, the festival will include its official selection at its new virtual cinema, powered by eventive for the USA (March 15-31), Academy Award contenders for Best International Feature Film (April 1-15) via its screening partner Smart Cinema USA; and one-night-only screenings at the Lincoln Yards Drive-In operated by the Davis Theater (April 15 - May 1).
In addition to 8 North American and 12 U.S. premieres, the festival will offer three Hidden Gem Encores and selected films from Hong Kong, Japan, Taiwan, China, South Korea, India, Indonesia, Vietnam, and Mongolia. For the first time in Asian Pop-Up Cinema’s history, the lineup will also feature four co-productions directed by non-Asian filmmakers from France/China, France/Cambodia, Canada/Vietnam, and USA/Philippines.
Pre-recorded “Filmmakers’ Talks” will be included in the majority feature presentations with questionnaires provided by virtual moderators Mark Schilling for Japan, Kevin Ma for Hong Kong, Ron Falzone for China/Thai/Co-Productions, Darcy Paquet for South Korea and Pat McDonald for Taiwan.
This season's Bright Star Award recipient Kasumi Arimura will also be pre-rolling a thank-you before the screening of Sho Tsukikawa’s AND LIFE GOES ON, a story of love, survival, and hope in the aftermath of The Great East Japan Earthquake of March 2011; and A DAY-OFF OF KASUMI ARIMURA (Episode 1: At My Home), a faux-documentary mother-daughter dynamic that saw her working first time with Palme d’Or-winning director Hirokazu Kore-eda.
The Festival’s programming is selected by Sophia’s Choice (aka Festival Director and Founder Sophia Wong Boccio) who went the extra mile to spotlight an exciting lineup for moviegoers during the pandemic. “We are continuously excited with the impressive new directors' works.” she said. “This season especially, bringing in four non-Asian directors’ works in the West Meets East Showcase is an excellent example of bridging cultures across continents by the creative storytellers.”
Whether at the Drive-in or online, the festival continues to deliver new and exciting cinema highlighting the best releases from top movie distributors around the world.
Asian Pop-Cinema: Season 12 opens by honoring Japanese filmmaking, with the U.S. premiere of Shinji Araki’s thriller THE TOWN OF HEADCOUNTS on Monday, March 15. Channeling sci-fi dystopian classics, this compelling thriller is a politically astute allegory of Japanese society, surveillance, election interference and terrorism. This season’s selection of films from Japan also includes the much anticipated ONE SUMMER STORY by Shuichi Okita’s new take on Rettou Tajima’s manga that emphasizes family and relationships.
Kicking off the drive-in presentations is Centerpiece film ONE SECOND CHAMPIONfrom Hong Kong Director Chiu Sin Hang. Combining the boxing genre with a refreshing dash of fantasia, Chiu’s solo directorial debut follows a single father who is gifted with the power of seeing one second into the future. When his ability is exposed, a boxing buff persuades him to use his power in the ring.
Closing Night is the U.S. Premiere of quirky rom-com, READY O/R KNOT from first-time director Anselm Chan. The battle-of-the-sexes love story follows couple Heidi and Guy contemplating marriage, but their mounting campaigns against one another lead to hurt, heartbreak, and the questionable reconciliation.
Midwest premieres include Quebec’s Jean-Philippe Duval’s 14 DAYS, 12 NIGHTS, follows one woman’s pilgrimage to Vietnam as she discovers the whereabouts of her daughter’s biological mother. Throughout this stunningly beautiful journey, the two women form a friendship cemented by the mutual love they share for the same child. South Korean film MOVING ON from first-time director Yoon Dan-bi examines family dynamics through the young eyes of a brother and sister as they struggle with adolescence in a multi-generational household.
Nontraditional family love is explored in the U.S. premiere of DEAR TENANT, from director Cheng Yu-chieh, whose native Taiwan was the first in the region to legalize same-sex marriage in 2019 and is now the leading production hub for LGBTQ filmmaking on the continent. “I made this film for all the people in society who carry on loving, and are determined to love, despite facing a lot of ignorance and misunderstanding from others. I’m very moved by people who courageously express their love in the face of such stigma.”
Another North American premiere includes award-winning thriller THE SILENT FOREST from another first-time filmmaker, “tour-de-force” director Ko Chen-nien. Analyzing the psychological and sexual complexity in perpetrators and sufferers of child abuse, the film delves into trauma, victimization and Taiwan’s lack of legal consequences.
Hidden Gem Encore CHOLA (Shadow of Water) from Indian director Sanal Kumar Sasidharan is a psychological thriller following a young couple on a day trip to a city trapped with a sinister driver-chaperone. Reflecting on India’s rape cases in the mid-1990s, the film serves as an indictment of both Indian culture and societies worldwide that continue to abuse and objectify women to this day.
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ASIAN POP-UP CINEMA - SEASON 12 Full Schedule and Film Details
STREAMING
Tickets available through APUC’s Virtual Cinema
March 15 – 19
Opening Night
The Town of Headcounts (Shinji Araki, 2020) – Japan
March 17 - 21
And Life Goes On (Sho Tsukikawa, 2019) – Japan
Chola (Sanal Kumar Sasidharan, 2019) – India, Hidden Gem Encore, Free Admission
Coalesce (Jessé Miceli, 2020) – France/Cambodia
I, The Sunshine (Sengedorj Janchivdorj, 2019) – Mongolia
Keep Rolling (Doc) (Man Lim-chung, 2020) – Hong Kong
The Silent Forest (Ko Chen-nien, 2020) – Taiwan, Illinois only
March 24 - 28
A Day-Off of Kasumi Arimura (Episode One: At My Home) (Hirokazu Kore-eda, 2020) – Japan
Changfeng Town (Wang Jing, 2019) – China
Chen Uen (Doc) (Wang Wan-jo, 2020) – Taiwan
Come and See (Doc) (Nottapon Boonprakob, 2019) – Thailand
Elisa’s Day (Alan Fung, 2020) – Hong Kong
Search Out (Kwak Jung, 2020) – South Korea, Free Admission
March 27 - 31
Journey to the West (Doc) (Jill Coulon, 2015) – France/China
No. 76 Horror Bookstore (David Chung, Pon Hung Tze-Peng, 2019) – Taiwan, Hidden Gem Encore, Free Admission
Wisdom Tooth (Liang Ming, 2019) - China
The Shell Collector (Yoshifumi Tsubota, 2016) – Japan, Hidden Gem Encore, Free Admission
Two Blue Stripes (Ginatri S. Noer, 2019) – Indonesia
Watch List (Ben Rekhi, 2019) – USA/Philippines
April 26 - 30
14 Days 12 Nights (Jean-Philippe Duval, 2020) – Canada/Vietnam
OSCAR CONTENDERS
April 1 - 15
Oscar Contenders from Asia
Four films confirmed at the time of this announcement streaming via our screening partner Smart Cinema USA. More specifics will be announced at the end of March.
True Mothers (Naomi Kawase, 2020) - Japan
Better Days (Derek Tsang, 2019) - Hong Kong
The Man Standing Next (Woo Min-ho, 2020) - South Korea
Roh (Soul) (Emir Ezwan, 2019) - Malaysia
LINCOLN YARDS DRIVE-IN:
Lincoln Yards Drive-in is located at 1684 N. Throop Street.
Films will be shown at sunset on mostly Thurs/Fri/Sat/Sun nights.
Each film will be shown once only.
Total capacity: 40 vehicles per screening Only.
Thursday, April 15:
CENTERPIECE
One Second Champion (Chiu Sin Hang, 2020) – Hong Kong
Friday, April 16:
Dear Tenant (Cheng Yu-chieh, 2020) – Taiwan
Saturday, April 17:
I Still Remember (Lik Ho, 2021) – Hong Kong
Sunday, April 18:
One Summer Story (Shuichi Okita, 2020) – Japan
Thursday, April 22:
Black Light (Bae Jong-dae, 2020) – South Korea, Free Admission, Advance RSVP is required
Friday, April 23:
Moving On (Dan-bi Yoon, 2019) – South Korea, Free Admission, Advance RSVP is required
Saturday, April 24:
My Missing Valentine (Chen Yu-hsun, 2020) – Taiwan
Sunday, April 25:
Fanfare (Lee Don-ku, 2019) – South Korea, Free Admission, Advance RSVP is required
Saturday, May 1
CLOSING NIGHT
Ready O/R Knot (Anselm Chan, 2020) – Hong Kong
Individual streaming tickets are $3 - $10 rental per online title, with select films admission free, RSVP required. Each title is capped for 400 views for anybody to watch from the USA except for THE SILENT FOREST, restricted for Illinois State views only. $15 per vehicle for Drive-in presentations.
More info: http://asianpopupcinema.org/12boxoffice
Tickets for Asian Pop-Up Cinema - Season 12 are on sale now:
Streaming: http://watch.eventive.org/apuc12
Drive in: http://asianpopupcinema.org/#12boxoffice
All ticket sales are final, non-refundable and non-exchangeable. All programs are subject to change. For the latest news and up-to-date screening information, subscribe at asianpopupcinema.org/subscribe
ABOUT SOPHIA’S CHOICE / ASIAN POP-UP CINEMA
Asian Pop-Up Cinema, a semi-annual Asian Film Festival, is the brainchild of Sophia Wong Boccio, founder of Sophia’s Choice, a Chicago-based 501 C (3) not-for-profit incorporated in 2015 with the multi-pronged mission of cultivating an interest in and understanding of Asian cultures via a diverse offering of Asian films; connecting the Asian film industry with local Chicago film professionals, educators and students; and promoting Chicago as a destination for international visitors.
Connect with Asian Pop Up Cinema:
Facebook: facebook.com/asianpopupcinema.org; Twitter: asianpopupcine
Instagram: @asianpopupcinema and Vimeo: vimeo.com/asianpopupcinema
Asian Pop-Up Cinema Season 12 Main Sponsors
Arts Work Fund; Hong Kong Economic & Trade Office, New York; ADG Group; Choose Chicago; The MacArthur Funds For Culture, Equity, And The Arts At The Richard H. Driehaus Foundation; Taipei Cultural Center In New York; Korean Foundation; Taipei Cultural Enter In New York; CityArts from The Department Of Cultural Affairs And Special Events; Consulate General of the Republic of Korea in Chicago; Consulate General of Canada in Chicago and Quebec Government Office in Chicago.