NEWSLETTER 10 February 19, 2016 -----------------------FOLLOW US ON THE SOCIAL NETWORKS: ![Facebook]()
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Animation Day In Cannes returns May 18 for its second edition
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Animation Day in Cannes is dedicated to promoting the art of animation in all its forms, celebrating animation professionals and related technologies with unique networking opportunities.
Animation Day in Cannes happens May 18th 2016 during the prestigious Cannes Film Festival, the largest gathering of international film media in the world.
Join the Who's Who in animation in Cannes I Join the Catalogue of Animation projects in Cannes Register for free Brainstorming around promotion ideas with budget
Video Channel of Animation in Cannes Hosting teasers and projects with secure access for buyers and media.
PANELS AND WORKSHOPS
· From Short to Feature Length Animation
· Specifics of Animation Marketing
· Profile of International Markets for animation titles
· New avenues, new players financing animation
Animation Recall : Cannes accolades to Winners on the Circuit (Oscar, Clermont Ferrand ...)
Animaze Daze in Cannes Competition
Animation Showcase Screenings in the Market
Networking functions, breakfast, lunch, cocktail and party ( by invitation)
Tech Demos Dome and VR
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Ballhaus is one of the world’s most important cinematographers. Before spending 25 years working primarily in the USA, he established his reputation in Germany where he worked with, among others, auteur Rainer Werner Fassbinder, helping “Young German Cinema” achieve new artistic freedom. At the lens alongside great American directors such as Martin Scorsese, he had a decisive effect on the lighting and look of US moviemaking.
“We are honouring Michael Ballhaus as a director of photography who was a kindred talent to directors and whose oeuvre is unique,” says Berlinale Director Dieter Kosslick. That body of work comprises some 130 films for theatres and television, including 15 films with Fassbinder and seven with Scorsese alone, alongside many other legendary directors, including Peter Lilienthal, Wolfgang Petersen, Volker Schlöndorff, John Sayles, Robert Redford, James L. Brooks, Paul Newman, Mike Nichols, and Francis Ford Coppola.
Michael Ballhaus began as a still photographer and cameraman in television. He had already been Fassbinder’s director of photography three times before taking his place at the eyepiece on Martha(West Germany 1974), a psycho-drama about a sado-masochistic marriage. During the shoot, Fassbinder and Ballhaus discussed how to film the first meeting of the future couple as a magical moment. Ballhaus suggested a semi-circular travelling shot due to the uneven ground at the location. Fassbinder countered with a challenge to have the camera make a full circuit of the pair. The resulting 360-degree dolly shot drew audiences into the scene’s emotional intensity and was to become a Ballhaus trademark. But the cinematographer’s intent and his genius is the way he comes up with visual language to suit each individual director and film. ...
On early Wednesday, February 17th Andrzej Żuławski, a defining voice of contemporary world cinema, passed away. Shortly after the Berlin Critics’ Week had presented his last film COSMOS in attendance of his producer Paulo Branco. We mourn the death of the artist and will project his last film once more, on Sunday, February 21 at noon in the Hackesche Höfe cinema Berlin. We would love to welcome you there and celebrate his work with you. Love, a form of insanity to...
Over the course of the past six years, the Berlin International Film Festival has grown to be one of the biggest technological trailblazers on the film festival scene – thanks in no small part to the support of its Digital Cinema Partners. As a result, in the scope of the increasing digitization of the cinema world, since 2010 all of the Berlinale’s cinemas have been successively connected to the festival’s Film Office via a fibre optic network, a completely new workflow for th...
Returning from the European Film Market (EFM) in Berlin, Edge Entertainment are proud to present two high profile acquisitions. The Innocents by Anne Fontaine and Suburra by the team behind the success TV series Gomorrah. The Innocents by Anne Fontaine which became one of the most buzzed about titles at Berlin’s EFM following the acclaimed world premiere at Sundance. Acquired from Films Distribution for Sweden, Finland, Iceland and the Baltics as well as the Pay TV rights for...
Berlin Critics' Week | Friday, February 12th | http://wochederkritik.de In the face of political power and its violence, digital imagery is in an asymmetric position. It does, however, challenge power relations within cinema. To what aim and how? Debate guests: Fadi Abdelnour (Artistic Director of Alfilm Film Festival), Heba Amin (Artist/filmmaker), Jay Weissberg (Variety film critic and Artistic Director of Pordenone Silent Film Festival). Moderator: Joseph Fahim (Woche der K...
Berlin Critics' Week | Thursday, February 11th | wochederkritik.de Film adds to the lives of bodies, uses their aura, turns them into myths. Whether and how these myths can be controlled, is both a political and an aesthetic question. Debate guests: Zahra Vargas (Director, La fin d'Homère), Pablo Agüero (Director of Eva doesn't sleep), Pamela Biénzobas (Film critic, Revista de cine MABUSE), Richard Brody (Movies editor, The New Yorker), Kiva Reardon (Foun...
Highlights Press Conference DES NOUVELLES DE LA PLANETE MARS (NEWS FROM PLANET MARS) by Dominik Moll at the 66th Berlin International Film Festival. 7 Philippe Mars wants to please everyone. He wants to be a good father, a friendly ex-husband, a helpful colleague and an understanding brother. Unfortunately, his little world goes out of its planned orbit. His son becomes a hardcore vegetarian, his daughter a compulsive swot, whilst his sister exhibits giant paintings of their naked pare...
Check this video highlight! Since 2000, cellist Yo-Yo Ma has brought together musicians from all over the world with his Silk Road project. Video of the performance after the screening by part of The Silk Road Ensemble. ...
