Quantcast
Channel: Filmfestivals.com - FESTIVALS
Viewing all 5397 articles
Browse latest View live

Distribute your Press Release to 9 000 Media Outlets specialized in film festivals.

$
0
0

We can blast your press release to our database of media who cover the festival circuit : it will be distributed to 9 000 Media Outlets:  online media, newspaper and magazine editors, journalists, syndicates and broadcast media.

Check our preferred rates for festivals below (half the regular price)

Complete Details are here

 

Press Release Rates:

Publication on filmfestivals.com on your behalf on the editor’s profile.

 

Publication in our weekly newsletter of a 50 Word Press Release:
title 20 words max plus link, 50 Words, One small Photo, included in our weekly newsletter.    $49.00:

Multiple publications:  each repeat is charged      $25.00

Two different messages (line –up & Awards for instance) : $75.00

All year round - all inclusive assisted publication    $390.00

 

View the latest Issue

 

Specific Blast for your press release

1  Single Page Word Press Release blast to our media database:
Photos, Links and Text  Html format accepted, the content of the blast is all yours. $155.00:   

 

 

Submit your Press Release for distributionAsk for a quote


LAMVF Kicks Off May 1st!

$
0
0

 



LAMVF Kicks Off May 1st!

The countdown continues and we couldn't be more excited for this year's program.  The party starts with doors opening at 8PM each night of the festival (May 1st-4th), so you have plenty of time after work to catch a free ride with SideCar to the Downtown Independent.  Get your festival passes now!  $30 gets you all 4 days + our super rad after party.  To give you a sneak peek at what's in store, here's full schedule:   


Wednesday, May 1st
"Life's A Pitch" withFive Knives, sponsored byRed Bulls Records
Student Finalists Screening
Unofficial Finalists Screening
OMG! Cameras Everywhere Presentation
Kick Off Reception, sponsored byAngel City Brewery(Free beer for the 1st hour)

Thursday, May 2nd
Live Finalist Screening
Animation Finalists Screening
"Let's Get Animated" Panel - A hands-on workshop with the industries' top names in animation, including
Walter Robot, Warren Fu, Jeremy Polgar (Titmouse), Matt Stone (Butter Studios&LAMVF Winner), & more to be announced soon.
Reception & Pop Up Inspiration Gallery

Friday, May 3rd
Non-Narrative Finalists Screening
Narrative Finalists Screening

"Video Is The New Radio" Panel - A discussion on music videos as tools for music discovery & non-traditional distribution.  We're going to be talking with some of music's cutting edge directors, managers, artists, and commissioners.  
Industry Mixer, sponsored by
MVPA&Media Services (Free beer, wine & apps for the 1st hour)

Saturday, May 4th
Lifetime Achievement Award & Keynote,
Greg Gold
2013 Awards Ceremony
"Best of the Fest" Screening
LAMVF After-party, sponsored by
SideCar&Lord Stewart

2013 LAMVF Tickets On Sale Now!

And if you haven't seen it, check out our sweet promo video our friends, Matt Stone& Alexander Nikishin made for us.  LIKE us on Facebook to stay tuned for more LAMVF updates.

Questions?
 Email us atinfo@lamvf.com.    

 

www.lamvf.com

The Stanley Film Festival (SFF) highlights

$
0
0

 

 

STANLEY FILM FESTIVAL ANNOUNCES WORLD PREMIERE OF BENEATH, PANEL DISCUSSIONS AND ADDITIONAL EVENTS

 
- Free Outdoor Screening of THE SHINING to Follow ROOM 237 Screening -
 
- Saturday Single-day Passes Now Available -

The Stanley Film Festival (SFF), presented by NBC Universal’s Chiller, announced today additional screenings, industry panels and special events for the inaugural event that will run May 2 – 5, 2013 in Estes Park, Colo. Celebrating the best in independent horror cinema, SFF will showcase a full slate of features, shorts, panels, student competitions and special events – with Festival headquarters set at The Stanley Hotel. The haunted landmark opened in 1909 and was the inspiration for Stephen King’s Overlook Hotel in THE SHINING.
 
SFF is honored to welcome Larry Fessenden in-person for the world premiere of BENEATH on Friday, May 3 at 2:30 pm it airs on Chiller in October 2013. BENEATH is written by Tony Daniel and Brian D. Smith and directed by horror icon Larry Fessenden (THE LAST WINTERHABIT).
 
ADDED SCREENING:
 
BENEATH – USA – (Director: Larry Fessenden, Screenwriters: Tony Daniel and Brian D. Smith, Cast: Danny Zovatto, Bonnie Dennison, Chris Conroy, Jonny Orsini, Griffin Newman, Mackenzie Rosman) – When a group of young friends commemorating their high school graduation take a trip to the remote Black Lake, their celebration turns into a nightmare with the sudden appearance of a bloodthirsty, underwater predator. Stuck in a leaking boat with no oars, the teens face the ultimate tests of friendship and sacrifice during a terror-stricken fight for survival. (Narrative) World Premiere
 
PANEL DISCUSSIONS:
 
Secrets of THE SHINING
Saturday, May 4, 3 pm, Stanley Hotel Music Room
 
Following showings of ROOM 237 and our free outdoor screening of Kubrick's classic with a spirited debate deep inside the Overlook Hotel about the many theories this film has spawned, the ownership of art, and the legacy of this great work, our panelists will unveil the mysteries behind this enigmatic piece of fiction on the very spot where THE SHINING was conceived.
 
Panelists: Rodney Ascher (Director, ROOM 237), Mick Garris (Director, "The Shining" miniseries), Leon Vitali (Assistant to Stanley Kubrick on THE SHINING), Jay Weidner (Subject, ROOM 237)
 
Moderator: Devin Faraci (Badass Digest)
 
Horror Scores: Composing for Genre Cinema
Sunday, May 5, 1 pm, Stanley Hotel Music Room
 
Discerning viewers will notice that a memorable score goes a long way to cementing, enhancing and often creating the mood, atmosphere, thrills and pure terror necessary for a horror film to succeed. Peer into the artistic process for a lively discussion with the composers of films playing at this year's Stanley Film Festival about how and why they do what they do.
 
Panelists: Nathan Barr (CABIN FEVERHOSTELHOSTEL PART II, “True Blood,” “Hemlock Grove”), William Hutson (ROOM 237), Mark Schulz (ALL THE BOYS LOVE MANDY LANE), Jonathan Snipes (ROOM 237, Nilbog - the world's only horror movie music tribute band), Hank Troy (silent film composer, will play THE CABINET OF DR. CALIGARI during SFF)
 
ADDED EVENTS:
 
THE SHINING: Free Outdoor Screening
Stanley Kubrick’s modern masterpiece of horror was adapted from the book inspired by the one and only Stanley Hotel. Come pay tribute to our Festival’s spiritual fathers for this free outdoor screening on the spot that started this great legacy. Catch it after ROOM 237 to maximize your experience. (Friday, May 3, 9:30 pm, The Stanley Hotel Front Lawn)

Zombie Crawl Hosted by Eye Heart Brains
When there’s no more room in hell, the dead will walk the Earth. And now you can too. Say farewell to the Stanley Film Festival by way of a good ol’ fashioned Zombie Crawl hosted by Eye Heart Brains, purveyors of the world’s largest zombie gatherings. The death march will move along The Stanley Hotel grounds and through the neighboring streets of Estes Park in search of brains. It’s the only way to say goodbye to an unforgettable weekend! (Sunday, May 5, 3:00 pm, The Stanley Hotel Front Lawn)
 
*TO VIEW THE FULL STANLEY FILM FESTIVAL PROGRAM VISIT STANLEYFILMFEST.COM.
 
TICKETS:
 
A single-day pass has also been added for screenings and events. The “Remake: Saturday” pass is available for $40 and includes access to all regular films on Saturday, May 4. Individual tickets are now on sale for all regular Festival screenings, industry panels and select special events:
 
•   Regular screenings/special presentations: $10

•   Opening Night film (THE PURGE) + party (A Shining Gala): $35

•   Opening Night party (A Shining Gala): $25
•   Closing Night film (AFTERSHOCK) + party (A Masquerade Ball): $35

•   Closing Night party (A Masquerade Ball): $25
•   Horror Brunch and Bloody (Mary) Awards Ceremony: $30/$20
 
All tickets, passes and packages can be purchased online or at the Festival Box Office, located in the Stanley Tours Office, which is on the garden level of the Stanley Hotel’s Main Building, just across from Steamer’s Café. The official Stanley Film Festival app is available for download on iOS via the App Store.
 
To keep up to date with the Stanley Film Festival, visit stanleyfilmfest.com, “Like” SFF on Facebook (Facebook.com/StanleyFilmFest), “Follow” SFF on Twitter and Instagram (@StanleyFilmFest) and join the conversation using the hashtag #YeahItsCreepy.
 
2013 Stanley Film Festival Sponsors:
PRESENTING: Chiller; ASSOCIATE: Stella Artois; HOST VENUES: The Stanley Hotel, Reel Mountain Theater; GOVERNMENT: Colorado Office of Film, Television and Media, Town of Estes Park, Visit Estes Park; MEDIA: 5280 Magazine, Boulder Daily Camera, Boulder Weekly, Denver Post, Indiewire, Yelp.com, COMMUNITY: Art Institute of Colorado, Colorado Film School, Denver Film Society, Estes Valley Library, Estes Park Shuttle, University of Colorado Denver, FESTIVAL FRIEND: Beanitos, Grit., Hi-Ball, Indyink, Stack Wines, Trinity Absinthe, Zerosun Pictures.
 


# # #

 
Stanley Film Festival: The Stanley Film Festival showcases classic and contemporary independent horror
cinema all set at the haunted and historic Stanley Hotel in beautiful Estes Park, Colorado. The Festival presets emerging and established filmmakers, enabling the industry and general public to experience the power of storytelling through genre cinema. Founded in 2013 by the Stanley Hotel to celebrate the property’s iconic Hollywood heritage, the four-day event showcases filmmakers latest works, Q&A discussions, industry panels, the “Stanley Dean’s Cup” student film competition and special events for cinema insiders, enthusiasts and fellow artists. To learn more, visit: www.stanleyfilmfest.com.
 
Chiller: Chiller is the only cable channel devoted to delivering viewers round-the-clock scares. Chiller’s eclectic slate of adrenaline-fueled, soul-stirring entertainment includes a broad offering of original movies and specials, genre films, documentary and reality shows (Fear Factor) and some of the most thought-provoking and suspenseful series ever on television (Dead Like MeBuffy the Vampire SlayerTales from the DarksideOuter Limits).  Chiller is currently available in over 42 million homes. To learn more, visit: www.chillertv.com. Chiller. Scary Good.
 
The Stanley Hotel: Famous for its old world charm, The Stanley Hotel boasts spectacular views in every direction and is less than six miles from Rocky Mountain National Park.  Multi-million dollar renovations have restored this 155-guestroom hotel to its original grandeur.  Listed on the National Register of Historic Places and member of Historic Hotels of America; only an hour away from Denver, it is ideal destination for a Colorado getaway. To learn more, visit: www.stanleyhotel.com.
 
Grand Heritage Hotel Group: Founded in 1989 by John Cullen, Grand Heritage Hotel Group is one of the nation’s premier owner operators of independent luxury hotels and resorts. Its properties are sought-after destinations that offer consistent luxury, quality and exceptional surroundings. Several Grand Heritage properties enjoy prestigious distinction as designated Historic Hotels of America. The company prides itself on the vision and strategic expertise of its leadership. Highly innovative and experienced professionals collectively boast more than 50 years of hands-on experience in all aspects of the hotel and hospitality business and are recognized for imaginative and entrepreneurial style. Grand Heritage owns and operates hotels in North America; it also operates Grand Heritage Hotels International Brand, which has a number of properties in Europe, The Middle East, India and North Africa. To learn more, visit: www.grandheritage.com.


 

FOR IMMEDIATE RELEASE 
 

 

 

 

 
 
 
 

KASHISH 2013 looks to crowd funding

$
0
0

 

Mumbai International Queer Film Fest hops on to social media to raise funds

After tasting success in 2012, KASHISH Mumbai International Queer Film Festival 2013 – India’s biggest LGBT film fest –is once again turning to the social media phenomenon of crowd funding to raise finances. Aimed at keeping the festival free and accessible to audiences, organisers say crowd funding also gives audience a feeling of ownership.

``Crowd funding is not just a means to raise money, but also to connect to a diverse range of people and seek their engagement with the festival,’’ says Sridhar Rangayan, Festival Director.

In 2012, when KASHISH took the help of social media to raise funds, it was the first time in India that such an attempt was made to crowd fund a film festival. ``Last year when we started the crowd funding, we were unsure if people would contribute money to support a film festival, but the response was tremendous. People not only in India but from across the world came forward to contribute. They were also very happy to receive the incentives we sent across, like DVDs and T-shirts,’’ adds Rangayan

Kashish has signed up with internet portal Wishberry.in to provide a payment gateway for the crowd funding venture. The link to contribute is http://www.wishberry.in/Kashish-2013-16046

``KASHISH is a not-for-profit LGBT initiative and only through corporate support and generous contribution from individuals, that we can make it an annual sustainable event. We are asking for a small support to continue bringing contemporary queer films from around the world for a big screen experience. And hope everyone contributes to this movement 'towards change',’’ says Rangayan

Crowd-funding is an emerging trend across the world where an individual or an organisation pitches an idea/ venture that requires funding and sources the funds by reaching out through social media. India has already been part of the trend – with funds being raised through crowd finding for a variety of causes from social initiatives to Bollywood films

KASHISH 2013 will be held from May 22-26 2013 at Cinemax Versova, Andheri West and from May 23-25, 2012 at Alliance Française de Bombay, Marine Lines. KASHISH is not only a festival that spotlights LGBTQ cinema, but has also become a landmark festival in Mumbai’s cultural event calendar.

The festival theme this year is `Towards Change’. The festival will make a special effort to program films and have panel discussions that not only deal with LGBT themes, but also those that relate to families and friends of LGBT people.

KASHISH Mumbai International Queer Film Festival is the first and only gay & lesbian film festival in India to be held in a mainstream theatre and the only queer festival to receive clearance from the Ministry of Information and Broadcasting. The festival is organized by Solaris Pictures. 

For further updates on the festival and to register, please visit:

KASHISH- Mumbai International Queer Film Festival

Website: http://www.mumbaiqueerfest.com/  | Facebook: http://www.facebook.com/Kashish.MIQFF | 

Twitter: http://twitter.com/Kashish2012  
 

KASHISH 2013 Poster

 

NEW YORK NO LIMITS FILM SERIES Call For Short Film Screenplays

$
0
0

NEW YORK NO LIMITS FILM SERIES Call For Entry for its 2013 Screenplay Competition is still open.  The deadline to submit a screenplay is 5/15/13. Please go to our website at http://www.newyorknolimits.com for submission instructions. 

The winning screenplay will receive a $4,000.00 prize towards producing the short film. NYNL will announce the award winning screenplay in August 2013. This is an international competition and screenplays from all over the world are accepted. 

For questions about your proposal please contact us at info@newyorknolimits.com.

 

Be Discovered in Hollywood - Hollywood Film Festival®

$
0
0

The 17th Annual HOLLYWOOD FILM FESTIVAL is now open for submissions in the follow genres: Features (all genres including animation, drama, comedy, horror), Docs, and Shorts (including animation). http://www.hollywoodfest.com

SUBMISSION LATE DEADLINE: MAY 31, 2013 – SUBMIT TODAY!

ABOUT THE FESTIVAL
CONNECT
With film presentations taking place in the heart of Hollywood, the Festival presents a valuable screening platform for independent filmmakers, while providing for access to the studios and industry at large. The 2013 event will take this concept to the next level, presenting a unique networking program with “HOLLYWOOD NETWORK® INITIATIVE.” Once again the Hollywood Film Festival will take place at the state of the art ArcLight Cinemas in Hollywood. Keep on SCROLLING DOWN to submit film.

NEW ONLINE OPTION
With filmmakers always looking for broad exposure, this year the “HOLLYWOOD FILM FESTIVAL” is pleased to be offering a select number of short films to Internet audiences, providing streaming opportunities to industry professionals and the online community.

HOLLYWOOD GIVES BACK®
In addition, the HOLLYWOOD FILM FESTIVAL, through the “Hollywood Gives Back® Project” will showcase the other side of Hollywood, celebrating the Industry’s creative artists who have supported causes around the world. These efforts will be integrated into the CineCause Spotlight section of the Festival.

AWARDS GALA
The winners of the HOLLYWOOD FILM FESTIVAL – Features, Documentaries, Shorts – will be recognized on stage at the prestigious HOLLYWOOD FILM AWARDS GALA ceremony, and will receive 4 complimentary VIP GALA tickets. The Hollywood Film Awards Gala launches the awards season.

We are very proud that our finalists and winners have secured agents and distribution deals (HBO, Miramax, IFC, Indican, 7th Art Releasing, and Starz Entertainment among other distributors) due to their exposure during our Hollywood Film Festival.

Our latest success story is our HFF winner, CRAIG BREWER, for the sale of his movie “Hustle and Flow” to Paramount Studios for $9 million. Craig Brewer was discovered at the 2000 Hollywood Film Festival when we showcased the world premiere of his first film “Poor and Hungry.”

Another HFF winner, director Robert DeFranco, sold his film “Telling You” to Miramax. Our winner Zoe Clarke-Williams got a directing job for an MGM film after we honored her. In addition, our winning documentarian Janine Hoskins sold her documentary “My Khmer Heart” to HBO.

“For up-and-coming filmmakers looking for a break the festival is the ultimate networking opportunity”, said “Daily Variety.”

 

SUBMIT TODAY LATE DEADLINE: MAY 31, 2013

 

The Hollywood Film Festival® prefers paperless entries submitted via The International Film Festival Submission System (BrigitFest) – on the Web at Withoutabox.com.

 

Withoutabox provides cost-saving online entry to major film festivals throughout the U.S. and in Europe with one master entry form, allowing you and us to enter your film more quickly and with greater accuracy. This method is free and easy.

Withoutabox users enjoy the advantages of Extended Deadlines and Online Press Kit submissions and filmmakers with an upgraded project on Withoutabox receive $5.00 off their Entry Fees.

Click over to Withoutabox, then follow instructions to apply online:

 

 

 

IF YOU CAN NOT USE WITHOUTABOX.COM TO SUBMIT, PLEASE CLICK HERE FOR PAPER SUBMISSION FORM

 

New York: KINO! 2013 New Films from Germany

$
0
0

Image

The longest running showcase for German Films in the United States, KINO!  featured from April 18 – 24 at the Museum of Modern Art award winning selections. They were chosen from the last edition of the Berlinale and other major festivals and provided an enlightening perspective on current creative film making in Germany.  Most of them depart from the standard track of storytelling. Staged for 35 years now KINO!  has programmed over the last years numerous films and served as an important vehicle ensuring upscale promotion and commercial release of German films in the United States. This included, but is not limited to ALLES AUF ZUCKER (Dani Levy), SOPHIE SCHOLL (Marc Rothemund), HANAMI (Doris Doerri), THE WHITE RIBBON (Michael Haneke),  SOUL KITCHEN (Fatih Akin), VISION (Margarethe von Trotta), THREE (Tom Twyker) and  YOUNG GOETHE IN LOVE (Philipp Stroelzl). The 2013 KINO! selection presented several films which garnered awards already such as OH BOY (Jan Ole Gerstner) and FORGET ME NOT (David Sieveking).

FREE FALL (Freier Fall) by Stephan Lacant, the opening night film at the Berlinale’s Perspective German Kino, is a superbly enacted portrait of the seemingly straight police officer Marc. He has a pregnant girl friend but starts an affair with another male officer prompted by an accidental encounter.  As a result his life goes into a free fall.  Rejected by his wife, family and most friends who cannot comprehend his new orientation he is increasingly isolated and estranged from his old social context, uncomfortable in the gay scene and utterly dejected when his lover leaves.  Lacant demonstrates how precarious identities are constructed, how they are prone to shatter and how difficult it is to rebuild them. As in the beginning scenes the film closes with Marc running again, leaving open what lies in the future.

Jan Ole Gerstner presents an offbeat story in OH BOY about a former student who becomes a drifter, aimlessly meandering through the gritty urban landscape of Berlin. Nico is impoverished and unemployed and no longer supported by his golf playing detached father who thinks he is as much of a failure as his mother was. His girlfriend has left him.  Between aimless talks with occasional few friends and strangers, fights and disputation not leading anywhere, he ends up in a bar listening to an old man who talks about the last 60 years which have been lost and his childhood.  He singles put the Kristallnacht when shards of glass made it impossible to ride his bike. When he collapses Nico brings him to the hospital but cannot ascertain the old man’s identity after his death. In the end, his desire for a cup of coffee throughout the story is finally met.

KALIFORNIA by Laura Mahlberg depicts an old man living by the sea in a caravan who decides on the spur of the moment to visit a friend in California. Having been disconnected from the outside world he is an accidental traveler, hitch hiking rides with strangers, encountering normal and odd people before arriving at the sea port. He does not really know how to relate to other people and follows their clues. Finally he takes a bus back to his caravan, moves his arm chair to the beach and peacefully watches the sea. He feels more at home in isolation.

Andreas Bolm presents with THE REVENANTS (Die Wiedergaenger) the most challenging film in the KINO! selection. His complex non-linear story moves between time, imagery and memory without any dialog or interaction between the principals, an aging hippy couple Ada and Volker living deep in the forest .Two musicians with down beat songs make brief appearances.  A running commentary is effectively used, presenting from time to time catastrophic radio news about an environmental catastrophe, poisoned food, and evacuations. A voice over relays the story of Ada and Volker, the loss and possible murder of their son Tom by young Fabian who is meandering through the forest. Long tracking shots, static camera angles, the silent passages, and penetrating nature imagery contribute to the foreboding, loss, and search for a safe home which the film conveys.

In David Sieveking’s feature length documentary FORGET ME NOT (Vergiss Mein Nicht), Sieveking provides an intimate sensitive portrait of his family coping with the Alzheimer’s disease his mother is suffering from. The father has become a full time care taker giving up his own life until help is hired, though reluctantly. Sieveking records how the mother is losing mastery of cognitive and behavioral skills and how members of the family have to adapt to the changes.  Frequently confused about their identities she fails to recognize the son and his father and progresses into self isolation. The constant attention her illness requires and the knowledge shared by those close to her that there is no cure or remedy for her passage into dementia create  stressful and seemingly insurmountable obstacles.  The film documents how the family accompanies her descent and provides a highly personalized and sensitive perspective on a disease that has become a significant health problem for the aging populations of advanced industrial societies.

Nico Summer presents with SILVI a woman at the end of her forties who is forced to redesign her life and relations after her husband abandons her. This leads her to blindfolded encounters with strangers interested in sex rather than her, exposure to alcohol and drugs, and experience with sadomasochism to name a few episodes. In her voiceover commentary Silvi describes what has gone wrong with her life, how she has to return to life after failing completely as a woman and comments on her need to overcome rejection and isolation. Yet, even after an episode with an apparently normal professional male who reveals  that he is attracted to bondage and being locked up in cabinets, Silvi does  not abandon her aspirations. At the end of the film she declares instead that she is open to new adventures.

Like the other films in the KINO! series SILVI presents a character and a story that is outside our taken for granted realities. The term normal no longer applies and there seems to be no firm center holding everything together and establishing the path for predictable developments.  The curators have programmed a rather appealing KINO! selection this year.

Claus Mueller

filmexchange@gmail.com

 

 

Three of Spain’s major Film Festivals join hands in a new cinema mode set to fly with its own wings: cinema andcompanies, or dra

$
0
0

 

 

 

On the initiative of Cookie Box, a cutting-edge business consultancy, yesterday morning José Luís Rebordinos, José Luís Cienfuegos and Àngel Sala – respective Directors of the San Sebastian, Seville and Sitges Film Festivals – gave a press conference at Barcelona’s Verdi Park Cinemas to announce a new cinema& company section to be launched by all three festivals this year.

With Toni Ulled – Director of Fotogramas – as the moderator, and the participation of Sergi Corbeto – founding partner of Cookie Box – the press conference began with an explanation to all present of the fundamentals of cinema and companies or draManagement; “A new audiovisual format using the full narrative potential of film to help companies convey messages in the most emotional and memorable manner possible”. This is a new tool for internal business communication, clearly pedagogical in nature, which can be used to develop talents, lend strength to corporate messages or convey the social awareness and values of organisations.

Without rejecting the production of feature films and fiction shorts already used to date by certain companies, and in case there were any doubts as to its difference from advertising films, Corbeto clarified: “We are not an advertising agency and draManagement does not seek to empower brands; rather, it is a question of empowering people and conveying internal company values”.

Speaking unanimously, the festival directors referred to the absolute need, the almost obligation of their positions, to commit to innovation, to seek new kinds of cinema, new audiences and, of course, new financing channels; hence their support for the Cookie Box initiative. They further expressed their backing of cinema and companiesby launching a new section in their programmes for all companies who wish to make this kind of film.

Specifically,in the words of José Luís Rebordinos “we are looking for new formulas, and if we come across an idea to entice companies into the world of film, bring it on! This kind of films has a long road ahead of it and we in San Sebastian want to be by its side”.

José Luís Cienfuegos explained that “the first time I heard about draManagement I wondered how business language could fit in with the cinema; then I understood that we have to reinvent ourselves and open out towards new disciplines and new enterprising modes. I was initially attracted by the creative ambition of Cookie Box and, of course, finally decided to support the initiative”.

Àngel Sala ended, saying: “we are obliged to create communication channels with businesses; film has traditionally turned its back on industry, and perhaps if things had changed before now cinema (and culture in general) would not be in its present complicated situation. We must constantly revise the Festival to prevent ourselves from falling into a rut. If we want cinema to have a future, and we want to give an opportunity to young talents, we must back the application of film to other areas; in this case to business language”.

The press conference ended with a debate on how cinema is financed; the need for public subsidies and a demand by the Festivals for an urgent law on patronage, but also of course for the need to open doors to other collaborations. Cinema andcompanies is a win-win situation for all involved; the companies will find a new and more effective communication tool thanks to the power of cinema; cinema will draw on new experiences, and there will be new opportunities for young talents plusa new financing channel. A new future for film, a long road ahead for cinema andcompanies, or draManagement.
 


Distribute your Press Release to 9 000 Media Outlets specialized in film festivals.

$
0
0

We can blast your press release to our database of media who cover the festival circuit : it will be distributed to 9 000 Media Outlets:  online media, newspaper and magazine editors, journalists, syndicates and broadcast media.

Check our preferred rates for festivals below (half the regular price)

Complete Details are here

 

Press Release Rates:

Publication on filmfestivals.com on your behalf on the Cannes or Editor’s profile.

 

Publication in our weekly newsletter of a 50 Word Press Release:
title 20 words max plus link, 50 Words, One small Photo, included in our weekly newsletter.    $99.00:

Multiple publications:  each repeat is charged      $50.00

Two different messages (line –up & Awards for instance) : $150.00

 

Rates for festivals.

A 50% discount apply for festival orgs: 50 word Press Release is charged $49, repeat is charged $25, two pack is charged $75,  All year round - all inclusive assisted publication    for festivals is charged $390.00

View the latest Issue of our Newsletter

 

Specific Blast for your press release

1  Single Page Word Press Release blast to our media database:
Photos, Links and Text  Html format accepted, the content of the blast is all yours. $155.00:   
Rate for festivals $100

Submit your Press Release for distribution
Ask for a quote

LAMVF Kicks Off May 1st!

$
0
0

 



LAMVF Kicks Off May 1st!

The countdown continues and we couldn't be more excited for this year's program.  The party starts with doors opening at 8PM each night of the festival (May 1st-4th), so you have plenty of time after work to catch a free ride with SideCar to the Downtown Independent.  Get your festival passes now!  $30 gets you all 4 days + our super rad after party.  To give you a sneak peek at what's in store, here's full schedule:   


Wednesday, May 1st
"Life's A Pitch" withFive Knives, sponsored byRed Bulls Records
Student Finalists Screening
Unofficial Finalists Screening
OMG! Cameras Everywhere Presentation
Kick Off Reception, sponsored byAngel City Brewery(Free beer for the 1st hour)

Thursday, May 2nd
Live Finalist Screening
Animation Finalists Screening
"Let's Get Animated" Panel - A hands-on workshop with the industries' top names in animation, including
Walter Robot, Warren Fu, Jeremy Polgar (Titmouse), Matt Stone (Butter Studios&LAMVF Winner), & more to be announced soon.
Reception & Pop Up Inspiration Gallery

Friday, May 3rd
Non-Narrative Finalists Screening
Narrative Finalists Screening

"Video Is The New Radio" Panel - A discussion on music videos as tools for music discovery & non-traditional distribution.  We're going to be talking with some of music's cutting edge directors, managers, artists, and commissioners.  
Industry Mixer, sponsored by
MVPA&Media Services (Free beer, wine & apps for the 1st hour)

Saturday, May 4th
Lifetime Achievement Award & Keynote,
Greg Gold
2013 Awards Ceremony
"Best of the Fest" Screening
LAMVF After-party, sponsored by
SideCar&Lord Stewart

2013 LAMVF Tickets On Sale Now!

And if you haven't seen it, check out our sweet promo video our friends, Matt Stone& Alexander Nikishin made for us.  LIKE us on Facebook to stay tuned for more LAMVF updates.

Questions?
 Email us atinfo@lamvf.com.    

 

www.lamvf.com

60th Sydney Film Festival launched with more films, more venues!

$
0
0

 

The 60th Sydney Film Festival program was officially launched today by NSW Minister for Tourism, Major Events, Hospitality and Racing and Minister for the Arts, The Hon. George Souris.

“The New South Wales Government, through Screen NSW and Destination NSW, is proud to support Sydney Film Festival, a much-loved part of the city’s arts and events calendar. Sydney Film Festival continues to provide filmmakers a wonderful opportunity to showcase their work, as well as boosting the State’s economy,” Minister Souris said.

SFF Festival Director Nashen Moodley said, “Opening with the World Premiere of a landmark Australian film, Ivan Sen’s Mystery Road, is a perfect opportunity to demonstrate just how far both the festival and the Australian film industry have come since 1954. Confident, mature, word-class and compelling – these are words that describe both this wonderful film and this extraordinary festival.

“Our 2013 program has more screenings of more films from more countries in more venues than even our record-breaking 2012 festival. We cover all tastes in film, with the peak best represented by our Official Competition films, made by some exciting new talents as well as masters of the form. Beyond the competition, feature and documentary programs, the 60th Sydney Film Festival features a focus on Austrian cinema, the best of British Noir, a good splattering of horror and some downright weird works that are bound to become future cult classics.”

This year SFF is proud to announce the 2013 festival is expanding its program, audience reach and accessibility to Sydneysiders. 38,000 additional seats will go on sale for festivalgoers to experience the best films from across Australia and around the world. Sydney’s North Shore residents can now more easily share the excitement with the addition of 23 screenings at the Hayden Orpheum Picture Palace Cremorne.

The program features 190 titles (19 world premieres, 5 international premieres, and 122 Australian premieres) from 55 countries at the State Theatre, Event Cinemas George Street, Dendy Opera Quays, the new screening location at the Hayden Orpheum Cremorne and Art Gallery of NSW. The Apple Store Sydney hosts a selection of free public talks; Grasshopper continues as the official festival lounge, open late for drinks and dinner; and SFFTV@Martin Place returns with a free giant outdoor screen showing a selection of SFF highlights plus fascinating shorts from Film Australia collection at the National Film and Sound Archive.

A few minutes’ walk from the Festival’s major venues, the Sydney Film Festival Hub at Lower Town Hall will return for a second year, celebrating the theme of Cinema, Reconstructed. Now open until midnight, the Hub offers an expanded line-up of FREE exhibitions, inspiring talks and panels, parties, performances, DJs and screenings throughout the Festival. It is the only place to buy $10 discount tickets for selected screenings, or take part in the new Film Club, daily from 5pm to 6pm, to share your festival experiences.

 

For the first time ever SFF screens films from Angola (Death Metal Angola, screening in our Sounds on Screen program); Bangladesh (Television, directed by Mostofa Sarwar Farooki and awarded a Muhr AsiaAfrica special mention at the 2012 Dubai International Film Festival); North Korea (Comrade Kim Goes Flying); Malawi (William and the Windmill) winner of the Grand Jury Award for Documentary at SXSW; and Saudi Arabia (Wadjda directed by Saudi Arabia’s first-ever female filmmaker).

Among the 19 World Premieres at this year’s festival are two major Australian feature productions. Opening Night’s Mystery Road is an Outback-set murder mystery written, directed and edited by Ivan Sven (Beneath Clouds, Toomelah) and starring Aaron Pedersen, Hugo Weaving, Jack Thompson, Ryan Kwanten, Damian Walshe-Howling, Tasma Walton, Zoe Carides and Samara Weaving. Then we welcome the psychological drama Nerve, a Sydney-based production directed by Sebastien Guy, starring a stellar cast of well-known and upcoming Australian actors including Gary Sweet, Christian Clark, Georgina Haig, Craig Hall, Andrea Demetriades, Denise Roberts and Cameron Daddo.

Eight new documentaries and one important restoration will also make their World Premieres at the festival including:

·         The World Premiere of William Yang: My Generation, screening in partnership with ABC TV Arts and Vivid Ideas. Yang’s trademark candid narration leads us through the wildly creative and decadent era of Sydney in the ’70s and ’80s, capturing personalities such as Brett Whiteley, Patrick White, Linda Jackson and Jenny Kee.

·         In collaboration with Vivid LIVE, SFF will screen The Sunnyboy, which follows Australian musician Jeremy Oxley’s 30-year struggle with schizophrenia as he faces up to returning to the stage with his band The Sunnyboys. The screening concludes with the band playing a live gig in the Sydney Opera House Concert Hall.

·         Award-winning Australian photographer Murray Frederick’s (Salt) journey to capture some of the most elusive and beautiful sights of Greenland’s icecaps will captivate you in Nothing on Earth.  

·         Renowned filmmaker and artist George Gittoes is at the centre of Love City Jalalabad, which charts his journey against all odds to create an artists’ collective in western Afghanistan, and to produce films there for the local community with an international cast and crew.

·         Big Name No Blanket examines the legacy of Indigenous Australian music legend George Rrurrambu Burarrawanga – the frontman of the groundbreaking Warumpi Band.

·         The Unlikely Pilgrims, directed by Kristen Mallyon and John Cherry, follows a group of recovering addicts and a drug counsellor from a New South Wales rehab centre along their journey on the Camino de Santiago, the famous pilgrims’ trail through northern Spain.

·         The Crossing, directed by Julian Harvey, follows two young Australians, Clark Carter and Chris Bray, as they attempt the difficult crossing of a remote island in the Arctic.

·         Buckskin is directed by Indigenous filmmaker Dylan McDonald. It follows Jack Buckskin’s mission to renew a once-extinct language and inspire a new generation to connect with the land and culture of his ancestors.

The digital restoration of the groundbreaking 1981 film Wrong Side of the Road, directed by Ned Lander, is based on the real lives of seminal Australian bands Us Mob and No Fixed Address, and is presented in partnership with the National Film and Sound Archive of Australia. It returns an important story to our cultural history – looking and sounding even better than it did when it was released 30 years ago.

 

Festival Highlights:

On the Public Holiday Monday, 13 June, families and children will enjoy Disney•Pixar’s Monsters University, welcoming Mike and Sulley back to the big screen to find out how the monster pals from the Oscar®-winning Monsters, Inc. met and became friends.

SFF is delighted to present the Australian Premiere of Before Midnight, the latest instalment of director Richard Linklater’s (Dazed and Confused, School of Rock) popular, romantic films that began with Before Sunrise (1995) and then Before Sunset (2004), all starring Ethan Hawke and Julie Delpy. This is the first time all three films will be screened together in Australia.

This year’s national highlight is entitled Focus on Austria, featuring the award-winning Paradise trilogy by acclaimed director Ulrich Seidl, who achieved the rare feat of playing in competition at the three major festivals in 2012/2013 – Cannes, Venice and Berlin.

The Box Set brings the latest and best cinematic television productions from around the world. The HBO Europe historical-drama TV series Burning Bush, based on real events and directed by world-renowned Polish filmmaker, Agnieszka Holland (Europa Europa, A Lonely Woman, Angry Harvest, The Wire) is a highlight. Also presented in this section is the gripping Japanese drama series Penance directed by Kiyoshi Kurosawa (Pulse, Bright Future, Tokyo Sonata).

Continuing SFF’s commitment to presenting the best work by Indigenous filmmakers, SFF has partnered with Screen Australia’s Indigenous department to present Screen: Black, showcasing the latest from across Australia: Mystery Road (opening night), Buckskin (Foxtel), Big Name No Blanket (Foxtel) and The Chuck In (Short Films).

SFF will be screening nine films direct from the 2013 Cannes Official Selection, Directors’ Fortnight and Critics’ Week, including: Only God Forgives, a Bangkok-set crime thriller and the latest from director Nicolas Winding Refn (Drive, 2009 Sydney Film Prize winner Bronson), starring Ryan Gosling and Kristen Scott-Thomas; the wickedly funny and strange Dutch film Borgman, directed by Alex Van Warmerdam; Grigris from the great African filmmaker (and SFF 2012 jury member) Mahamat-Saleh Haroun (A Screaming Man); the French drama The Past, from acclaimed Iranian director Asghar Farhadi (whose A Separation won the 2011 Sydney Film Prize and the Oscar for Best Foreign Language Film in 2012); the gripping Indian thriller Monsoon Shootout, directed by Amit Kumar; and one of the scariest films of the year We Are What We Are directed by acclaimed genre filmmaker Jim Mickle (Mulberry Street; Stake Land, SFF 2011). The Scottish drama For Those in Peril, directed by Paul Wright, will screen at Critics’ Week and then in SFF’s Official Competition. Two short films in the Cannes Competition will also screen at SFF: Whale Valley, directed by Gudmundur Arnar Gudmundsson; and the Australian-Indian co-production Tau Seru, directed by Rodd Rathjen. 

 

And now for the 2013 SFF Program:

 

Opening Night

The star-studded Opening Night Gala will be made even more special by the World Premiere of the Australian film Mystery Road. Directed by AFI award-winning director Ivan Sen (Beneath Clouds, Toomelah) this gripping murder mystery stars Aaron Pedersen, Hugo Weaving, Jack Thompson, Ryan Kwanten, Damian Walshe-Howling, Tasma Walton, Zoe Carides, and Samara Weaving. The festival opens at the State Theatre on Wednesday 5 June at 7:30pm, followed by an afterparty at Bungalow 8 in Darling Harbour. Opening Night is presented by Audi.

 

 

 

 

Closing Night:

The Australian Premiere of the documentary Twenty Feet From Stardom, directed by award-winning filmmaker Morgan Neville and featuring Darlene Love, Merry Clayton, Lisa Fischer, Judith Hill, Bruce Springsteen, Stevie Wonder, Mick Jagger, Sting, Claudia Lennear and Tata Vega, screens at the State Theatre on Sunday 16 June at 8pm. Closing Night also includes the announcements of all the SFF awards for 2013, including the $60,000 Sydney Film Prize (see below).

 

Official Competition

SFF is delighted to announce Hugo Weaving will be the 2013 Jury President for the FIAPF-accredited SFF Official Competition.

 

The internationally recognised SFF Official Competition, now in its sixth year, awards a $60,000 cash prize, Australia’s richest cash award for film, in recognition of courageous, audacious and cutting-edge cinema.
The previous Sydney Film Prize winners are: Alps (2012); A Separation (2011), which went on to win an Academy Award®; Heartbeats (2010); Bronson (2009); and Hunger (2008).

 

This year’s Official Competition titles are:

The Act of Killing (Australian Premiere) | Denmark-Norway-UK | Director: Joshua Oppenheimer | Co-directors: Christine Cynn, Anonymous

Borgman (Australian Premiere) | Netherlands| Director: Alex van Warmerdam | Cast: Jan Bijvoet, Hadewich Minis, Jeroen Perceval

The Broken Circle Breakdown (Australian Premiere) | Belgium, Netherlands | Director: Felix van Groeningen | Cast: Veerle Baetens, Johan Heldenbergh, Nell Cattrysse

Child’s Pose (Australian Premiere) | Romania | Director: Călin Peter Netzer | Cast: Luminita Gheorghiu, Bogdan Dumitrache, Nataşa Raab

For Those in Peril (Australian Premiere) | UK | Director: Paul Wright | Cast: Kate Dickie, Michael Smiley, Nichola Burley

Grigris (Australian Premiere) | France| Director: Mahamat-Saleh Haroun | Cast: Souléymane Démé, Anaïs Monory, Cyril Guei

Monsoon Shootout (Australian Premiere) | India | Director: Amit Kumar | Cast: Neeraj Kabi, Vijay Verma, Nawazuddin Siddiqui, Tannishtha Chatterjee

Oh Boy (Australian Premiere) | German| Director: Jan Ole Gerster | Cast: Tom Schilling, Friederike Kempter, Marc Hosemann           

Only God Forgives (Australian Premiere) |France, Denmark| Director: Nicolas Winding Refn | Cast: Ryan Gosling, Kristin Scott Thomas, Yayaying Rhatha Phongam

The Rocket (Australian Premiere)| Australia | Director: Kim Mordaunt | Cast: Sitthiphon Disamoe, Loungnam Kaosainam, Thep Po-ngam

Stories We Tell (Australian Premiere) | Canada | Director: Sarah Polley
Wadjda (Australian Premiere) | Saudi Arabia-Germany |Director: Haifaa Al Mansour| Cast: Reem Abdullah, Waad Mohammed, Abdullrahman Al Gohani
 

Confirmed guests for the Official Competition include:

 

Saudi Arabia’s first woman filmmaker, director Haifaa Al Mansour (a University of Sydney graduate) will be in Sydney to present the Australian Premiere of Wadjda, the first-ever feature film shot in her country. Winner of the Best Arab Feature Film at the 2012 Dubai International Film Festival, this is Al Mansour’s debut feature film.

 

Award-winning Romanian director Călin Peter Netzer will be in Sydney to present the Australian Premiere of Child’s Pose. This the third feature from Netzer, an influential filmmaker in Romanian New Wave cinema. Child’s Pose won the Golden Bear at the 2013 Berlinale.

 

Canadian actor and director Sarah Polley will present her first feature-length documentary at the Australian premiere of Stories We Tell. Polley made her feature-directorial debut in 2006 with Away from Her, for which she won a Genie Award for Best Achievement in Direction, followed up her second feature film Take This Waltz.

 

Director Joshua Oppenheimer and producer Signe Byrge Sørensen will be here to introduce the Australian Premiere of The Act of Killing, winner of the Documentary Audience Award at the 2013 Berlinale. Oppenheimer’s films are known to push the boundaries of fiction and documentary. Influenced by the experimental montage of his mentor, Dusan Makavejev, his first feature film The Entire History of the Louisiana Purchase (1997) won a Gold Hugo from the Chicago International Film Festival (1998). Sørensen also produced the documentaries The Human Scale and TPB AFK: The Pirate Bay Away from Keyboard, both of which screen at the festival this year.

 

Australian director Kim Mordaunt and producer Sylvia Wilczynski will attend the Australian Premiere of their award-winning Australian film The Rocket. This charming film just screened at Tribeca, where it won the Best Narrative Feature and Best Actor prizes; and was earlier awarded three prizes at the 2013 Berlinale, including the Crystal Bear. Mordaunt and Wilczynski’s feature-length documentary Bomb Harvest (which world premiered at SFF 2007) was nominated for best documentary in the IF Awards, ATOM Awards and Film Critics Circle of Australia Awards; was nominated for Best Director at the ADG Awards; was nominated for Best Cinematography at the AFI Awards; and won Best Feature – Children’s Rights at Hollywood’s Activist Awards.

German director, Jan Ole Gerster will be here to present his hit Oh Boy.This black-and-white comedy, Jan’s feature-film debut, won most of the major prizes at the German Film Awards, including Best Film, Best Director, Best Screenplay, Best Actor (Tom Schilling), Best Supporting Actor (Michael Gwisdek) and Best Score; and won Best Feature Film Debut at the 2013 German Film Critics Association awards. Gerster started as a production assistant on the box office hit Good Bye, Lenin! (2003), the comedy about German reunification directed by Wolfgang Becker, and studied directing and screenwriting at the German Film and Television Academy in Berlin.

Indian Director Amit Kumar will attend the Australian Premiere of his feature-film debut Monsoon Shootout, direct from Cannes. His student films, including Judgment Day and The Bypass, screened at festivals including Edinburgh and Cannes and won him a number of international awards and artists residencies. He worked as an associate director with BAFTA-winning UK director Asif Kapadia on The Warrior, and Oscar-winning German director Florian Gallenberger on Shadows of Time.

 

Director Paul Wright will attend the Australian Premiere of his first feature film ForThose in Peril, direct from Cannes. Wright studied film at the RSAMD in Glasgow, where he made his first short Hikikomori (2007), which won the Scottish BAFTA for Best New Work and the Best Drama Award at the Royal Television Society awards. In the same year he made Believe, which won the Golden Leopard for Best International Short Film at Locarno as well as major awards at Winterthur and Leeds International Film Festival. His next short, Photos of God, was selected for the 2010 Berlinale. Paul’s graduation film, Until the River Runs Red, won the BAFTA for Best Short Fiction Film in 2011.

 

Foxtel Australian Documentary Prize

Now in its fifth year at SFF, the Foxtel Australian Documentary Prize winner will be awarded a generous cash prize of $10,000, sponsored by Foxtel, and announced at the SFF Closing Night ceremony on Sunday 16 June.

 

The 10 Foxtel Australian Documentary Prize Finalists for 2013 are:

Audrey of the Alps | Director: Grace McKenzie
Big Name No Blanket (World Premiere) | Director: Steven McGregor
Buckskin
(World Premiere) | Director: Dylan McDonald

The Crossing (World Premiere) | Director: Julian Harvey

Love City Jalalabad (World Premiere) | Director: George Gittoes
Miss Nikki and the Tiger Girls
(Australian Premiere)| Director: Juliet Lamont

Nothing on Earth (World Premiere) | Director: Michael Angus

Red Obsession (Australian Premiere) | Directors: David Roach and Warwick Ross

The Sunnyboy (World Premiere) | Director: Kaye Harrison
The Unlikely Pilgrims (World Premiere) | Directors: Kirsten Mallyon and John Cherry

 

The Dendy Awards for Australian Short Films

The Dendy Awards celebrate the vibrancy of the short form and the talent of Australian short-film creatives. Sponsored by Dendy Cinemas for 25 years, these awards have launched the careers of many of Australia’s most respected filmmakers. The 10 films are competing for three prizes: the Dendy Live Action Short Award, the Yoram Gross Animation Award and the Rouben Mamoulian Award for Best Director. The finalists in this year’s awards will screen together in one session on Saturday 15 June at 4pm and Sunday 16 June at 11am at Event Cinemas George Street.

 

The 10 finalists for the SFF 2012 Dendy Awards for Australian Short Films are:

All God’s Creatures (World Premiere) | Director: Brendon McDonall

A Cautionary Tail (Sydney Premiere) |Director: Simon Rippingale
Butterflies
(Sydney Premiere) | Director: Isabel Peppard
Heaven
(World Premiere) | Director: Maziar Lahooti
I Have Your Heart
(World Premiere) | Director: Jim Batt

The Last Time I Saw Richard (World Premiere) | Director: Nicholas Verso

Ngurrumbang (World Premiere) | Director: Alex Ryan
Perception
(World Premiere) | Director: Miranda Nation
Ravage
(World Premiere) | Director: Jaime Lewis
Record
(Sydney Premiere) | Director: David Lyons

 

 

2013 Foxtel Movie Channels Audience Award
The Foxtel Movie Channels Audience Award is the People’s Choice Awards and the winners reflect the most popular feature-length films at the Festival. After each screening, the audience is invited to rate the film they’ve just seen via the SFF2013 App or SMS. Two audience awards are presented: one to the best narrative feature, and one to the best documentary.

 

Special Presentations at the State

From award winners to films gathering a global buzz, Special Presentations at the State are highlights of the SFF 2013 evening program.

 

The SFF 2013 Special Presentations are:

Blancanieves | Spain | Director: Pablo Berger | Cast: Maribel Verdú, Daniel Giménez Cacho, Ángela Molina

Before Midnight | USA | Director: Richard Linklater | Cast: Ethan Hawke, Julie Delpy, Seamus Davey-Fitzpatrick

Frances Ha | USA | Director: Noah Baumbach | Cast: Greta Gerwig, Mickey Sumner, Adam Driver

Gloria | Chile | Director: Sebastian Lelio | Cast: Paulina García, Sergio Hernández, Diego Fontecilla

The Look of Love | Australia | Director: Michael Winterbottom| Cast: Steve Coogan, Ana Friel, Imogen Poots

Lovelace | USA | Director: Rob Epstein, Jeffrey Friedman| Cast: Amanda Seyfried, Peter Sarsgaard, Hank Azaria, Adam Brody, James Franco, Sharon Stone

Mood Indigo | France-Belgium | Director: Michel Gondry | Cast: Romain Duris, Audrey Tautou, Gad Elmaleh

The Past | France | Director: Asghar Farhadi | Cast: Bérénice Bejo, Tahar Rahim, Ali Mosaffa
Prince Avalanche | USA | Director: David Gordon Green | Cast: Paul Rudd, Emile Hirsch

Stoker | UK/USA| Director: ParkChan-wook | Cast: Mia Wasikowska, Mathew Goode, Dermot Mulroney, Jacki Weaver, Nicole Kidman  

The Way, Way Back | USA | Directors: Nat Faxon, Jim Rash | Cast: Liam James, Sam Rockwell, Toni Collette, Steve Carell

 

Before Trilogy:

With Before Midnight, Richard Linklater finishes a memorable conversation begun nearly 20 years ago, a dialogue across cultures, values and gender. Sydney Film Festival offers audiences the chance to view the first two films, Before Sunrise (1995) and Before Sunset (2004) at the Art Gallery of NSW before the Australian Premiere of Before Midnight at 9:30pm on Sunday 8 June at the State Theatre on Market Street.

 

Before Sunrise | USA | Director: Richard Linklater | Cast: Ethan Hawke, Julie Delpy, Andrea Eckert

Before Sunset | USA | Director: Richard Linklater | Cast: Ethan Hawke, Julie Delpy, Vernon Dobtcheff

Before Midnight | USA | Director: Richard Linklater | Cast: Ethan Hawke, Julie Delpy, Seamus Davey-Fitzpatrick

 

 

 

 

 

 

 

 

 

Features

There are 39 features in the 2013 Sydney Film Festival Program. This selection brings together the best examples of this artform, showcasing prize-winners from the world’s most prestigious festivals alongside new works that deserve to be better known.

 

The SFF 2013 Features are:

 

The Attack | Lebanon-France-Qatar-Belgium | Director: Ziad Doueiri | Cast: Ali Suliman, Reymond Amsallem, Evgenia Dodena
Betrayal | Russia | Director: Kirill Serebrennikov| Cast: Franziska Petri, Dejan Lilic, Albina Dzhanabaeva

Beyond The Hills | Romania-France-Belgium | Director: Cristian Mungiu | Cast:  Cosmina Stratan, Cristina Flutur, Valeriu Andruita
Breathe In | USA | Director: Drake Doremus | Cast: Guy Pearce, Felicity Jones, Amy Ryan, Kyle MacLachlan
Camille Claudel 1915 | France | Director: Bruno Dumont  | Cast: Juliette Binoche, Jean-Luc Vincent
Closed Curtain | Iran | Directors: Jafar Panahi, Kamboziya Partovi | Cast: Kamboziya Partovi, Maryam Moqadam, Jafar Panahi
Computer Chess | USA | Director: Andrew Bujalski | Cast: Patrick Riester, Wylie Wiggins, Myles Paige,
The East | UK-USA | Director: Zal Batmanglij | Cast: Brit Marling, Alexander Skarsgård, Ellen Page, Jason Ritter

Eat Sleep Die | Sweden | Director: Gabriela Pichler | Cast: Nermina Lukač, Milan Dragišić, Jonathan Lampinen
An Episode in the Life of an Iron Picker| Bosnia-Herzegovina | Director: Danis Tanović | Cast: Senada Alimanović, Nazif Mujić, Sandra Mujić

Everyday | UK | Director: Michael Winterbottom | Cast: Shirley Henderson, John Simm, Shaun Kirk, Katrina Kirk, Stephanie Kirk, Robert Kirk

A Few Hours of Spring | France | Director: Stéphanie Brizé | Cast:  Vincent Lindon, Hélène Vincent, Emmanuelle Seigner, Olivier Perrier

Ginger and Rosa | UK | Director: Sally Potter |Cast: Alice Englert, Elle Fanning, Christina Hendricks, Jodhi May, Timothy Spall, Oliver Platt, Annette Bening
A Hijacking| Denmark | Director: Tobias Lindholm | Cast:  Søren Malling, Pilou Asbæk, Dar Salim

The Iceman | USA | Director: Ariel Vromen| Cast: Michael Shannon, Chris Evans, Ray Liotta, Winona Ryder, David Schwimmer, James Franco

In Bloom |Georgia-Germany-France | Directors:  Nana Ekvtimishvili, Simon Gross | Cast: Lika Babluani, Mariam Bokeria, Zurab Gogaladze
It’s About to Rain| Iraq-Italy-Kuwait-UAE | Director: Haider Rashid | Cast: Lorenzo Baglioni, Mohamed Hanifi, Giulia Rupi

It’s All So Quiet | Netherlands, Germany | Director: Nanouk Leopold | Cast: Jeroen Willems, Henri Garcin, Wim Opbrouck

The Land of Hope | Japan | Director: Sion Sono | Cast: Isao Natsuyagi, Naoko Otani, Jun Murakami

Lasting | Poland-Spain | Director: Jacek Borcuch | Cast: Jakub Gierszal, Magdalena Berus, Ángela Molina
Layla Fourie | South Africa-Germany, France, Netherlands | Director: Pia Marais | Cast: Rayna Campbell, August Diehl, Rapule Hendricks

Longing for the Rain | Hong Kong-China | Director: Yang Lina | Cast: Zhao Siyuan, Fu Jia, Dej Pongpazroj
Midnight’s Children | Canada | Director: Deepa Mehta | Cast: Satya Bhabha, Shahana Goswami, Rajat Kapoor

Nerve (World Premiere) | Australia | Director: Sebastien Guy | Cast: Christian Clark, Georgina Haig, Craig Hall, Gary Sweet, Andrea Demetriades, Cameron Daddo
Outrage Beyond | Japan | Director: Takeshi Kitano | Cast: Beat Takeshi, Toshiyuki Nishida, Tomokazu Miura
The Patience Stone | France | Director: Atiq Rahimi | Cast: Golshifteh Farahani, Massi Mowrat, Hamid Djavadan

Pieta | South Korea | Director: Kim Ki-duk | Cast: Cho Min-soo, Lee Jung-jin

Pluto | South Korea | Director: Su-won Shin | Cast: David Lee, Sung June, Cho Sung-ha

Ship of Theseus |India | Director: Anand Gandhi | Cast: Aida El Kashef, Neeraj Kabi, Sohum Shah

Shopping |New Zealand| Directors: Mark Albiston, Louis Sutherland | Cast: Kevin Paulo, Julian Dennison, Jacek Koman

Television | Bangladesh | Director: Mostofa Sarwar Farooki| Cast: Chanchal Chowdhury, Shahir Kazi Huda, Mosharraf Karim
Tenderness | France, Beligum, Germany | Director: Marion Hansel | Cast: Olivier Gourmet, Marilyne Canto, Adrien Jolivet

Thanks for Sharing | USA | Director: Stuart Blumberg | Cast: Gwyneth Paltrow, Mark Ruffalo, Tim Robbins, Pink                                                                                                                                              

Touch of the Light | Taiwan-Hong Kong-China | Director: Chang Jung-chi | Cast: Huang Yu-siang, Lee Lieh, Hsieh Kan-chun
Upstream Color | USA |Directors: Shane Carruth | Cast: Amy Seimetz, Shane Carruth, Andrew Sensenig  

Vic + Flo Saw a Bear | Canada | Director: Denis Côté | Cast: Pierrette Robitaille, Romane Bohringer, Marc-André Grondin
What Maisie Knew | USA  |Directors: Scott McGehee and David Siegel | Cast: Onata Aprile, Julianne Moore, Alexander Skarsgård, Steve Coogan
What Richard Did | Ireland | Director: Lenny Abrahamson | Cast: Jack Reynor, Roisin Murphy, Sam Keeley
White Elephant | Argentina-Spain-France | Director: Pablo Trapero | Cast: Ricardo Darín, Jérémie Renier, Martina Gusman

 

Sounds on Screen

This year’s selection includes: BAFTA-winning director film Shane Meadows’ (This Is England, Dead Man's Shoes) highly anticipated film The Stone Roses: Made of Stone, about the legendary ’90s Manchester band; the first SFF film from Angola, tracing the hardcore scene in this troubled country, Death Metal Angola; while Becoming Traviata gives an insight into creative process of staging Verdi’s masterwork at the Aix-en-Provence Festival in France, and featuring opera star Natalie Dessay.  

 

Chris Strachwitz is the guiding force behind Arhoolie Records, on a quest to find the deep roots of American popular music, in This Ain't No Mouse Music.Muscle Shoals (winner of the Audience Award at Hot Docs) pays homage to a small-town studio in Alabama which, since the 1950s, has been the scene for the recording of some of the greatest musical hits and of all time. A hilarious documentary, Mistaken for Strangers, chronicling life on the road with indie band The National, will surprise and delight. The feature Greetings from Tim Buckley follows the journey of the ’60s singer/songwriter’s equally iconic son Jeff as he grapples with his father’s legacy, culminating in his legendary 1991 performance of the elder Buckley’s songs.

 

The full SFF 2013 Sounds On Screen program:
Becoming Traviata | France | Director: Philippe Beziat
Death Metal Angola |USA-Angola | Director: Jeremy Xido
Greetings from Tim Buckley | USA  | Director: Daniel Algrant

Mistaken For Strangers |USA | Director: Tom Berninger
Muscle Shoals |USA | Director: Greg ‘Freddy’ Camalier
The Stone Roses: Made of Stone |UK | Director: Shane Meadows

This Ain’t No Mouse Music |USA | Directors: Chris Simon & Maureen Gosling

International Documentaries

Documentaries continue to increase in popularity all around the world each year. This selection is an excellent survey of the best examples of the factual-film form being created internationally.

 

Here is the full list of the 32 International Documentaries:

Algorithms | India | Director: Ian McDonald
Approved for Adoption | Belgium-France-South Korea-Switzerland | Director: Laurent Boileau, Jung
Blackfish | USA | Director: Gabriela Cowperthwaite
Char…The No Man’s Land | India-Japan-Italy-Denmark-Norway | Director: Sourav Sarangi
The Crash Reel | USA | Director: Lucy Walker

Cutie and the Boxer | USA | Director: Zachary Heinzerling
Dancing in Jaffa | USA | Director: Hilla Medalia

Dirty Wars | USA | Director: Richard Rowley
Downloaded | USA | Director: Alex Winter

Dragon Girls | Germany-China | Director: Inigo Westmeier

Exposed | USA | Director: Beth B
F*ck For Forest | Poland, Germany | Director: Michal Marczak

Fallen City | China | Director: Zhao Qi

Fatal Assistance | France-Haiti-USA-Belgium | Director: Raoul Peck
The Human Scale | Denmark | Director: Andreas Dalsgaard

I Am Divine | USA | Director: Jeffrey Schwarz
Kink | USA | Director: Christina Voros
The Machine Which Makes Everything Disappear
| Georgia-Germany | Director: Tinatin Gurchiani

La Maison de la Radio | France, Japan | Director: Nicholas Philibert

The Moo Man | UK, Germany | Directors: Andy Heathcote, Heike Bachelier

Narco Cultura | USA | Director: Shaul Schwarz
The Pervert’s Guide to Ideology | UK-Ireland | Director: Sophie Fiennes

Pussy Riot – A Punk Prayer | Russian Federation-UK | Directors: Mike Learner, Maxim Pozdorovkin

A River Changes Course | USA, Cambodia | Director: Kalyanee Mam
Scatter My Ashes at Bergdorf’s | USA | Director: Mathew Miele
The Search for Emak Bakia | Spain | Director: Oskar Alegria
The Spirit of ’45 | UK | Director: Ken Loach
The Summit | Ireland-UK-Switzerland | Director: Nick Ryan

We Steal Secrets: The Story of Wikileaks | USA | Director: Alex Gibney
Which Way Is The Front Line From Here? The Life and Time of Tim Hetherington | USA | Director: Sebastian Junger
William and the Windmill | USA-Malawi-South Africa | Director: Ben Nabors
William Yang: My Generation | Australia | Director: Martin Fox

 

Retrospective

The SFF 2013 Retrospective includes a restored Australian classic, an iconic Hitchcock thriller and a specially curated program of British noir.

 

Rear Window | 1954 | USA | Director: Alfred Hitchcock
Wrong Side of the Road | 1981 | Australia | Director: Ned Lander

 

 

 

Brit Noir: Rainy Sundays, Stormy Mondays

Presented in collaboration with the National Film and Sound Archives of Australia, this collection rewrites the rulebook of British cinema history. There are also many fascinating Australian connections to be unearthed from this subterranean collection. A slow-burning social revolt against the conservative routines of the British way of life, these gritty, dark and compelling films are a very different kind of noir, featuring famous faces like Peter Sellers, Richard Attenborough and Diana Dors playing completely against type. The results are shocking, engrossing and totally unexpected. 

 

Here is the full list of Brit Noir films:

 

Brighton Rock (screens with the short Sunday by the Sea)

Brighton Rock | Director: John Boulting | Cast: Richard Attenborough, Hermoine Baddeley, William Hartnell

Sunday by the Sea | Director: Anthony Simmons | Screenwriter: Anthony Simmons | Producer: Leon Clore

 

Daybreak (screens with the shortCine Gazette no. 12: The Elephant Will Never Forget)

Daybreak | Director: Compton Bennett | Cast: Ann Todd, Eric Portman, Maxwell Reed

Cine Gazette no. 12: The Elephant Will Never Forget | Director, Screenwriter: John Krish | Producer: Edgar Anstey | Cast: Brewster Mason

 

Hell Drivers (screens with the short Pedestrian Crossing)

Hell Drivers| Director: Cy Endfield | Cast: Stanley Baker, Herbert Lom, Peggy Cummins

Pedestrian Crossing| Director: Michael Law | Producer: Richard Massingham | Cast: Richard Massingham

 

Hell Is a City (screens with the short Tomorrow’s Saturday)

Hell is a City | Director, Screenwriter: Val Guest | Cast: Stanley Baker, John Crowford, Donald Pleasence Tomorrow's Saturday | Director: Michael Grigsby

 

It Always Rains on Sunday (screens with the shorts What A Life! and The People at No. 19)

It Always Rains on Sunday | Director: Robert Hamer | Producer: Michael Balcon | Cast: Googie Withers, Jack Warner, John McCallum

What A Life! | Director: Michael Law | Cast: Michael Law, Russell Waters

The People at No. 19 | Director: J. B. Holmes | Cast: Tilsa Page, Desmond Carrington, Margery Fleeson

 

Never Let Go (screens with the short Coughs and Sneezes)

Never Let Go |Director: John Guillermin| Cast: Richard Todd, Peter Sellers, Elizabeth Sellars

Coughs and Sneezes | Director: Richard Massingham | Cast: Richard Massingham

 

Noose (screens with the short The Dark Stairway)

Noose |Director: Edmond T. Gréville | Cast: Carole Landis, Derek Farr, Joseph Calleia

The Dark Stairway | Director, Screenwriter: Ken Hughes | Cast: Edgar Lustgarten, Russell Napier, Vincent Ball

 

Odd Man Out | Director, Producer: Carol Reed| Cast: James Mason, Robert Newton, Cyril Cusack

 

Robbery (screens with the short A Warning to Travellers)

Robbery Director: Peter Yates | Cast: Stanley Baker, Joanna Pettet, James Booth

A Warning to Travellers| Director: John Waterhouse | Cast: Richard Massingham

 

The Siege of Pinchgut | Director: Harry Watt | Cast: Aldo Ray, Heather Sears, Neil McCallum

 

They Made Me A Fugitive | Director: Alberto Cavalcanti | Cast: Sally Gray, Trevor Howard, Griffith Jones

 

Time without Pity (screens with the short Watch Your Meters)

Time without Pity | Director: Joseph Losey | Cast: Michael Redgrave, Ann Todd, Leo McKern, Peter Cushing

Watch Your Meters | TBC

 

Yield to the Night (screens with the short Nice Time)

Yield to the Night | Director: J. Lee Thompson | Cast: Diana Dors, Yvonne Mitchell, Michael Craig

Nice Time | Director: AlaIn Tanner and Claude Goretta

 

Focus on Austria

It has been a big year for Austrian film. Michael Haneke’s Amour (SFF 2012) won both the Palme d’Or at Cannes and the Oscar® for Best Foreign Language Film. Ulrich Seidl’s Paradise trilogy achieved the rare feat of playing in competition at the three major festivals: Cannes, Venice and Berlin. Through this Focus on Austria, we pay tribute to these masters and their colleagues, their films and their methods, to the beautiful city of Vienna, and to the next generation of filmmakers.

 

The titles in Focus on Austria are:

Michael H: Profession Director | Austria-France | Director: Yves Montmayeur
Museum Hours
| Austria-USA | Director: Jem Cohen

Soldate Jeannette | USA | Director: Daniel Hoesl

 

Paradise Trilogy:

Paradise Faith | Austria-Germany-France | Director: Ulrich Seidl

Paradise: Hope | Austria-Germany-France | Director: Ulrich Seidl
Paradise: Love
| Austria-Germany-France | Director: Ulrich Seidl

 

Freak Me Out

Selected by Guest Programmer Richard Kuipers, and now in its sixth year at SFF, Freak Me Out showcases Cheap Thrills, the winner of the Audience Award at the SXSW;Comrade Kim Goes Flying, the first North Korean movie ever to screen at SFF; Frankenstein’s Army, a gruesomely comic found-footage mockumentary about a crazed Nazi scientist and his half-human killing machines; You're Next, one of the most terrifying films of the year and winner of SCI FI Jury Award at the Gérardmer Film Festival 2012; the bizarre American road movie The Rambler; and We Are What We Are (selected for Cannes), a slow-burn study of a strange backwoods family directed by acclaimed genre filmmaker Jim Mickle (Mulberry Street and Stake Land), which was reviewed by Indiewire as ‘poetic, creepy and satisfyingly gross.’

 

The Freak Me Out films are:

Cheap Thrills | USA | Director: E. L. Katz

Comrade Kim Goes Flying | Belgium-UK-North-Korea | Directors: Nicholas Bonner, Kim Gwang Hun and Anja Daelemans
Frankenstein’s Army | Netherlands-USA |Director: Richard Raaphorst
The Rambler | USA | Director: Calvin Lee Reeder

We Are What We Are | USA | Director: Jim Mickle
You’re Next | USA | Director: Adam Wingard

 

 

 

The Box Set

SFF audiences have the real treat of watching two of the world’s greatest TV productions in the cinema. These works have brought feature-film production values and screenplays into the home. Now their true qualities are revealed on the big screen for the first time.

 

The Box Set features:

Burning Bush (Czech Republic, HBO Europe) | Director: Agnieszka Holland (Europa Europa, A Lonely Woman, Angry Harvest, The Wire)

Penance (Japan) | Director: Kiyoshi Kurosawa (Pulse, Bright Future, Tokyo Sonata)


Short Films

The 60th Sydney Film Festival presents the following shorts: The Amber Amulet (Director: Matthew Moore; Australia), Captive Radio (Director: Lauren Rosenfield; USA-Colombia), Children Playing (Director: Kai Raisbeck; Australia), The Chuck In (Director: Jon Bell; Australia), Crooked Lines (Director: Lucy Walker; USA), December 25 (Director: Went Dent; Australia), Ellen is Leaving (Director: Michelle Savill; New Zealand), Fighting Spirit (Director: Linda Hambäck; Sweden), Home (Director: Thomas Gleeson; New Zealand), Irish Folk Furniture (Director: Tony Donoghue; Ireland), km (Director: Christos Nikou; Greece), La Pionnière (Director: Daniela Abke; Germany), Notes on Blindness: Rainfall (Directors: James Spinney, Peter Middleton; UK – prizewinner at Hot Docs), Out of Frame (Director:  Yorgos Zois; Greece), Pablo’s Villa (Director: Matthew Salleh; Australia), Paper Run (Director: Malcolm Otton, Australia; 1956). Recollections (Director: Nathanael Carton; Japan), Tau Seru, (Director: Rodd Rathjen; India, Australia – selected for Cannes), The Village (Director: Liliana Sulzbach; Brazil), Whale Valley (Director: Gudmundur Arnar Gudmundsson; Denmark-Iceland – selected for Cannes).

 

Talks Program:

 

Meet the Filmmakers: SFF Talks at the Apple Store

To celebrate the 2013 Sydney Film Festival and the spirit of filmmaking, the Apple Store once again hosts its free Meet the Filmmakers series, where you can hear esteemed writers, directors, producers and actors discuss their latest project and answer your questions.

 

Haifaa Al Mansour (Wadjda)
Saturday 8 June, 2-3pm
Pioneering Saudi Arabian director Haifaa Al Mansour returns to Sydney, where she earned a Masters in Film Studies at the University of Sydney, to talk about her debut feature Wadjda, the first feature shot entirely in her country. The film screens in SFF’s Official Competition. This talk will be hosted by DrRichard Smith, Director of Film Studies at the University of Sydney.

 

Ivan Sen and David Jowsey (Mystery Road)

Sunday, 9 June, 12-1pm

On the vanguard of Australian filmmaking since his acclaimed debut feature Beneath Clouds, Ivan Sen is no stranger to the festival; his previous film Toomelah screened in SFF’s 2011 Official Competition. His highly anticipated Mystery Road is SFF’s Opening Night film this year. In this session Sen, together with producer David Jowsey, will discuss the making of Mystery Road, which he directed, wrote, shot, edited and scored. The talk will hosted by Sydney Morning Herald film writer Garry Maddox.

 

 

 

Kim Mordaunt and Sylvia Wilczynski (The Rocket)

Sunday 9 June, 2-3pm
The Australian filmmaking duo of writer-director Kim Mordaunt and producer Sylvia Wilczynski (Bomb Harvest) discuss their Lao-language debut feature The Rocket, which won the Crystal Bear and Best First Feature at the Berlinale and the Founders Award for Best Narrative Feature and Best Actor at Tribeca. The film’s Australian Premiere will be at SFF. The talk will hosted by Sydney Morning Herald film writer Garry Maddox.

 

Sarah Polley (Stories We Tell)

Saturday 15 June, 2:30-3:15pm
Oscar nominated actor-director Sarah Polley (Away from Her, Take This Waltz) discusses her highly personal first venture into documentary, the award-winning Stories We Tell. The film screens in SFF’s Official Competition.  The talk will be hosted by Margaret Pomeranz from ABC’s At the Movies.

 

Visit sff.org.au or http:/apple.com/au/sydney for more information on Meet the Filmmaker events and session times.

 

Vivid Ideas also hosts free creative industry talks at the Apple Store. Visit vividsydney.com/ideasor http:/apple.com/au/sydney for more information.

 

Festival Hub at Lower Town Hall

The 60th Sydney Film Festival presents the Sydney Film Festival Hub at Lower Town Hall, offering the public a free venue to relax and mingle before or after screenings, see local and international acts, hear filmmaker talks and grab a drink at the Keystone Bar. The Festival Hub will be the only place where $10 discount tickets for select next day screenings will be available. 

 

Awarding winning Luxembourgian artist and music-video director Jeff Desom will open the Festival Hub with a free video projection exhibition Rear Window Loop, celebrating Alfred Hitchcock’s 60-year-old masterpiece Rear Window. In a stunning 20-minute panoramic three-channel video projection audiences, can see the view out the rear window of the central character’s (James Stewart’s) New York apartment and experience the intrigue and mystery of this classic film. Hear about Desom’s inspiration for creating this work and his successful background in music-video directing on Sunday 9 June from 6-7pm.

The full up-to-date schedule of events at Festival Hub is now available as a PDF or at www.sff.org.au 

 

Hub Expert Talks: SFF Talks Festival Hub at Lower Town Hall

 

TALK: Friday on My Mind, Hosted by AFTRS

Friday 7 June, 6-7:30pm

AFTRS brings its popular Friday on My Mind conversation to the Hub, in which acclaimed filmmaker Joshua Oppenheimer (The Act of Killing) discusses his work with Radio National’s Jason Di Rosso.

 

TALK: Short Cuts 1: Quick Talks by Film Addicts

Friday 7 June, 8-10pm

A series of five engaging and quirky 15-minute talks by obsessive film buffs, curated by The Yeah Sessions. Topics include ‘Re-Queering Australian Cinema’ and ‘A Vodka Martini... or a Heineken? The Glorious Role of Product Placement in Films’.

 

WORKSHOP: Basement Sound Studio: Live Foley Demo

Saturday 8 June, 3:30-5pm

Local legend Les Fiddess, the man behind the sound effects for The Lord of the Rings trilogy and Samson and Delilah, creates live sound effects for cult films in this entertaining hands-on workshop.

 

WORKSHOP: Show and Tell: Hack Your Smartphone Camera!

Saturday 8 June, 5-6:30pm

Meet and learn from geeks and DIY artists who’ve made surprising use of their smartphone cameras to create innovative and striking work, in partnership with Lomography Australia and Kino Sydney.

 

TALK: Download This Show: Cinema in the Year 2074

Saturday 8 June, 6:30-8pm

Radio National host Marc Fennell brings cinema kicking and screaming 60 years into the future. Do cinemas still exist? Are all screens holographic? Find out in this mind-expanding panel.

 

TALK: Julie and the Directors

Sunday 9 June, 12:30-2:30pm

In celebration of SFF’s 60th anniversary, journalist Julie Rigg moderates a panel of Sydney Film Festival programmers past and present, from David Donaldson (1954-57) to David Stratton (1966-1983) to Nashen Moodley (2012 to now). It’s an insightful look at six decades of world-cinema trends, festival challenges and juicy celebrity anecdotes.

 

TALK: 2SER IN CONVERSATION WITH JEFF DESOM

Sunday 9 June, 6-7pm

Paris Pompor (Groovescooter) chats with European filmmaker and artist Jeff Desom (Rear Window Loop) about remixing Hitchcock, going viral and shooting music videos with zombie babies.

 

TALK: STILLS PHOTOGRAPHERS IN CONVERSATION: ROBERT MCFARLANE AND MARK ROGERS

Monday 10 June, 4-5pm

Two of Australia’s best still photographers share striking images and juicy anecdotes about their work on the sets of iconic homegrown films, from Heatwave (1982) to Wolf Creek 2 (2013). A co-presentation with Head On Photo Festival

 

TALK: SHORT CUTS 2: QUICK TALKS BY FILM EXPERTS

Monday 10 June, 6-7:30pm

A series of four entertaining and fascinating 15-minute talks by film experts and academics including Dr Jane Park on ‘Representing Race in Film’ and ‘Sex on Screen’ by Prof. Annamarie Jagose. The talks are curated and presented by the University of Sydney.

 

TALK: FIVE FILMS FOR AN ALIEN – HOSTED BY AFTRS

Tuesday 11 June, 6:30-8pm

If you had to tell the story of cinema to an alien visiting our planet, which five films would you choose? Acclaimed filmmakers and practitioners share their picks. Intergalactic peace hangs in the balance!

 

TALK: DIRECTOR IN CONVERSATION: CĂLIN PETER NETZER

Wednesday 12 June, 6:30-8pm

Călin Peter Netzer talks about his creative process and the challenges he overcame to make Berlinale Golden Bear-winner Child’s Pose. A co-presentation with the Australian Directors Guild.

 

 

 

TALK: CROWDFUND YOUR DREAMS

Thursday 13 June, 6:30-8pm

Screen-content creators including Kirsty Stark (web series Wastelander Panda), Craig Boreham (Teenage Kicks) and Jiao Chen (Ngurrumbang) share their successes and disasters crowdfunding their work online. Presented in association with Pozible.com.

 

SCREEN AUSTRALIA MASTERCLASSES

Screen Australia in partnership with SFF brings leading documentary filmmakers to Sydney for a series of intimate industry masterclasses at the Festival Hub. Participants include: Sarah Polley, Oscar-nominated director of Stories We Tell; Joshua Oppenheimer, director of The Act of Killing; and Danish filmmakers Signe Byrge Sørensen (The Act of Killing, The Human Scale) and Andreas Dalsgaard (The Human Scale). The talks are hosted by SBS’s Sandy George.

 

Special Events

Ian McPherson Memorial Lecture 2013

11AM MONDAY 10 JUNE, EVENT CINEMAS GEORGE STREET (EV3)

ABC-TV’s David Stratton brings his consummate interviewing skills to bear as host of a special discussion featuring a surprise guest! Stratton is a former director of Sydney Film Festival and is currently film critic for The Australian and host of ABC TV’s At the Movies. A recipient of the Australian Film Institute’s Raymond Longford Award, David has also served as a former President of the International Critics Jury for both the Cannes and Venice Film Festivals, authored three books and lectures in Film History at the University of Sydney. Stratton and co-host Margaret Pomeranz recently celebrated 25 years of their onscreen partnership on Australian TV.

 

Sydney Film Festival celebrates its 60th anniversary this 5-16 June bringing a packed program of screenings and special events to even more venues across Sydney. For tickets and full up-to-date program information please visit www.sff.org.au.

 

 ABOUT SYDNEY FILM FESTIVAL

Sydney Film Festival screens feature films, documentaries, short films and animations across the city at the State Theatre, Event Cinemas George Street, Dendy Opera Quays, the Art Gallery of NSW, Hayden Orpheum Picture Palace Cremorne, the Apple Store, Grasshopper Lounge and SFFTV@Martin Place.

The Festival is a major event on the New South Wales cultural calendar and is one of the world’s longest-running film festivals. For more information visit www.sff.org.au

 

Sydney Film Festival also presents twelve films that vie for the ‘Official Competition’; a highly respected international honour that awards a $60,000 cash prize based on the decision of a jury of international and Australian filmmakers and industry professionals. Previous Sydney Film Festival Official Competition winners include: Alps (2012), A Separation (2011) – which went on to win an Academy Award®, Heartbeats (2010), Bronson (2009) and Hunger (2008).

 

The 60th Sydney Film Festival is supported by the NSW Government through Screen NSW, the Federal Government through Screen Australia, and the City of Sydney. The Festival’s Strategic partner is the NSW Government through Destination NSW.

 

What: Sydney Film Festival

When: 5-16 June, 2013

Tickets & Info: 1300 733 733 www.sff.org

 

 

 

 

 

Developing Your Film Festival 2013 - Applications open!

$
0
0

 

©Motovun Film Festival

Applications now open for the 3rd annual
Developing Your Film Festival 2013
23 - 28 July 2013, Motovun Film Festival, Croatia

Do you run a great film festival which has the potential to become even better?

Do you want to discover new ideas for growing your festival’s income, audience and profile?

Come spend a week in Croatia with like-minded film festival professionals from across Europe at one of the world’s most picturesque and friendly film festivals!

This exciting course will equip you with the skills, confidence, inspiration and contacts to:

  • Strengthen and grow your festival
  • Produce innovative film programmes
  • Drive ticket sales and reach wider audiences
  • Tap into different revenue streams
  • Raise your festival's profile
  • Develop confidence in your career
  • Establish international partnerships with other European film festivals

"One of the most memorable, motivating and enjoyable experiences of my career, aspects of which will be used for years to come."

What is it?

3 days training, 2 days networking and screenings

Who is it for?

Staff of well-established medium sized film festivals from across Europe

Fees:

€570 / £582* | Part Scholarship: €365 / £373* | Full Scholarship: €160 / £163*
* Sterling rates include VAT

Bursaries are available towards travel costs

Find out more and apply at:

www.independentcinemaoffice.org.uk/training/developingyourfilmfestival2013

Enquiries:

Sarah Bourne | sarah.bourne@independentcinemaoffice.org.uk | +44 (0) 20 7636 7120

Supported by

DYFF2012 ebulletin logos

Funded by the MEDIA Programme of the European Union. In partnership with Motovun Film Festival. With the support of Vilnius International Film Festival.

Independent Cinema Office
3rd Floor, Kenilworth House, 78-80 Margaret Street, London W1W 8TA
T: 020 7636 7120 F: 020 7636 7121 E: info@independentcinemaoffice.org.uk

This email has been sent to Sarah Bourne (sarah.bourne@independentcinemaoffice.org.uk)
as you opted to receive news and updates from ICO.
If you no longer wish to receive these updates or wish to change your
subscription preferences, please click here.

Follow us on Twitter Follow us on Twitter

 

BELDOCS – The Documentary Film Festival

$
0
0

 

BELDOCS- The Documentary Film Festival 2013 in Belgrade, Serbia is a festival with greater aesthetic criteria and shocking individual world of a great film, although the shock impact of the audience wouldn’t be an aesthetic category. BELDOCS Festival tries to change attitude about the film itself, in a term of the significance and importance of a top class documentary.

One of the greatest of this festival was a retrospective of filmmaker Chris Marker, one of the greatest documentary film directors. BELDOCS festival presented the great opportunity for the younger generation to review the most important films of Marker. A retrospective consisted six films directed by Chris Marker, as an homage to his influence on film as a photographer, writer  and artist in films such as Le fond de l'air EST rouge, A bientôt, j'espère, La sixième face du Pentagon Puisqu'on vous dit que c'est possible, L'Ambassade etc., due to a new documentary style something that lasts 50 years now.

Eight films in program consist the International Program. Featured films were for instance the Israeli The Gatekeepers by Dror Moreh, the Gruzian The Machine That Makes EverythingDissappear byTanatin Gurchian, a film that won Best Documentary Directing Award at Sundance Festival. Also, a Brazilian Elena  by Peter Costa and the film about the great Russian riot -punk- is- not- dead supporters  Pussy Riot - A Punk Prayer  directed by Mike Lerner and Maxim Pozdorovkina and a wonderful controversial feminist issue film Gulabi Gang directed by Nishtha Jain. FIPRESCI Award went to a fantastic portrait of a wonderful film Harry Dean Stanton: Partly Fiction by Sophie Huber for engaging capture and atmospheric tribute to a great power and allure of the actor Harry Dean Stanton, enlarged with an elegant visuals given in a casual tone. Given to Stanton´s brilliant performances, Huber successfully managed to give  Stanton cult status of a quiet, gentle and illuminating profile, with the skillful and simple but impressionistic style. The film features interviews of a great stars such as Blondie, David Lynch or Wim Wenders. The Best Film of the Festival Award went to The Art of Killing by Joshua Oppenheimer, a controversial and really shocking  story about the political killings in Indonesia in the 60s for a portrait of psychopathic mass murder, something to remind us on our own sociopaths from the latest civil war of ex Jugoslavia. The film director Joshua Oppenheimer was student of a world known Serb filmmaker Dusan Makavejev in US at the end of 80s and the beginning of 90s.  One of my favorite film of the festival is also Albert’s Way directed by Serbian film director Predrag Bambic and features legendary Albert Mayer 4 times Oscar Winner and constructor of the great Hollywood Panaflex Camera. The story is about life achievements of Albert Mayer, a legendary constructor of Panaflex film camera connected to Serbia in a way that Albert comes from the mixed nationalities Serbia territory Vojvodina and little village called Perlez. Mayer Senior had to emigrate from Serbia just after the II World War because communists didn’t want any German nationality on their territory: Germans from the territory of Vojvodina were cruelly prosecuted under the order of Russians and Stalin from Serbia, no matter of their political beliefs, as the retribution for the Nazi Holocaust over Serbs, Jews and everyone else during the war.  

The most interesting part of the festival were of course music documentaries. The festival  presented six music documentaries.  My favorites were  A Painkiller: the story of Mark Sandman from the band Morphine directed by Robert G. Bralver and David Ferino and of course a wonderful Autoluminescent: about Rowland.S.Howard from the early days of the band Nick Cave and the Bad Seeds directed by Australian Richard Lowenstein and LynnMaree Milburn.

Many films were depicting and touching on the festival: theme of Kosovo as the subject of several Serbian documentary films for instance film Kosma/Kosma directed by Sonja Blagojevic about the hard living condition of the Serb community on Kosovo. The most popular was the historical reconstruction of ex Yugoslavia, film directed by left wing supporter Marta Popivoda YugoslaviaHow Ideology Moved our Collective Body/Jugoslavija, kako je ideologija pokretala nase kolektivno telo. And of course it goes into a global, thematic range of different issues in a sense of creativity, in a term of a film language. I also quite liked film Arie/Arie directed by Branko Lazic even though I am often tired of the Holocaust stories, about Arie Livni, Jew from Serbia who survived Nazi Holocaust during II World War. The Jury of Beldocs in the national selection unanimously awarded Unplugged/Anplaged directed by Mladen Kovacevic for casualness that is due responsibility of visual richness is the result of conscious decisions, talent and skill to be something ordinary, almost anything presented as a complete universe, the recognition and affirmation skills that ordinary people can amaze and inspire in the same way as the stories of ancient heroes and heroes of our time. The jury also praised the directors of Dragan Wende/Dragan Wende-West Berlin Dragan Petrovic and Lenny von Müller and Special Award went here to a co-director of this film Vuk Maksimovic. The Special Recognition was given to Valentina Delic and Radio-Television Serbia for Voice of Belgrade/Glas iz Beograda - a wonderful portrait of a dignified professor Ljubisa Rajic, late professor of Belgrade University and academic presenters of the Scandinavian languages and culture.

Open the selector of BELDOCS Miroljub Stojanovic

UNIQUE IN EUROPE: FILM FESTIVAL OOSTENDE LAUNCHES THE INTERNATIONAL COMPETITION LOOK!

$
0
0

 

PRESS RELEASE

UNIQUE IN EUROPE: Film Festival Oostende launches the International competition LOOK!

The Film Festival of Ostend (FFO) is taking place for the 7th time from the 6th till the 14th of September 2013 in Ostend, the Belgian City by the Sea.
FFO stands for the presentation of the latest previews of national and international audience movies. Also new short films, documentaries and TV series will be programmed. FFO is also the meeting place for professionals and students who are interested in the movie industry in all its facets. Therefore, the Film Festival of Ostend organizes ‘The Day of the Film Professional’.
Master and face of FFO 13 is the Flemish actor, Johan Heldenbergh, renowned from ‘Broken Circle Breakdown’.
As from the beginning, the festival puts Flemish talent in the spotlight. The highlight of the festival is undoubtedly the presentation of the Ensors, the Flemish Movie Awards.
New for this year is the International Competition LOOK!. This competition is unique for Europe. LOOK! will not only concentrate on the magic of cinema, but also on the hard and professional work of people working behind the scenes. The Curator of the Competition is Nikolaj Nikitin, among other a delegate of the International Film Festival Berlin.

 

The International Competition LOOK!


Films are nowadays available on iPads, computers and even smart phones. This causes classical theatrical screening to be put under pressure and the value of a real film screening and the amazing cinema experience in movie theatres becomes underestimated. Therefore, the Film Festival of Ostend will launch at its 7th edition the International Competition LOOK!.

With this new competition, the Film Festival of Ostend will not only focus on the magic of cinema but also on the amazing work of professionals working on movies behind the scenes. The accent will lie on the visual aspect of film, namely Product Design,Costume Design,Make-up,Visual Effects and D.O.P. The LOOK! Competition will be quite unique in Europe as there is no other competition that stresses on the combined work of those five departments.

The curator of the competition is Nikolaj Nikitin, delegate of the International Film Festival Berlin.

An international jury of specialists under the presidency of Johan Heldenbergh, Curator of FFO 13, will judge six movies which will compete in the five categories.
The winner of the ‘Best Film Award’ will receive a guaranteed release in Belgium and an additional Marketing budget of €50.000.
Also the audience has the opportunity to vote. FFO will hand over ‘The Audience Award’.

 

Formore information about the International Competition LOOK!, contact us at look@filmfestivaloostende.be.

For more informationabout FFO 13: www.filmfestivaloostende.be.

Deadline for submissions: 31/05/2013.

 

Dates to remember:

  • Film Festival Cannes: meet us at The Flanders Image Booth on Saturday the 18th of May from 4 pm till 5 pm. Meeting point: Marché du Film, Riviera A2.
  • Public Screenings: every night at 8 pm from Saturday the 7th of September until Thursday the 12th of  September2013. 
  • Press Screenings: 3 press screenings on Saturday the 7th of September and 3 Screenings on Sunday the 8th of September 2013.
  • Awards Ceremony: Friday the 13th of September at 8pm, together with the screening of The Winner of the Jury.

 

For more information:

Peter Craeymeersch, Les Films du Bord de Mer
peter.craeymeersch@filmfestivaloostende.be
T: +32(0)59 50 25 00 – Mobile : +32(0)477 35 17 32
www.filmfestivaloostende.be     



 

AttachmentSize
LOOK! Logo.pdf836.26 KB
FFO logo 2013-300pdi_rgb.jpg34.04 KB
PerstekstLOOK!ENG13-05-13.doc222 KB

Cannes Festival Diaries with Nadine Vinzens: Seeing the Cast of Fruitvale Station

$
0
0

Nadine Vinzens spots Olivia Spencer on her way to a luncheon and photocall for Fruitvale Station at the Majestic 66 on the beach.

 


 

New York Niche Film Festivals: Cambodia

$
0
0

 

 

As part of the month long Season of Cambodia Arts festival in New York, the Film Society of Lincoln Center and noted Cambodia documentary filmmaker Rith Panh presented Old Ghosts, New Dreams: The Emerging Cambodian Cinema.  The festival ran from April 19-25. The program included ten documentaries and several short films focusing primarily on the devastating impact of the Khmer Rouge regime and development issues dislocating Cambodian society.  Only few of the productions had been shown before In New York like S21: THE KHMER ROUGE DEATH MACHINE (Rithy Panh, 2002)   covering the torture and murder of 13 000 at the S21 prison and GOLDEN SLUMBERS (Davy Chou, 2011), a compelling investigation reconstructing Cambodia’s history of film. Most of the other productions screened were New York premieres and would not have been accessible otherwise.

DUCH, MASTER OF THE FORGES OF HELL  (Rithy Panh, 2012), provides a compelling portrait of  Kaing Guek, known as Duch, who was in charge of the S21 torture prison in Phnom Penh. Using the narrative by Duch from extensive face to face interviews and archival material with eye witness accounts Rithy Panh reconstructs the human destruction Duch engineered.  Duch discusses his rise to power and describes himself as a pure a pure instrument of the party, Ankgar, and claims he acted in the interest of his own survival. He denies having been involved in torturing prisoners because he feared the pain it caused and only taught the theory of enhanced interrogation techniques and torture. But does however admit that the function of S-21 was to turn lies into truth and provides a detailed description of the tools of torture and claims amnesia when confronted with testimony that he was personally involved

Red Wedding (Lida Chan and Guillaume Soun, 2012). Produced by Rithy Panh, this documentary covers the Khmer Rouge policy of forcing more than 4000 Cambodian women to marry soldiers. Four decades later one of the victims Sochan Pen searches for justice. After her rape on wedding night she remains traumatized by the memory and has not been able to let go of the shame she experienced. In traditional Cambodian culture one cannot talk about it, even to members of the family. She investigates those who gave the orders. Some confirm their participation but claimed they had no other options “If we behaved correctly [enforcing marriages] we live, if not we could die”, others denied knowledge.  Some who gave orders remain silent since they still had the same position as village chiefs they had under Khmer Rouge rule. Sochan’s criminal complaint filed with UN sanctioned authorities has not yet resulted in effective responses

THE LAND OF WANDERING SOULS (Rithy Panh, 1999). Groups of migrant laborers are digging trenches by hand for high tech optic cables to connect Cambodia to other Asian countries and are paid starving wages by Alcatel the French company which hired them.  They were paid 60 cents for one meter (40 inches) of cable dug and laid. But as illiterate former soldiers and impoverished rice farmers they have few if any other options. They and members of their families, including many children dig and in the process find land mines and bones from the war period. Food is derived from the land surrounding the trenches from ants to snakes, buying rice or borrowing money for it. They live next to the trenches with members of their families, exploited by contractors who hired them. In one case the contractor disappears with the money they earned, resulting in a return after seven or eight month of work to their villages as impoverished as they left them.  They have no earnings to pay off debts and support their families. This chronicle of the life of ditch diggers reflects the utmost poverty and privations the poorest have to endure in Cambodia and their lack of representation. The costs of brining Cambodia into the modern age are born by those who can least afford it the poorest of the poor.

 

THE LAST REFUGE (Ann-Laure Poree and Guillaume Soun, 2013). Deforestation for foreign owned rubber plantations destroys living space and burial places for the Bunon, a hill tribe in eastern Cambodia.  They lose their culture and ethnic identity and skills passed on from generation to generation such as the craft of weaving. No room is left for the invocation of the spirits and their life cannot be reconciled with the market mechanism of modernity as the juxtaposition of a bulldozer destroying their burial grounds and a traditional ceremony invoking the spirits shows. Their attempts to stop the havoc fail since the local police and authorities cooperate with the companies invading their land.  Nor does the tribe have the knowledge or leadership to mount an effective opposition. As a member puts it “money destroys our values and forests”. Some are indebted and have to sell their land; others are forced to trade good land against bad land.  There is no escape they have to work for foreign corporations and their loggers to support their families

 

A RIVER CHANGES COURSE (Kalyanee Mam, 2012). Following three Cambodians and their families Kalyanee Mam demonstrates the impact of development on rural living and the devastating shift from a primarily agricultural society to a more industrial one. Mam who was the director of photography for the Oscar-winning INSIDE JOB,  records in this superbly filmed journey  from the innermost forests to the garment factories of  Phnom Penh the life conditions of these Cambodians.   Deforestation  and loss of land deprives  villagers of their traditional resources for living,  commercial fishing  leaves no space for individual  fisherman, and  over whelming debts  prompted by poor  harvests  impairs traditional life styles. Thus children are forced to work in the city to support their rural families and pay their debts. There is no more work in the countryside and many rural dwellers are forced to sell their land.  The land once needed for subsistence farming is now used for large scale plantations. Money and market culture displace traditional life styles and as noted by one villager, they all will round up working for the Chinese.

 

FIVE LIVES (2010).  Trained by Rithy Panh in documentary film making,   five young directors provide compelling presentations of survival in Phnom Penh. Lida Chan focuses in MY YESTERDAY LIFE on a teenage girl who moves to the capital to work in the garment districts but ends up in as a singer in a karaoke bar with some support through an affair.  Though she still has the fantasy of joining a band, she sees no alternative to her current way of life. She must support her family of five members, living in a village including an alcoholic father, a destitute mother and her child.  In THE SCALE BOY Civic Nemag shows us the life of a young boy of Vietnamese descent who has a temporary stay with an acquaintance of his mother but must leave. He makes little money with his scale, will be homeless soon and has no place to live. He resents his estranged mother not able to help him and loathes his distant father.   In A BLURRED WAY OF LIFE Sopheak Sao shows how girls aged 1o years and older are making a living selling newspapers in the capital. One has to supports her country side family including an impoverished mother who suffers from depressions and cannot work. Her father has already died of AIDS. She actually started the supporting her family before she was teen agers and accepts her life because it is her karma. Adding to this, her mother emphasizes there is no time for an education since she has to take care of the family. I CAN BE WHO I AM is ironically the least disconcerting of these documentaries. This production portraits young boys who are lady boys.  Sarin Chhoun offers a very sensitive documentation of the life of cross dressing boys who prefers acting like women.  With reluctance they are accepted by their families but do experience the ridicule and mocking by the outside world. They make a living working in karaoke bars, barbershops or the cosmetic business and if they can afford take hormones to feminize their bodies.  They are aware of the problems faced in Cambodian society, question why they are lady boys and not normal but do not convey the hopelessness found in the other documentaries. To the contrary as one put it they will not go back but plan for a future that will be better. A PEDAL MAN by Katank Yos is among the best films in this group. It is a superbly filmed presentation of the life of tricyclists making a living through deliveries and picking up fares.  Katank Yos excels in filming at night time and close up shots.  The cyclist has no home, lives on the street where he sleeps, eats and washes up.  Making about 7000 riel (less than 2 USD) a day he sends money to his wife for food and her donations to the pagoda.  In his late 50’s, though looking much older, he is afraid of aging and not working.   Now he just makes enough to eat and drink. He notes the corruption in Cambodia “the rich are rich and exploit the poor”, but does not show despair.

The productions presented here demonstrate the expanding Cambodian film industry specifically in the documentary field with much credit going to Rithy Pan.  The realistic image presented of Cambodia and its development issues is sobering.

Claus Mueller

filmexchange@gmail.com 

Cannes Festival Diaries with Nadine Vinzens, Day 2: Bérénice Bejo

$
0
0

Another star sighting for Nadine Vinzens as she spots Bérénice Bejo getting ready for a photoshoot to promote her new film, The Past.


 

Cannes Festival Diaries with Nadine Vinzens: Entrée Des Artistes

$
0
0

Nadine Vinzens at the Entrée Des Artistes on Day 2 of the 66th Cannes Film Festival

 

Cannes Festival Diaries: Nadine on her new movie, "Four Senses"

$
0
0

Nadine Vinzens, star of the upcoming film, "Four Senses", talking about her role and the film.

 

 

Viewing all 5397 articles
Browse latest View live




Latest Images