Tormenta Creativa, S.A. is pleased to officially invite producers, directors, individuals, legal entities and other people interested in national and international audiovisual productions for children and teenagers to submit their audiovisual works (Short / Feature Films) in order to participate in the I Torrecinos Film Festival (Tofifes) whose International Screening will take place from November 20th to 25th 2017.

 
​

Tofifes aims to organize spaces where Panamanian children and teenagers can have access to national and international audiovisual productions specially aimed at them. 

The Ottawa International Animation Festival (OIAF), North America’s leading animation film festival, is pleased to announce an exciting opportunity for anyone with a great idea for an animated TV series. Corus Entertainment’s Nelvana, Canada’s premiere animation company and long-time OIAF partner, is offering a development deal, in addition to Toon Boom animation software, to the winner of Pitch THIS! at the event’s industry stream TAC (The Animation Conference), September 20—24, 2017. 

“Once again, Nelvana is excited to participate in the Pitch THIS! program and help foster the next generation of creative talent in the animation community,” said Scott Dyer, President, Nelvana.  “Nurturing and supporting innovative ideas often brings creative gems to the forefront – we look forward to this year’s submissions.”

TAC provides a chance for new-comers and professionals to network and keep up with industry trends while having access to the most creative, original and innovative animation out there. Every year TAC presents Pitch THIS!, a contest where two creators get the chance to pitch their new project to the TAC audience.

Not only is there a development deal on the line, but the 2017 program has added a mentorship twist as well. This year, TEN PITCHES will be selected and the creators paired with a mentor who will help them develop their idea. This is a rare opportunity for folks to work closely with a seasoned industry professional, and receive feedback on their project.

All ten pitches will be presented on Wednesday, September 20 during TAC, where each contestant has only ten minutes to impress a small committee of experts. From this group, two lucky candidates will be selected to present their idea at the official Pitch THIS! event on Thursday, September 21 to a panel of broadcasters and the entire audience at TAC, an audience that includes over 300 potential buyers and financiers within the industry.

“The OIAF and Nelvana have a longstanding relationship of working together to foster the animation industry,” says Azarin Sohrabkhani, Director of Industry Programming for OIAF. "It's very exciting to be able to work together again this year to present this amazing opportunity for the animation community.”

Not only is Nelvana offering a development deal, but Toon Boom will award a licence for Harmony and Storyboard Pro with training to the winner. 

Proposals should include:
• Project synopsis, including log line and character descriptions
• One episode synopsis
• Concept art
• Bios of key creators
• Content aimed at children ages 2—11
• Please note: no more than 2 submissions per production company
• We are accepting International submissions

Do you have what it takes? Send your Pitch THIS! proposals to:
presentations@animationfestival.ca

For more information visit: https://www.animationfestival.ca/index.php?option=com_oiaf&task=showevent&i=1467#1467

THE DEADLINE FOR PITCH THIS! SUBMISSIONS IS AUGUST 31, 2017


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Follow Nelvana on Twitter @NelvanaEnt / Toon Boom Animation @ToonBoom / Corus PR @Corus PR
Follow OIAF @OIAF_Animation

About Nelvana
Nelvana is Canada’s premier animation company and a world-leading producer and distributor of children’s content. Nelvana has delighted audiences around the globe for more than 40 years with a vast library of more than 4,000 episodes from original, award-winning series like Babar and Franklin. Nelvana’s content is distributed in more than 160 countries worldwide and broadcasts across Corus Entertainment’s suite of leading kids networks. Nelvana Enterprises, the global licensing and merchandising arm of Nelvana, manages the organization’s portfolio of in-house and third-party brands with offices in Toronto and Paris. Nelvana Studio, with offices in Toronto and Montreal, employs more than 300 Canadian artists working with local and international producers to create premium children’s content for a global stage.  For more information, visit www.nelvana.com. Nelvana is owned by Corus Entertainment Inc. (TSX:CJR.B), a leading media and content company that creates and delivers high quality brands and content across platforms for audiences around the world. Visit Corus at www.corusent.com.

About Toon Boom Animation
Toon Boom Animation's award-winning software is the global standard for 2D animation and storyboarding. Toon Boom solutions provide everyone from enthusiasts to professionals with the artistic freedom to create in any style and efficiently publish anywhere. Customers include Bento Box Entertainment, Disney Television Animation, DreamWorks Animation, Fox Television Animation, Mercury Filmworks, Nelvana and The Spa Studios. Toon Boom technology is available in Japanese, Simplified Chinese and Spanish. For more information, visit: toonboom.com.

About OIAF
The Ottawa International Animation Festival (OIAF) is one of the world’s leading animation events providing screenings, exhibits, workshops and entertainment since 1976.  OIAF is an annual five-day event bringing art and industry together in a vibrant hub and attracting more than 28,000 artists, producers, students and animation fans from around the world. This year’s OIAF runs September 20 – 24, 2017. Visit the OIAF website at: www.animationfestival.ca.   

Paolo Baratta: President of the Biennale di Venezia

The Red Cube and the White Piazza

The “Citadel of Cinema” at the Lido is completing its rebirth. The program which was launched after the annus horribilis in 2010, when the fragility and criticality which had accumulated over time reached a highpoint, is progressing in a systematic fashion.

The Red Cube sets the seal on this rebirth. And as such, it is a complement to the surrounding buildings, reminders of the decisive stages in the Festival’s history (the terrace of the Excelsior was the first Festival’s headquarters; the Palazzo del Cinema, constructed in 1937, was the first hall created for a film festival; today, the brand new Sala Darsena crowns the open-air arena which, in its time, was a symbol of the Festival’s openness to its public; the Casinò, which became a definitive Festival acquisition in 2000, symbolizes a new, programmatic relationship with the international press.

Thanks to the commitment of the Municipality of Venice, the large square in front of the Casinò as well as the Sala Grande have been completely renovated this year. Other resources will also be earmarked for the Casinò in the near future for further revamping and renovation.

Discovering the forgotten island

Adjacent to the “Citadel of Cinema”, separated only by a stretch of water, lies sleepy Lazzaretto Vecchio island and its abandoned historical buildings, which have been partially restored in recent years. What better opportunity for our ongoing commitment to the cutting-edge activities of Virtual Reality than to bring new life to these historical structures, in agreement with the Polo Museale Veneziano!

This is a courageous decision in many aspects; equally courageous is our decision to create a true Festival section dedicated to VR, with juries and awards. And, once again, an important moment in our history will enjoy its iconic location.

The five pillars of the Festival

The number of traditional sections in the Mostra, with minor variations, is geared to the size of the event as it has developed over time. Thus, as mentioned, a new section has been added, dedicated to Virtual Reality, and its specific needs. The “Venice Production Bridge” has proven to be a valuable complement to the film markets. The section “Classics” has, in itself, become a classic. “Il Cinema nel Giardino” confirms its role with its openness to genres and audiences. The recent developments confirm the level reached by Biennale College Cinema, which has now been enhanced with the “Virtual Reality” section. The Festival’s sections have already hosted new works by directors who have passed through of the College. And this year, we have introduced an additional “channel” for Italian directors.

True to our mission

We know that if the press acknowledges us as the preferred festival of people who want their works to be successful in the autumn award season, we owe it exclusively to the fact that we have always remained faithful to the principle of our independence and to the quality of the choices we make. Almost paradoxically, we continue to be a reference point for works which may not be destined for resounding box office success but which represent artistic and poetic moments worthy of attention and recognition. This is one of the essential functions of a festival that intends to maintain the world’s esteem.

Visits to the Great Mother

As we all know, the Film Festival was born as an extension of Biennale Arte. In recent years, something long desired has begun to occur: a growing number of filmmakers and journalists are coming and going between the Film Festival and Biennale Arte, which will remain open until November 26^th at the Venice Giardini and the Arsenale.

Acknowledgments

Our thanks to the Ministry of Cultural Heritage and Activities and Tourism for its ongoing, vital support. We also thank the Municipality of Venice for its work on the Citadel of Cinema, which continues to improve its functioning and quality. Our thanks to the Veneto Region. Appreciation is also due to the offices of the European Commission for their help in a number of important sections of the College. We thank the various private and public entities which help restore the Classics. Our gratitude is extended to our sponsors and in particular to Jaeger-LeCoultre and Toyota Lexus. We are much obliged to Rai for its committed presence.

We thank the Director’s group of assistants and our gratitude also goes to the Festival’s director, Alberto Barbera.

We thank the Biennale in its entirety for the wonderful work they have done and which they prepare to do once more.

Ante scriptum

Two days ago, the Biennale Teatro program began. Under the new direction of Antonio Latella, it will concentrate (until August 12^th) on the work of nine women directors and establish a successful collaboration between the festival and the College. This unique formula will see a large number of young people working with teachers on specific projects, many of which will be presented to the public.

Paolo Baratta

President of the Biennale di Venezia

71 new feature films in the Official Selection

divided as follows:

·        21 in Venezia 74 (Competition)

·        20 in Out of Competition (8 of which are documentaries and 2 medium-length films)

·        19 in Orizzonti

·        5 in Cinema nel giardino

·        3 in Biennale College - Cinema

·        3 in Special Screenings

16 new short films

divided as follows:

·         12 inOrizzonti

·         2 in Orizzonti – Out of Competition

·         2 in Out of Competition – Special Events

2 new TV series

divided as follows:

·         1 in Out of Competition

·         1 in Cinema nel giardino

Venezia Classici

18 restored feature films

1 restored medium-length film

1 restored rushes

7 documentaries about cinema (1 of which is a short film)

Virtual Reality

31 projects selected, 22 of which are in Competition

Number of  films viewed:

3492 of which:

1772 feature films (163 of which Italians)

1611 short films (178 of which Italians)

109 VR (6 of which Italians)

Filmfestivals.com partner media of Venice Production Bridge

Established in 1995 as the premier online trade publication for the festival circuit filmfestivals.com will produce dailies and news from the Festival and Venice Production Bridge 

Coverage will be published http://www.filmfestivals.com/blog/mostra_internazionale_d_arte_cinematografica_venice and promoted in the newsletter to 125 000 subscribers of one of the most important pro database in the industry.

“Ciak” and “Venezia News” publishing  the 74th Venice Film Festival Dailies

“Ciak”, the most influential Italian monthly film magazine directed by Piera Detassis, will be responsible for the fourth year, along with the city-magazine “Venezia News”, for the officialDaily of the 74^th Venice International Film Festival.

“Ciak” and “VeneziaNews” will publish two-newspapers-in-one with all the news you could want on the 74th Venice Film Festival. The Daily will be at the service of the public, festival visitors and professionals every day for ten days, with presentations of all the films, interviews, special reports on the international film scene, focuses on specific and historical themes, news, columns and off-beat facts for a fuller experience of the Venice Film Festival and the Lido. “Ciak in Mostra” will bring to Lido its big names, the long-awaited satirical cartoons by Stefano Disegni, relaying the news everyday through its own social networks and the web, on ciakmagazine.it and ciakgeneration.it.

"Venezia News", since 1996 the international magazine and guide to the cultural life and events in the city, and since 2009 the official Daily of the Venice Film Fest – will feature in-depth articles on the Festival - directors, actors, genres, soundtracks – with special focuses on the Orizzonti and Venice Classics sections, interviews and presentations by the juries of the Festival. It will also provide daily information to audiences about the project - promoted by the Biennale – "Il Lido in Mostra", intended for the public and in particular for young people, about the special offers, activities and services available on the Lido, and about the events that will be held during the Festival in the city and about the structures in which they may be found.

"Variety" is the Daily for the Venice Production Bridge

"Variety"(the most famous film newspaper in the world) will be responsible for the Daily newspaper of the Venice Production Bridge, an event for film professionals that will take place during the 74^th Venice Film Festival from August 31^st to September 4^th 2017, on the first floor of the Hotel Excelsior on the Lido di Venezia.

For five days starting August 31^st, the "showbiz Bible" (founded in 1905), will provide coverage of the life of the Venice Production Bridge, focusing on the films being presented and on the many organized initiatives, with international focuses and news reports.

Halfdan E (Popular Music, Borgen) joins the line-up of the Theme Day Music in TV series. He started his career in music as a bass player in a wealth of different Danish bands in the early 1980s. Since then he composed the scores for more than 60 TV series and films, including the Swedish comedy film Popular Music, the TV series Borgen, Apple Tree Yard, Badehotellet and the films A Somewhat Gentle Man, The Inheritance and The Bouncer. Halfdan is Chairman of the Danish Federation of Film and Media Composers and is a leading campaigner for composers. He takes over the event slot of Mark Snow, who unfortunately had to cancel last minute.

Film Music Concerts: The Emperor’s new Clothes? Interesting times for soundtrack buffs! Ghent, Krakow, Malaga, Tenerife, Vienna, Prague... Film & media music events are popping up all around Europe. The biggest ones are based on concerts and claim to gain awareness for media music, develop new concert practices for orchestras, and bring new audiences to the ivory towers of high culture. But didn’t some wise film music critic tell us, that the best film music is the one that merges with the picture? Treat or threat: How far do concerts change the object of desire? The International Film Music Critics Association IFMCA meets the Preis der Deutschen Schallplattenkritik. With Eleni Mitsiaki (Kinetophone), David Serong (Cinema Musica), Jörg Gerle (filmdienst), talking to film music / concert composer, and mediamusic e.V. board member Gregor Schwellenbach.

In the martial arthouse movie TIGER GIRL, improvised dialogues collide with choreographed fighting scenes. What were the artistic challenges and how do audio post production and music composition differ from “classic” working processes? How was the collaboration of the post production department organised and how were impulses from shooting, editing, sound and music picked up? Manuel Meichsner (sound supervisor, sounddesigner), Valentin Finke (re-recording mixer, dialogue editor) and Golo Schulz (composer, producer) will reply to composer and mediamusic e.V. board member Andreas Grimm.

The Future of Music Formats on TV and Online will be discussed by Fiona Latten (Managing Editor at TVT.media) and the directors Kurt de Leijer and Matthew Millan. With ZDF@Bauhaus, TVT.media won last year's Prize for the SEE THE SOUND Best German Livemusic TV-Show. Kurt de Leijers TV format LeFtO – In Transit, where the viewers can discover the underground scenes of worldwide metropolises, will be screened at SEE THE SOUND, the film festival of SoundTrack_Cologne. Matthew Millans Stronger Than Bullets, a documentary about Libya's music scene during the civil war, will also be screened at SEE THE SOUND.

_______________

SoundTrack_Cologne 14

Programm, Akkreditierung und Tickets // Programme, accreditation and tickets:
www.soundtrackcologne.de

CineLatino is a 4-day, cultural celebration of Latino Cinema. With 13 titles, the festival features a healthy mix of feature and documentary films, along with new and repertory titles. The Festival will take place during Hispanic Heritage month, on September 21-24, 2017 at the Denver Film Society’s Sie FilmCenter.

The wait is finally OVER! The Alliance Française Classic Film Festival is opening TONIGHT in Sydney! 
Join us for the screening of PIERROT LE FOU with a glass of sparkling wine at Palace Cinemas or enjoy the restored version of WEEKEND AT DUNKIRK at Hayden Orpheum Picture Palace

Filmfestivals.com has been a partner since the origin of Fest Forums. We highly recommend the fun and networking opportunities to grow your festival business and expertise. BE THERE this november!

Click Here For Your Discounted Passes : use code bruno2017 and save 20% on passes

We, at filmfestivals.com, are extremely proud of our relationships and partnerships with these amazing film events: Venice Production Bridge, FestForums Santa Barbara, AFM, Animaze, Tallinn Black Night International Film Festival, Houston WorldFest, Fantasporto, and Cannes Market of course.

Happy to serve the community bringing industry news and dailies to our audience and newsletter subscribers (125 000)

A PROMINENT PATIENT / MASARYK by Julius Ševcík (Czech Republic / Slovakia)
100min; anglais s.t.f & s.t.a

AND SUDDENLY THE DAWN / Y DE PRONTO EL AMANECER by Silvio Caiozzi (Chile)
195min; espagnol s.t.f & s.t.a

ANNA KARENINA. VRONSKY’S STORY / ANNA KARENINA. ISTORIYA VRONSKOGO by Karen Shakhnazarov (Russia)
138min; russe s.t.f & s.t.a

APPENDIX by Hossein Namazi (Iran)
83min; farsi s.t.f & s.t.a

CARDINAL X by Angie Wang (USA)
98 min; anglais s.t.f

DEAR ETRANGER / OSANAGO WARERA NI UMARE by Yukiko Mishima (Japan) 
127min; japonais s.t.f & s.t.a

ELVIS WALKS HOME by Fatmir Koçi (Albania / UK)
94min; anglais s.t.f

FALLING IN /OUT OF LOVE by Dominic Bachy (France)
95min; français s.t.a

FOOTPRINTS by Wong Wai (Hong Kong, China)
120min; mandarin s.t.f & s.t.a

FROZEN IGNAT / CINE A UCIS CRACIUNUL? by Dinu Tãnase (Romania)
81min; roumain  s.t.f & s.t.a

PATH OF MARYAM by Atia Aldaraji (Iraq / Germany)
76min; arabe  s.t.f & s.t.a

RECONCILIATION / ZGODA by Maciej Sobieszczanski (Poland)
87min; polonais  s.t.f & s.t.a

SAYAKBAY - HOMER OF 20TH CENTURY by Ernest Abdyjaparov (Kyrgyzstan)
82min; kyrgyz  s.t.f & s.t.a

THE BASICS OF KILLING / DRUŽINICA by Jan Cvitkovic (Slovenia / Serbia)
99min; slovène  s.t.f & s.t.a

THE HIDDEN SWORD by Xu Haofeng (China)
137min; chinois s.t.f & s.t.a

UNAWARE CONTROL / HUA SE by Xiaoyan Xu (China)
94min; chinois  s.t.f & s.t.a

UNSUNG HEROES / NOI ERAVAMO by Leonardo Tiberi (Italy)
90min; italien  s.t.f & s.t.a

UPSTREAM by David Chuang (Taiwan)
80min; mandarin  s.t.f & s.t.a

Hi Film Festivals readers

I was wondering if you might be interested in having a read of a small film festival I've put together for this weekend in London? 

My name is Mariah Mathew and I’ve organized Little Wing Film Festival in London that's screening films by first-time filmmakers, including students, recent grads, and filmmakers from non-academic routes. The idea was that I wanted to be able to reward these new creatives in more ways than "exposure" as they're beginning their careers, and so I've gathered a heap of sponsored prizes to award the winners in a way that will help facilitate their next project. The idea was that I wanted to combat the expectation of unpaid work when you're trying to get your foot in the door. 

The festival runs from September 1^st to 3^rd at The Hen and Chickens Theatre in Islington, and we’re screening a mix of shorts and features, all by very talented up-and-coming filmmakers. Tickets are £6 for each screening, and there will be a 4-hour workshop with Nicola Peluso, one of the brains behind wearefilmclub, for £15, that focuses on filmmaking on a microbudget. I wanted to keep it affordable and accessible to anyone with an interest in supporting independent filmmakers and actioning against unpaid work. It's small and super grass roots, with free popcorn to boot. 

There’s an option to leave constructive comments and compliments that will be delivered to each filmmaker, if the audience feels moved to write something. This stems from the idea that it can be arduous, with exhausting setbacks, when trying to get your work recognized in the beginning of your creative career, and a kind word, particularly from a stranger, can be immensely appreciated. I want to create a space that is approachable and easy-going, where young creatives can feel supported and share opportunities, and we can work towards changing attitudes around the acceptability of unpaid work. 

I, myself, am a recent graduate and I started this with £200 saved from bartending. It’s come along really well, and I see so much potential in it to grow, because the call for this kind of support from young creatives is loud, as i'm sure you're aware.

I believe this is something that not only is sharing great films with the public for an entertaining weekend, but it’s a way of consuming films sustainably. I want to encourage the community to support events that pay their artists, in the same way you’d try to sustainably shop for clothes or food. I want this to be an example to larger companies and events that, if a small festival like this can give back to their artists, than they certainly can. 

I was hoping this might be something you'd be interested in sharing online? Please don't hesitate to get in touch if you'd like to review this lil' festival with a big heart, or for some free tickets for your audience. 

If there's more information I can give you, please let me know and i'll help however I can. 

Thank you for your time, I really appreciate it.

Mariah

Mariah Mathew

Festival Director

Little Wing Film Festival

September 1-3​ 2017

www.littlewingevents.com

2017 Festival Line-Up

Twitter: @LittleWingFF

Facebook: @littlewingevents

ADELAIDE FILM FESTIVAL 2017: FULL PROGRAM IS LIVE!    

Are you ready, punk? Today we dropped the full ADL Film Fest 2017 program, jam packed with delectable cinematic delights from home and across the globe.

We have a well of festival faves like The Party, Call Me By Your Name, andFaces Places, through to dazzling indie pics like The Florida Project, and locally filmed Rabbit.

Bonafide festival devotees should try the unnerving new feature from Yorgos Lanthimos (The Killing of Sacred Deer), or the graphic, controversial documentary Death in the Terminal.

Head on to our website to peruse the 140+ films for yourself.

The Japanese experimental erotic cinema which flourished in the 70s and 80s is back and ready to provoke again. The legendary Nikkatsu Studio is making their Roman Porno comeback with the best contemporary independent filmmakers on board.

When the television effectively pulled the Japanese audiences out of movie theaters in the 1970s, many film studios found themselves on the verge of bankruptcy. The only hope for them was to switch to a steamy content for adults only. The production of soft pornography bloomed - the so-called "pink films," the pinku eiga, ended up on the must-do lists of the majority of big film companies.

The Nikkatsu cult series, Roman Porno, was a special treat on the market. The label aimed to create a high quality erotic movies with strong artistic values but still following the rules of the genre: sex or nudity scenes every 10 minutes, cheap and fast production process and a fancy and catchy title. Roman Porno has become a training ground for young filmmakers, ready to experiment and break filmmaking boundaries. Obligatory sex scenes were often embellished with extraordinary visuals, subtle (or not so much) political content, disturbing visions and extravagant editing.

The golden times of softcore movies distributed in cinema theatres ended with VHS and online porn era, but as the traditional audience evaporated, a new wave of cinephile interest in the genre started to rise. Rare, kinky, excessive pinku was a perfect stock for new generations of explorers and festivalgoers, always on the lookout for bizarre and exciting content.

The 45th anniversary of the launch of Roman Porno series became a great opportunity for the renewal of the genre: in 2016 Nikkatsu invited five stars of independent cinema to reinvent soft-core for contemporary audience. The basic rules remained unchanged, but the studio decided to address the new series to a young public, taking into serious consideration the female viewers as well. The results are thrilling. Against the backdrop of "polite" Japanese mainstream cinema Roman Porno yet again proved to be an interesting way not only to excite, but also to show contemporary society in a unique way.

Last year Five Flavours hosted a Polish premiere of the first film of the series, "Antiporno" by Sion Sono. The program of the 11th edition of the festival will showcase two of the latest titles from the Roman Porno Reboot along with two classic films which were a direct inspiration for them.

NIGHT OF THE FELINES (DIR. NOBORU TANAKA, JAPAN 1972)

Frivolous, candy-coloured sex-comedy with a melancholic backdrop. Rock-and-roll and jazzy rhythms are guiding the viewer through the vivid world of the 70s, into the stories of women working in the bathhouse converted into a public house. The film shows a kaleidoscope of extravagant client's cravings as well as the prose of life in the erotic industry. But its true subject is the deep, sisterly bond between three heroines.

DAWN OF THE FELINES (DIR. KAZUYA SHIRAISHI, JAPAN 2017)

Neons of Tokyo, cramped rooms of nightclubs and a panorama of male fantasies depicted from the perspective of three women working in the erotic industry. Captivating images of bursting city, brilliant psychological study of emotions and an up-front diagnosis of the Japanese society in the Internet dating era.

LOVERS ARE WET (DIR. TATSUMI KUMASHIRO, JAPAN 1973)

One of the most acknowledged titles from the Roman Porno archives: a powerful story of an impulsive loner who returns to his hometown hiding a dark secret. A violent and disturbing study of frustration, loneliness and intricate erotic relationships captured in mesmerising shots that have become an important iconic input to the history of Japanese cinema.

WET WOMEN IN THE WIND (DIR. AKIHIKO SHIOTA, JAPAN 2016)

An attractive playwright renounces all relationships with women and tries to withdraw into solitude. That’s not an easy task, as he is spotted on his way by a provocative, unpredictable girl, determined to undermine his pledges. A hunter becomes a prey, gender roles are shifted and breasts are exposed. The director teases the audience with quirky plot twists and skillfully plays with the genre conventions, creating a vivid, ironic and truly steamy tragicomedy.

BUY THE FESTIVAL PASS >

The 11th edition of Five Flavours Asian FIlm Festival takes place on November 15-22 in Warsaw. 

Organizer: Arteria Art Foundation 

Partners: City of Warsaw, The Ministry of Culture and National Heritage, Polish Film Institute, Japan Foundation, Hong Kong Economic and Trade Office in Berlin, Asian Film Awards Academy

www.piecsmakow.pl

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